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The article discusses the revision of the lyrics of the Canadian national anthem "O Canada" into a gender neutral version. Topics explored include the passage of a legislation in the Canadian Senate which approved the said revision, previous changes to the national anthem composed by Calixa Lavallée, written in French by Adolphe-Basile Routhier, and translated in English by Robert Stanley Weir, and the public response to the gender neutral lyrics.

The article discusses the evolution of the lyrics of the Canadian national anthem "O Canada," composed by Calixa Lavallée. Topics explored include the gender neutral lyrics of the first English version of the anthem written by Robert Stanley Weir in 1908, criticisms earned by the revised version due to the observed exclusion of women from its lyrics, and the passage of a legislation in the Canadian Senate in 2018 which approved the gender neutral revision of the anthem.

The author explains the need to preserve the lyrics of the Canadian national anthem "O Canada," written by Robert Stanley Weir. Topics discussed include the impact of the 2018 gender neutral revision of the anthem on the national heritage of the country, the opposition of Canadian politicians Andrew Sheer and Denise Batters to the 2018 revision, and the right of the Canadian public to vote in a referendum pertaining to the revision.

Chapter 12 of the book "Your Washington Wills, Trusts & Estates Explained Simply: Important Information You Need to Know for Washington Residents" by Linda C. Ashar is presented. It highlights the importance for estate planners to perform an annual review of the drafted estate plan to examine potential changes and updates. It outlines various situations that could result in revision of the drafted document such as sell of property and a natural disaster incident.

Chapter 4 of the book "How to Write and Publish a Successful Children's Book: Everything You Need to Know Explained Simply" is presented. It focuses on the steps that the work needs to go through after having been written. Revisions and rewriting are essential in every work. New perspective is attained if seen through different and objective eyes. Proper time management and discipline are also needed for writers to complete their work.

Chapter 3 of the book "Your Complete Guide to Leaving an Inheritance for Your Children and Others: What You Need to Know Explained Simply," by Mike Valles is presented. It is stated that relational problems may affect estate planning so the planning tool may need regular revisions. It notes that estate planners can assist one in the preparation of documents to manage possible changes in the future. It also mentions some problems resulting from family problems.

Reading On the Origin of Species is a rite of passage for many biologists and its reasoning continues to play a pivotal role in biological thought. It is often said, following Darwin himself, that the Origin is 'one long argument' (459). There is something important in this remark. Readers expecting the Origin to be structured around a narrative account find the book perplexing. Unlike the paradigmatic early Victorian book on evolution, the Edinburgh journalist Robert Chambers' Vestiges of the Natural History of Creation, published anonymously in 1844, the Origin was not written as a history of life's evolution on earth. Rather, the Origin was structured as an argument. Hence, Darwin's insistence that his book was one long argument provides an indispensable clue for reading the text. But it is not clear that it should be read as one argument. Although Darwin may have designed his book to be read as one long argument for evolution by means of natural selection, many of his readers must have read it differently. We know this because the Origin persuaded many readers to accept the 'evolution' idea but not the 'by means of natural selection' part of Darwin's view. These readers were not swayed by one long argument for evolution by means of natural selection. So, to understand the reasoning that influenced Darwin's readers, it is better to think of the Origin as a body of argumentation flexible enough to allow readers' views of the reasoning to differ from what Darwin might have intended. The aim of this chapter is to provide a guide to the Origin's flexible and sometimes elusive body of reasoning. [ABSTRACT FROM AUTHOR]

Chapter 10 of the book "Understanding the Manifesto" is presented. It explores the revision of the "Fundamentals of Marxism-Leminism" to incorporate the substance of Nikita Khrushchev's innovations to which it acknowledged a theoretical debt. It also highlights the reform called by Mikhail Gorbachev on the Soviet system which focus on the recognition of human rights.

The design process is shaped in fundamental ways by the fact that human rationality is bounded, and shaped especially by the very narrow focus of human attention. Design is a process of search, and of the discovery of new information about alternatives that are available and about the consequences that will follow if those alternatives are chosen. Design is always tentative. At every point of time, the design is subject to revision. A major goal at each step of the design process is to realize goals while keeping options for the future open.

Schlesinger's original distancing of the Gazette's tenor from that of the Revue meant that his journal tended to neglect early music in favour of the living repertory. In the months leading to the merger, one of the journal's staff had referred scathingly to Fétis's unsuccessful series of ‘concerts historiques’ as an ‘abortive musical speculation’ (unsigned II/16: 19 Apr. 1835, 139). However, once Fétis was on board, Schlesinger was too shrewd not to change tack and utilise fully the talents of the most distinguished Francophone critic-historian of the time. Thus, instead of attacking Fétis's endeavours, in April 1836 he acknowledged that the journal had hitherto neglected the discussion of early music. He proposed to set up a forum for discussion: The Retrospective Review which the director of the Gazette musicale plans to start this year, will, as far as possible, attempt to compensate for that institution so dreamed-of and clamoured for to no avail by the friends of the art, in which the fine products of the centuries would be played each year in such a way as to present the great musicians of past centuries with the utmost fidelity, or, rather, exhibit them, as are exhibited Raphael, Corrége, Titian, Rubens and Rembrandt at the Louvre. (III/14: 3 Apr. 1836, 106) [ABSTRACT FROM AUTHOR]

The article provides information on the changes that are incorporated in the revised edition of the "Barlaam and Josaphat" text of the manuscript "mfg 1259." Changes include the scribal and editorial deletions, the marginal additions, and the use of a regular system of punctuation in the manuscript. Furthermore, names or words, which are underlined in the original manuscript, had been reproduced in italic. On the other hand, the spelling of German texts were retained in the edition.

The article provides an analysis on the deletions and additions/changes that were made on the book "Barlaam und Josaphat." It accounts on the changes made by the author on the prologue, the disputations, epilogue, and in the texts of Rudolf, the prose "Barlaam," and the Vulgate. It also explores the changes in the biblical passages and parables that are contained in the prose "Barlaam."

The article provides an analysis of the prose revisions of Rudolf von Ems' "Barlaam und Josaphat" in Berlin and Stuttgart, Germany. It focuses on the significant reductions and modifications in the prose versions of the text. An overview of the changes and the differences between the original manuscript from its succeeding versions is presented.

A definition of the term "Revision Control System" is presented. It manages multiple revisions to a single unit of information, typically a digital document containing source code. Such system is most commonly used in engineering and software development to manage ongoing development of digital documents. Changes to these documents are identified by incrementing an associated number or letter code.

The article reveals that the revisions made on the play "Hamlet," written by William Shakespeare, led critics to describe such play as a bad Quarto. Eight of Shakespeare's Quartos were considered good because their revisions were authorized by Shakespeare. However, with "Hamlet," the situation is different. Caricatures depicting comments on "Hamlet" are also presented.

The article discusses the revisions made to Dean Trench's book "On the Study of Words." It notes that the book originally addressed to pupils of the Diocesan Training School at Winchester through lectures in the form of publication. It states that a complete and exhaustive analysis of the revised text has been added in the book. Moreover, it mentions about the new arrangement of the text, analysis, and questions which was expected to be useful to teachers and pupils.

A definition of the term "Revision Control" is presented. Also known as version control or source control, the term refers to the management of multiple revisions of the same unit of information and information systems. Revision control is most commonly used in engineering and software development to manage ongoing development of digital documents. Changes to these documents are identified by incrementing an associated number or letter code.

An encyclopedia entry for "David's Advanced Revision Control System" (Darcs) is presented. It is a distributed software revision control system designed by David Roundy to replace the centralized Concurrent Versions System (CVS). Each copy of the source tree in the Darcs acts as a full repository, which allows several different versions to be maintained in different locations.

Corrections to the book "Browning's England: A Study in English Influences in Browning" are presented including the changes in punctuation styles, hyphenation, and spelling.