This paper is about the politics of technological progress as it is being played out among a loose network of Ghanaian makers. It unpacks how the practice of 'making' unfolds as a site for positioning the self and the nation within a global imaginary of techno futures. The paper argues, first, that 'making' in Ghana is emblematic of a crossroads of imaginative possibilities for technological design and production, and second, that this marks a distinct turn in the politics of technological progress, particularly when situated against ongoing econo‐political negotiations between the Global south, the West, and China. [ABSTRACT FROM AUTHOR]