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Indonesia is rich in cultural diversity and traditions. Indonesia's unexpected cultural wealth ranges from tradition, art, tourism, and culinary. Indonesia is a country rich in culture. The relationship between Indonesian culture and Indonesian Peranakan culture is also very close. The arrival of the Chinese from mainland China to Indonesia around the 14th or 15th century AD settled and married the locals, combining the socio-cultural and culinary diversity of the two nations. The culture born due to intercultural marriage is Indo-Chinese or Peranakan culture. This intangible heritage needs to be protected and preserved. Digital transformation in the manufacturing sector plays an essential role in the era of the industrial revolution 4.0. In 2018 the President of the Republic of Indonesia, Joko Widodo, launched a road map of Making Indonesia 4.0 with the aspiration to make Indonesia into the top 10 of the world economy by 2030. At the same time, Indonesia's cultural and creative industries have developed, which play a significant role in promoting development. Indonesian economy. Indonesia supports creative innovation by deepening the concept that the cultural and creative industries encourage economic development. This paper raises the design of the Peranakan culture model to increase awareness of the Peranakan culture that can be sold in Indonesian tour packages. This model is expected to be developed to promote crossbreed tourism in other regions. [ABSTRACT FROM AUTHOR]

The paper deals with the relation of creative industry and its position in current European Union Industry policy, where in the long-term run it plays determining role within the industry structure of European Communities countries. The meaning of creative industry within the European Union Industry policy structure is more and more actual because it contributes to the European prosperity and European economy is depended on the vitality of its industry. EU Industry policy includes the set of activities what is the means of how the EU tries to affect the efficiency of processing and services sectors, it is an area on what depends the development and competitiveness of EU member states in addition to as a whole is focused on structural adaptation process which goal is to gain comparative advantages of EU economy in the world economy environment. The goal of this study is by means of the EU industrial policy analysis to figure out the utilization rate of its current efficiency regarding the creative industry issue, in the way of further possible increasing of the EU industrial policy influence in international economics, as well as their significant role relating to the overall socio-economic development of the EU. [ABSTRACT FROM AUTHOR]

The purpose of this paper is to review the increasing synergy between creative industry and tourism and to draw a clear picture of their integral benefits. The synergy between tourism and creative industry develops direct link to different industrial sectors creating mutual intersecting areas of economic activity that primarily stimulate growth and innovation. The main goal of this paper is to analyse the state of creative industry and their role in tourism competitiveness among European Union (EU) countries. This paper provides a theoretical insight into the field of creative industry and their contribution to the development of the countries through the concept of creative economy. Creativity, creative economy, creative industry, creative tourism are all crucial pillars of future economies and countries competitiveness that are moving towards development and growth. Creative industry is a pre-condition for the development of modern economy and is a dimension that ignites aggregate economic growth, development, and drive tourism competitiveness among the countries. Growing connection between tourism and creative industry and the way they communicate, become the main driver of attractiveness and competitiveness of tourist countries and destinations globally. The role and importance of tourism competitiveness and creativity through creative industry and creative tourism in this paper is researched using the available secondary data of the Travel and Tourism Competitiveness overall index and sub-index (TTCI) on the example of EU countries for 2019. TTCI framework is based on four segments: a) Enabling Environment, b) T&T policy and Enabling Conditions, c) Infrastructure and d) Natural and Cultural Resources. Creative industry and within the creative tourism is an integral part of the overall TTCI matrix and it is difficult to single out one or several indicators that are positively correlated with the overall tourism development. TTCI overall ranking for 2019 shows that among the top 5 countries with the highest competitiveness in tourism, three of them are from European Union. Using the fact that "Natural and cultural resources" are an available indicator for assessing the trend of cultural and within also creative tourism as segments of creative industry, we can highlight the need for further improvements and unused opportunities in this area that will lead to faster boost of tourism and overall development in the future. The TTCI methodology has a wide application in the conduct of tourism and economic policy, but there is certainly space for further improvements, especially from the creative industry and creative tourism point of view. There is a link between tourism competitiveness and economic development, especially within inbound and outbound tourism economies. We could conclude that outbound tourism economies in which tourism does not have such a significant effect on the overall economy have lower tourism competitiveness compared to inbound tourism economies. Given the applicability of the topic and the lack of available data and research related to creativity, creative industry and tourism, further research in this area and work on standardized measures is needed. [ABSTRACT FROM AUTHOR]

Purpose – Creative economy leverages creativity, technology, culture and innovation in fostering inclusive and sustained economic growth and development (UNCTAD, 2015). The relationship between film as a part of creative economy and tourism industry, recently coined to a new phenomenon named film tourism, are multifold. Starting from this premise, this paper aims to: (1) give a theoretical framework of the creative economy and film industry as its constituent; (2) explain their trends and impacts on the global economy; (3) explain the concept of film tourism and its impacts on the local economy; (4) give a review of the film tourism state of art in Croatia; and (5) propose policy measures so as to enhance the effects of film tourism in Croatia. Methodology – After having elaborated the theoretical framework of the creative economy in general, there follows the analysis of interconnectedness between film and tourism industry. The conceptual model is being introduced in order to elaborate multiple relations between the two concepts after which the review of available facts for the case of Croatia was given. Findings – This paper primarily focuses on analysis of film industry and its contribution to the growth of tourism industry, with Croatia as an object of research. Contribution – Relations between film and tourism industry will be shown through specific theoretical model. Its empirical contribution lies in providing comprehensive analysis of the multiple effects of these interrelations. Practical contribution is about to be achieved by a number of policy proposals aimed at utilizing Croatian resources by way of film tourism industry. [ABSTRACT FROM AUTHOR]

With the booming of tourism industry and the Increasingly diversion of people's recreational consciousness, the trend of combining culture industry and tourism industry takes a good development. As the allied product of culture and tourism, the cultural theme performance projects(CTPP)has shown a strong momentum of development in recent years. Firstly, the authors introduce the development history and divided into three stages: germination stage, prosperity stage and rapid development stage. The germination stage started from 1980s, representing the performance project is "imitation Tang music and dance" launched by Tang Le Palace in 1987. The prosperity stage is from 90s to 2000, the main features of this stage are the theme park performance, such as "Songcheng ancient love". From twenty-first Century to now, the number and scale of the CTPP are growing rapidly. Secondly, according to the difference of the performance site and form, this paper divides the cultural theme performance items into five types, namely, theme park, real scene, theatre, tour, and performing arts +X, each of them has its own characteristics. Thirdly, by selecting the 142 representative CTPP cases of China, this paper makes a detailed spatial distribution analysis in China, we can conclude that the distribution of cultural theme performance items is uneven, mainly in the six regions: Yunnan = Hunan > Guangxi = Guangdong = Shaanxi > Hubei. The authors further explore the creation and market operation of all kinds of products, and put forward the basic development ideas and orientation of the CTPP, so as to provide the theoretical basis of further development. With the development of CTPP across the country, how to launch a successful performance project is a subject that must be discussed. In order to build a successful performance project, it is necessary to do a good job of market research and project planning before the start of the project, and to dig out the characteristics of the regional culture and determine the location of the project. In the course of the project, the managers need the consciousness of the industrialization operation, the modernized management system and the multichannel propaganda, and open the market. At the same time, we must ensure quality, have advanced hardware facilities and good risk control methods and means. [ABSTRACT FROM AUTHOR]

The Indian Media and Entertainment (M&E) industry is a sunrise sector for the economy and is making high growth strides. Proving its resilience to the world, the Indian M&E industry is on the cusp of a strong phase of growth, backed by rising consumer demand and improving advertising revenues. The industry has been largely driven by increasing digitisation and higher internet usage over the last decade. Internet has almost become a mainstream media for entertainment for most of the people. The Indian advertising industry is projected to be the second fastest growing advertising market in Asia after China. At present, advertising revenue accounts for around 0.38 per cent of India's gross domestic product. This paper thus seeks to highlight some of the challenges, examine the emerging trends and provide insight into the policy guidelines and discuss the patterns of growth in this industry so that the potential investors have clarity on the investment prospects on one of India's largest industry. [ABSTRACT FROM AUTHOR]

Creative economy is the result of interactions between the technology, art and commerce. Its basic characteristics reflect the current economic situation, structural changes in the world of economy and changes in the preferences of economic subjects. The presence of creative industries leads to increase of innovative strength and flexibility, which translates into an increasing number of self-employed people and generally has a positive impact on economic development of the region and the entire national community. The aim of this paper is to highlight the selected aspect of the development of creative industries - craft industries, regarding their existence in the digital world and the new changed conditions, despite the fact that they present the traditions and values that were created by human mind in the distant past. [ABSTRACT FROM AUTHOR]

One of the fastest growing sectors, the creative economy, contributes to the growth of local, regional and national economies, both through revenue generation and job creation. The study aims to analyze the dynamic of the creative economy at the level of the territorial systems, structured by the main creativity poles in Romania. Quantification of the role of creative economies in the economic profile was achieved by creating a database, at the level of administrative-territorial unit, with the main economic indicators (number of companies, number of employees, turnover and profit) for the creative economies, according to the NACE classification (Classification of National Economy Activities), for the period 2000-2016. The database was also used in order to make graphs representing the share of indicators above the main creativity poles in Romania, at the four-digit NACE code. The research has highlighted an increasing trend in the creative economies of local economy development through amassment in structures called creativity poles. [ABSTRACT FROM AUTHOR]