85 results on '"M, Berger"'
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2. Working-Class Suburb: A Study of Auto Workers in Suburbia
3. A Blueprint for Coastal Adaptation: Uniting Design, Economics, and Policy
4. Irma Stern and the Racial Paradox of South African Modern Art: Audacities of Color
5. Afterword to the 2014 Edition
6. Appendix 1: Heavy Metal Canons
7. Title Page, Copyright
8. 4. Forging Masculinity: Heavy Metal Sounds and Images of Gender
9. Contents
10. Introduction
11. Acknowledgments
12. Select Bibliography
13. 3. Eruptions: Heavy Metal Appropriations of Classical Virtuosity
14. 2. Beyond the Vocals: Toward the Analysis of Popular Musical Discourses
15. Select Discography
16. Notes
17. 1. Metallurgies: Genre, History, and the Construction of Heavy Metal
18. 5. Can I Play with Madness? Mysticism, Horror, and Postmodern Politics
19. About the Authors
20. Appendix 2: Heavy Metal Questionnaire
21. Image Plates
22. Foreword to the 2014 Edition
23. Index
24. Cover
25. Frontmatter
26. 4. The Social Life of Stance and the Politics of Expressive Culture
27. Works Cited
28. Notes
29. 3. Stance and Others, Stance and Lives
30. 1. Locating Stance
31. 2. Structures of Stance in Lived Experience
32. Preface: What Phenomenology Can Do for the Study of Expressive Culture
33. Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture
34. Acknowledgments
35. ISIS: The State of Terror
36. ISIS
37. 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence
38. Glossary
39. 12. Conclusion: The Scope of Ethnomusicology
40. Selected Bibliography
41. Index
42. Notes
43. 9. Conclusions: Perceptual Practice and Social Context
44. 5. The Organization of Attention in Two Jazz Scenes
45. Part Three. Music, Experience, and Society: Death Metal and Deindustrialization in an American City
46. 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and The Final Silencing
47. 6. The Organization of Attention in the Rock and Metal Scenes
48. 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater
49. 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music
50. Part Two. The Organization of Musical Experience and the Practice of Perception
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