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US studies of street culture note that acting 'crazy' can provide status on the street, but rarely elaborate on this phenomenon. Based on several years of participant observation in the street culture of a disadvantaged part of Copenhagen, this article provides an in-depth analysis of the phenomenon of 'craziness'. It reveals that it is a nuanced and multifaceted phenomenon and that street actors can strategically act crazy to gain several advantages. It further explains how 'craziness' has to be tempered with other amiable characteristics to be beneficial in street culture, and how it can also be advantageous in dealings with state institutions, as well as a disadvantage in mainstream society. [ABSTRACT FROM AUTHOR]

"Street culture" is often considered a response to structural factors. However, the relationship between culture and structure has rarely been empirically analyzed. This article analyzes the role of three media representations of American street culture and gangsters—two films and the music of a rap artist—in the street culture of a disadvantaged part of Copenhagen. Based on years of ethnographic fieldwork, this article demonstrates that these media representations are highly valuable to and influential among young men because of their perceived similarity between their intersectional structural positions and those represented in the media. Thus, the article illuminates the interaction between structural and cultural factors in street culture. It further offers a local explanation of the scarcely studied phenomenon of the influence of mass media on street culture, and a novel, media-based, local explanation of global similarities in different street cultures. [ABSTRACT FROM AUTHOR]