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This thesis attends to the place of paper in early modern literature, both in actuality and in imaginary form. While a conventional set of (often gendered) tropes holds paper to be passive, blank, and static, these four chapters attend to texts and sites which resist those tropes, and which foreground paper's role as an intellectual-material site that is both agentic and mobile. Paperscapes: Navigating Books in Early Modern England fuses literary scholarship, bibliography, and book history to engage with the affordances of paper as textual substrate and material form. The structure of this thesis foregrounds paper on the move. The chapters focus on the paper volvelles that direct readers around George Wither's Collection of Emblemes (1635), whose verse enables spiritual as well as bibliographic modes of navigation; on the stories that imprints tell about paper's journeys through the city, which collide with the textual routes of James Howell's Londinopolis (1657); on the moving sheets and books which trouble the rhetoric of Samuel Pepys' aspirationally static library; and on the global narratives of circulation in which John Taylor's The Praise of Hempseed (1620) implicates paper. Paperscapes takes its structure from actual sites through which paper moves - the book, the city, the library, and the globe - while simultaneously asserting that paper as substrate makes room for the texts in which imaginary journeys of readers and books play out. Reading early modern printed texts was and is to encounter paper in a contingent place and form. Noting both that paper moves around, and that place matters for how we read, this thesis argues that the mobility of paper has literary implications in unsettling the meaning of text. Paperscapes reverses the suggestion that 'text is more legible than its substrate', and provides a paper counterpoint to the codex which is grounded both in material readings and in the early modern imagination.

Previous research on paper history has tended to be conducted from an economic perspective and/or as part of the field of book history within a broadly literary framework. This has resulted in understandings of paper history being book-centric and focused on production. We now have a great deal of knowledge about the physical process of hand paper-making, a good knowledge of the actors involved and where in the country paper was manufactured, but there is still very little scholarly discussion of the people, processes and practices associated with paper outside of the mill. Taking inspiration from eighteenth-century ‗it-narratives‘, this thesis takes a holistic approach to the paper trade – loosely based around the framework of social life theory as expounded by Arjun Appadurai and Igor Kopytoff. It encompasses a case study of the rag-collection and paper-wholesale operations of a single Edinburgh firm, a wider examination of paper-retailing in Edinburgh, a look at the ownership of desks in Edinburgh alongside a consideration of advice and instruction relating to desk-use, and closes with an examination of the papers owned by a notable Edinburgh family. The first three chapters consider the scope of the Edinburgh paper trade. Moving through distinct stages in the life of paper, these chapters begin with an account of the Edinburgh rag-trade. Business records relating to the Balerno Company‘s rag-buying operations reveal an active and organised network with connections to a variety of trades. Continuing the focus on the Balerno Company, the second chapter considers the company as paper-wholesalers. It demonstrates that the driving force behind their operations was not the supply of paper for the booktrade but rather the provision of wrapping papers for the purposes of commerce. Using advertisements in local newspapers the third chapter looks at the reach of paper-selling beyond the booktrades. The final two chapters move gradually from the commercial to the personal. Chapter four considers the presentation of desk-use in penmanship manuals and the evidence of desk-ownership in confirmation inventories. Both of which are suggestive of a growing mercantile interest in desk furniture. Finally, this thesis closes by looking at the paper archives of the Innes family of Stow in order to examine the extent to which the findings of previous chapters is reflected in the collection, retention and use of papers across two generations of this family. Overall, this thesis demonstrates the value of adopting an inclusive approach to the study of paper history, as doing so opens up a multifaceted world of paper. Paper history has tended to be understood as the history of writing and printing paper sold by booksellers and stationers. The social life approach allows connections to be made between materials, artefacts and trades; to gain a fuller understanding of the role paper played in people‘s lives.

Previous studies of Bank Note forgery in England during the Bank Restriction Period have adopted a highly institutional focus. Thus, much is known about the role played by both the Bank of England and the workings of the criminal justice system in combating both forgers and forged note utterers. The question of how the new system of small denomination Bank Notes impacted upon the day to day lives and understandings of the people that used them has received far less attention. The actual means by which Bank Notes were themselves forged has also been overlooked. This has led to a somewhat two-dimensional view of these notes as material objects. This thesis will engage with common mentalities and perceptions, seeking to write a 'new history from below' of both Bank Notes and their forgery in this period. Its primary aims will be to explore the question of why the English people were so easily imposed upon by forged Bank Notes; the various means by which forged notes could be constructed; and what an analysis of both of these points can tell us about economic and social understandings of non-elite people at this time. It will be argued that by studying instances in which small denomination Bank Notes were routinely exchanged, we can highlight a significant dichotomy of understanding in a society that was starting to engage with a new culture of promise based fiduciary paper money, yet was still deeply rooted in early-modern notions of paper instruments as objects of personal credit and debt. The thesis will show that heavy exposure to Bank Notes at this time clearly equipped some contemporaries with their own personalised sets of aesthetic and material "standards", against which the "goodness" of any monetary instrument with which they were presented would be compared. Others continued to examine the material aspect of Bank Notes via a direct comparison or consultation with others. Neither approach was always successful and indeed whatever method was adopted, the common occurrence of the materials and technologies required to construct a credible imitation of a Bank Note meant that it was not just illiterate persons that were susceptible to being deceived. Even a reading of the Bank Note's literate text failed to provide sufficient defence against the activities of the forger.

This study seeks to examine the specific circumstances surrounding the development of a trade in alfa, or esparto, grass, between Britain and southern Tunisia in the nineteenth and early twentieth centuries. Beginning abruptly in 1871, within the space of ten years alfa grass had became not only the principal item of foreign trade in the south but also one of the whole country's most important exports. What differentiates the alfa trade from existing commercial activities in Tunisia at the time is that it was carried on between European merchants and the inhabitants of districts which were only marginally integrated into the political structures of the central government and the externally orientated market economy of the coastal and urban regions. A mainly pastoral and overwhelmingly subsistence orientated population, the tribes of south and central Tunisia were, on the surface, an unlikely labour force for the collection and sale of a plant which was laborious and time consuming to gather, and whose sale offered what were often extremely meagre returns. In attempting to understand and explain how and why a people, hitherto largely unconnected with and uninterested in direct, market orientated transactions within Tunisia, should enter into economic relations of such magnitude with European industrialists, the study has highlighted a number of interesting issues relating to the penetration of capitalism into what is commonly termed the periphery. Although many of the findings may be specific to Tunisia it is clear that the alfa trade there emerged as a result of a complex interplay of local, regional and international factors which had some surprising origins and some interesting results. Although fulfilling many of the criteria for Myint's "vent-for-surplus" theory of international trade, the alfa trade in Tunisia neither caused any far reaching social change nor did it result in any independent and self-sustaining economic development in the south of the country. Indeed the alfa trade helped mask, and undoubtedly prolonged, the growing economic and social crisis in southern Tunisia as the region underwent a painful integration into the developing national economy. With little to offer the country in terms of natural resources southern Tunisia was sucked dry of its surplus wealth yet deprived of any corresponding investment.