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The article discusses R2 Design's development of a brochure for Teatro Bruto Theatrical Group's play "Krampack." Designers at R2 aimed at presenting the brochure as a game and incorporated four perforated paper dolls into the cover. People can play with the dolls over a large fold-out apartment drawing based on the actual set used in the play.

The article focuses on the brochures project of Mohawk Fine Papers Inc., the largest premium paper manufacturer in North America. Mohawk wanted to unify its promotional brochures, which addressed topics like paper basics and sustainability. And Partners, a design firm based in New York City, was commissioned by Mohawk to build a suite of reference tools that would be pertinent to designers. David Schimmel, the founder of And Partners, said he decided to build a system from the ground level.

The article describes a brochure for James McNaughton Paper Group Ltd., a paper manufacturer based in Great Britain.

The article discusses Nolin Branding and Design's development of the boring paper advertising campaign for Domtar. The campaign was aimed at communicating the company's personality and how dealing with their employees can be fun through a brochure. According to Nolin creative director Barbara Jacques, they emphasized on the idea that paper will be boring without people.

The article discusses things to do once designing a brochure is finished. Graphic design firm Larsen suggests that designers should manage the printing of brochures with their printer by building a good relationship with the it and learn. It is also important to check for any problems encountered while printing brochures before sending the brochure to a printer and bindery company. To provide good finishing touches to a brochure, apply special effects using options including foil stamping, die cutting and metallic ink.

The article reviews the brochures including one by Principle for the Walters Art Museum, another by Giampetro+Smith for furniture manufacturer Knoll Space, and another by And Partners for Neenah Paper that applies the Dewey Color System.

The article discusses the impact of funding on designing brochures. Another Limited Rebellion founder Noah Scalin comments that budget must not hinder the creativity of a designer since the main challenge is problem solving. Rule29 creative director Justin Ahrens remind the ways to make brochures cost-effective including asking the printer about the house sheet, developing strong relationships with vendors and discussing to a paper representative concerning available choices.

The article discusses the fundamentals in creating a brochure for a client. Brochures are multipage papers that send messages in an organized manner. Planet Propaganda senior graphic designer Travis Cain tells that a brochure is an interaction between words and images, so combining them will help brochures send a bigger message. To create a brochure, use a stack of 3 by 5 inches of cards before creating messages.

The article discusses the development of Capsule's screw-bound brochure.

The article provides information on several different conceptual and stylistic publication designs for literature systems from various parts of the world. It includes the Hafen 2 take-away brochures designed by U9 Visuelle Allianz in Offenbach, Germany, which features a big poster format. It also mentions the design for the literature system of the New York City District Attorney's (DA's) Office, which has a clear and simple structure. Information on the format used for the Baltic system of exhibition announcement in Great Britain is also provided.

The article describes the design developed by Square One Design for the Jump Stuff campaign of Haworth Inc. The designers created a miniature brochure which tells the story of the firm's products, particularly three office types. Square One Design also made ancillary materials like gimmicky tattoos and a mock-up brochure to invite office-furniture dealers to include Jump Stuff along with their sales pitches for office furniture or panel systems. Another highlight of the campaign is the firm's direct-mail promotion which features a doll.

Chapter 9 of the book "101 Businesses You Can Start With Less Than One Thousand Dollars: For Retirees," by Heather Lee Shepherd is presented. It notes the importance of advertisement to let people know the existence of a particular company. It explores the venues of advertisement including local small press papers, major newspapers, local television networks and flyers or brochures.

The article discusses the design created by Metal for the brochure of Camden. Investors and employees are the target market of the brochures which contain photographs depicting a garden and a woman interacting with her grandson. The package covers a new corporate paper system, a website, a massive intranet and extranet system design and development, several collateral and marketing materials, an interactive compact disc, the annual report, and an advertising campaign.

The article discusses the development of a large-format, three-panel brochure from Gerald Cullen Rapp Inc.

The article looks at the corporate brochure designed by Angelini Design for self-promotion. The piece is a small, case-bound book which features a shagreen canvas cover and an engraved metallic badge carrying the Angelini Design logo on the front. Designer Mariagrazia De Angelis revealed that the idea of the project was rooted from the schetck book that Italian designers keep in their pocket and use to inspire them.

The article focuses on the design made by IE Design for its corporate capabilities brochure called Creative Solutions. The brochure contains a story about the firm, including anecdotes and print techniques, with a format made of die cuts, short sheets, and unusual printing schemes. Marcie Carson of IE Design admitted that making the project has become a process of self-awareness and soul searching.

The article discusses the development of Atom Design's image-building brochure.

The article discusses the development of Good Gracious! Events' promotional package, which includes a custom-manufactured box, rust-colored bookcloth and a brochure.

The article discusses the development of Plainspoke's Plainbox promotional package, which included a brochure, notecards and envelopes.

The article describes a brochure for Stora Enso, a paper, packaging and forest products company.

The article describes a brochure for Arjo Wiggins, the second biggest paper manufacturer in the world.

The article discusses how to plan and manage graphic design brochures, which reflect on the needs of the clients. Ben Graham, a principal at the graphic design school at Turnstyle in Seattle, Washington suggests the factors to understand when making a brochure which include clients, the target audience and the relationship between the two. It is also recommended that graphic designers should research for information about the client.

Photographs of brochures, newsletters and web sites for business communication are presented.

The article focuses on how Chris Perks Design (CPd) created an identity for the Australian Chamber Orchestra (ACO). Nigel Beechey, art director of CPd, related that their campaign is focused on portraying the orchestra as vibrant, passionate, and youthful. It notes that CPd has been designing seasonal campaigns for ACO through photography of the orchestra and typography. The elements being produced annually for the campaign include brand identity, the season brochure, stationery for press releases, invitations, and a Web site.

The article discusses the development of Jason & Jason Visual Communication's Great Ideas at Work three-dimensional presentation folder and the Define, Develop, Deploy brochure.

The article discusses the development of Untitled's promotional poster and brochure.

The article discusses the development of Dossiercreative's promotional package, which include a Lexan folder, overview brochure and business card.

The article discusses the development of Reebok Design Services' brochure.