136 results on '"Marshall, Chris"'
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2. Parents Who Hit, Troubled Families, and Children’s Happiness: Do Gender and National Context Make a Difference?
3. Objects In The Office - The Benefits For Users Of Newwave
4. Norms, Values, and Education: How Different Are Immigrant Youth from Native Youth? Insights from the Third International Self-Report Delinquency Study (ISRD3)
5. Shame and Wrong: Is There a Common Morality Among Young People in France, the UK, the Netherlands, Germany, and the USA?
6. Title Page, Frontispiece
7. Acknowledgements
8. Part V: Resurrecting Artemisia, c.1656-Present
9. Photography and Copyright Credits
10. Appendix of Tables
11. Index
12. 9. Venice, 1627-1629: From Realism to Refinement and the Creation of a Celebrity Brand
13. Part III: Acclaiming Artemisia: Rome and Venice, 1620-1629
14. 7. Rome, 1620-1627: Transforming Old Subjects and the Challenge of Patronage
15. Notes
16. Bibliography
17. 13. A Star Is Born: The Afterlife of a Great genius'
18. 14. From the Connoisseur's Studio to the Global Blockbuster: Gentileschi and the Monographic Retrospective Exhibition
19. 6. No little horror': Reinventing Judith and Holofernes for the Medici
20. 8. A Business Evaluation of Gentileschi's Career in the 1620s: Productivity, Specialisation and the Problem of Typecasting
21. 10. A great cry spread throughout the city': Gentileschi's Neapolitan Success in the 1630s
22. 11. Sold by her hand': Setting Prices and Getting Paid in Baroque Naples
23. 15. Artemisia beyond the Academy
24. 12. Naples, 1640-c.1656: Gentileschi's Neapolitan Workshop and the Endgame of her Final Years
25. Part IV: Selling Artemisia: Naples and London, 1630-c.1656
26. 4. Birth, Death, Rebirth: Gentileschi Launches Herself as an Independent Painter in Baroque Florence
27. Part II: Announcing Artemisia: Florence, 1613-1620
28. 3. Without peer': The Beginnings of Gentileschi's Career as an Independent Specialist
29. 5. Selling the Self: Self-portraiture and the Invention of Artemisia'
30. 1. In her Master's House: Gentileschi's Artistic Training in the Artists' District of Baroque Rome
31. 2. Ritratto nudo': Gentileschi's First Paintings in the Workshop of Orazio Gentileschi
32. Contents
33. Part I: Becoming Artemisia: Rome, 1606-1613
34. Introduction: Art, Luxury, Value
35. Suppliers and support organisations
36. Summary
37. Finance for international trade
38. Introduction
39. Mastering
40. Why trade overseas?
41. Transport and logistics
42. Documentation and Customs procedures
43. Routes to market
44. Basic business finance
45. Making the most of currency
46. Export costing, pricing and the sale
47. Macro factors
48. Payment
49. Market research
50. Building a Competitive Advantage in the Knowledge Economy
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