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The article aims to show how a transdisciplinary approach can contribute to a better understanding of the composite biography of a precious object. The study focuses on the Cintola del Duomo (Museum of the Opera del Duomo, Pisa), one of the most famous objects in the history of goldsmithing, both for its exceptional manufacturing quality and for its devotional value. For a long time, the Cintola was considered a fragment of a long garland – decorated with precious stones, enamel, and silver plates – that was displayed on the façade of the Cathedral on certain days of the liturgical calendar. Detailed historical studies suggested that the garland was lost in the early 1300s, while the object now in the museum is more likely to be a reconstruction, decorated with ancient and modern gems. In situ diagnostic campaigns were carried out on the garland using portable Raman spectroscopy (i-Raman, B&W Tek) and portable X-Ray fluorescnece (XRF) (Elio, Bruker) to reveal the identity of the gems and enamels preliminarily studied by gemmological analysis. The combination of analytical techniques made it possible to better outline the complex history of the artefacts. The analysis provided information on the identity of the gems, proposing an interesting question about their possible relationship with the crown of Henry VII of Luxembourg (in the same museum). The study includes aspects related to the materiality of the objects, revealing the socio-cultural context in which the object was produced and supporting its recontextualisation in the museum as a symbolic representation of the past.

Sol LeWitt, a pioneer of conceptual art, created during his career over 1350 wall drawings, including the Wall Drawing #736 (1993) at the Center for Contemporary Art Luigi Pecci in Prato (Prato, Italy). The painting, executed by Andrea Marescalchi and Antony Sansotta under LeWitt's instructions, features a grid of coloured rectangles obtained by overlapping different layers of inks. During a 2021 restoration by the Wall Paintings and Stuccoes Department of the Opificio delle Pietre Dure (Firenze, Italy), an in-depth investigation of the composition and the materials used by LeWitt's assistants in producing Wall Drawing #736 was performed. A multi-analytical approach entailing Raman spectroscopy, high-performance liquid chromatography coupled to diode array and high-resolution mass spectrometry, gas chromatography–mass spectrometry (GC–MS), and pyrolysis coupled with GC–MS was applied. Our results revealed the use of animal glue, shellac resin, paraffin wax, linseed oil, and various organic pigments. The binder in the preparation layer was identified as poly(vinyl acetate), while poly(n-butyl methacrylate) was determined as a fixative. This research provided valuable insights into LeWitt's techniques. The acquired knowledge on the paint technique is highly relevant in supporting conservators in restoration and consolidating the many wall drawings produced exploiting the same technique all over the world. [ABSTRACT FROM AUTHOR]

This review paper will present and critically discuss the evolution of the calibration-free LIBS (CF-LIBS) method and some of its new applications that appeared since the last extensive review on the topic, which was published more than 10 years ago by the inventors of the technique. This will allow the interested researchers to catch up on the new trends of the method and the strategies that have been devised in the last decade for improving the analytical factors of merit of CF-LIBS. [ABSTRACT FROM AUTHOR]

Recently, a notable change has occurred in how street art murals are perceived by art history and the general public, with a growing recognition of their social and cultural significance and a new focus on preserving the most representative modern urban murals for future generations. An interesting case study is constituted by the "UBUNTU" mural (Ivan Pontevia and Daniele Castagnetti, Reggio Emilia, 2018), whose appearance has radically changed in a few years. Indeed, the intense and direct exposure to sunlight as well as the environmental and polluting agents have induced the bleaching and fading of the original highly fluorescent hues. To investigate the degradation processes that are occurring, five micro-samples were collected from different fluorescent-coloured areas and analysed by a combined approach based on µ-Raman and Surface Enhanced Raman Spectroscopy (SERS), High Performance Liquid Chromatography coupled with Diode Array Detector and mass spectrometry (HPLC-DAD and HPLC-MS), and Pyrolysis Gas Chromatography coupled with Mass Spectrometry (Py-GC-MS). The analytical protocol applied allowed us to disclose the painting materials used by the artist and fully characterise the ageing phenomena occurring in the mural that are possibly responsible for its colour ephemerality. [ABSTRACT FROM AUTHOR]

Among the innovative materials used by 20th-century artists, polyurethane (PUR) has been shown to be highly unstable, and therefore artworks made of it are now in need of careful conservation strategies. This study presents a multi-analytical investigation of PUR foam scenic objects originally made between the 1960s and 1970s during the Italian Arte Viva movement. The main components in the foam and additives were characterized through micro attenuated total reflectance infrared spectroscopy (μ-ATR-FTIR) and pyrolysis coupled with gas chromatography and mass spectrometry (Py-GC/MS). Painted samples were further investigated through μ-FTIR and Raman spectroscopy to define binders and pigments. The use of μ-ATR-FTIR in combination with evolved gas analysis-mass spectrometry (EGA-MS) allowed the variable conditions of the artworks to be assessed and attained some insights into the chemical processes responsible for aging. At the same time, morphological changes due to the degradation phenomena were recorded through optical (OM) and scanning electron microscopy (SEM). The detailed characterization of the PUR foam and painting materials was helpful in attaining some insights into harmful environmental parameters for the artworks, thus informing preventive conservation. [ABSTRACT FROM AUTHOR]

The monitoring of the processes in the steel and metal industry calls for techniques that are capable of measuring the composition of metallic alloys at a distance and on moving [...]

The objectives of this paper will be to discuss the issues related to the determination of the limits of detection (LOD) in laser-induced breakdown spectroscopy (LIBS) analytical applications. The derivation of the commonly used '3-sigma over slope' rule and its evolution towards the new official definition recently adopted by the International Union of Pure and Applied Chemistry (IUPAC) will be illustrated. Methods for extending the calculation of the LOD to LIBS multivariate analysis will also be discussed, using as an example the detection of Cu traces in cast iron samples by LIBS. [ABSTRACT FROM AUTHOR]

Saliva is an easily sampled matrix containing a variety of biochemical information, which can be correlated with the individual health status. The fast, straightforward analysis of saliva by vibrational (ATR-FTIR and Raman) spectroscopy is a good premise for large-scale preclinical studies to aid translation into clinics. In this work, the effects of saliva collection (spitting/swab) and processing (two different deproteinization procedures) were explored by principal component analysis (PCA) of ATR-FTIR and Raman data and by investigating the effects on the main saliva metabolites by reversed-phase chromatography (RPC-HPLC-DAD). Our results show that, depending on the bioanalytical information needed, special care must be taken when saliva is collected with swabs because the polymeric material significantly interacts with some saliva components. Moreover, the analysis of saliva before and after deproteinization by FTIR and Raman spectroscopy allows to obtain complementary biological information. [ABSTRACT FROM AUTHOR]

Several samples coming from the recently discovered (February 2019) Late Bronze Age/Early Iron Age Chovdar necropolis in Azerbaijan were analysed using the X-ray fluorescence (XRF) technique. The analysis allowed a preliminary classification of the samples in eight groups based on their composition, obtained from the XRF spectra using the fundamental parameter method. A more detailed classification was then obtained using the graph clustering method. [ABSTRACT FROM AUTHOR]