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While the issue of migration has heavily impacted on public debates in the Global North, much less is known about coverage of migration in the Global South. This pilot study sets out to de-westernize the discussion, by analyzing and comparing news coverage in migrants' destination countries and countries of origin. The study's focus is on media coverage of migration from Africa towards Europe. The paper builds upon prior studies on the coverage of migrants and refugees. A consortium of African and European researchers has conducted a comparative content analysis of migration coverage in 22 opinion-leading newspapers in six European and five sub-Sahara African countries. The study has retrieved 1,512 articles which have appeared in 2015/16. The topic was much less salient in African countries, with only 175 articles found in the African news outlets under study. Coveragein the European destination countries was dominated by domestic issues like border security and migration policy, but also paid attention to the actual migrants—who received much less coverage in the sending countries. Coverage of migration in African media was more negative and focused on disasters at sea. Both African and European media ignored the causes of migration. [ABSTRACT FROM AUTHOR]

This paper focuses on Kenyan writer, Ngũgĩ wa Thiong’o's paradoxical engagement with Christianity and its topology. Against his increasingly hostile attitude towards the Christian establishment in a post-colonial space, the paper interrogates how this writer, who has been dubbed a “religious writer,” deploys Christianity and its topology as a conduit for his subversion in his fiction. Partly informed by Stephen Greenblatt's seminal essay “Invisible Bullets” and its conception of containment and subversion, the article examines how Ngũgĩ uses Christianity and its topology to advance his literary and rhetorical agenda of exposing and questioning colonial and neo-colonial social injustices, hence turning such imagery and topology into powerful literary and rhetorical tools that embody the subversion of his works. Although colonialism and its link to the spread of Christianity has been exploited by many African writers in dialogical and syncretic ways characterised by subtle shades of meaning and expressions, Ngũgĩ has gone a step further to deploy to his aesthetic and rhetorical advantage the same Christianity that he attacks so fiercely. The paper also examines how the purpose and degree to which Ngũgĩ deploys Christianity as a constant subject and conduit of his subversive writing varies from his apprentice novels to his hard-hitting and ideologically astute and conscious novels. It contends that Ngũgĩ's subversion lies in both the implicit and explicit use of Christian imagery and typology as a conduit for conveying subversive messages that denounce manifestations of exploitation found in his native Kenya, in particular, and other African nation-states in general. [ABSTRACT FROM AUTHOR]

This article attempts to bring together various strands vital in the study and teaching of Anglophone African literature in an increasingly globalised world, which no longer has the luxury of ignoring the rich literatures from this unique continent often given an unwarranted bad name. It looks beyond the literary-linguistic conundrum to examine how the most can come out of the interpretation and teaching of Anglophone African literatures, primarily drawing on examples from Chinua Achebe's oeuvre. It primarily argues that the increasingly transnational world has heightened the need to study and teach literatures from traditionally non-English contexts in the language, English, that has become a global language--controversies aside--to foster transnational discourse. It also illuminates on intricate issues pertaining to the study and teaching of Anglophone African literatures outside local particularities. [ABSTRACT FROM AUTHOR]

This paper analyses the intricacies of using English in a traditionally non-English context such as Somalia through the work of its foremost anglophone writer, Nuruddin Farah. Farah uses English to re-imagine the nation and promote intra-, pan- and transnational discourses within and outside Africa. The analysis of Farah has been informed by the articulations of Ernest Renan, Ernest Gellner and Benedict Anderson, within the view of Somalia's now-contested exceptionalism. In Farah's hands, English becomes a vehicle for bringing together diverse linguistic, literary, cultural and religious expressions into a genre that facilitates transnational discourse. The paper argues that the anglophone African literary tradition that Farah embraces gains the capacity to transcend national boundaries and broadens – rather than limits – the scope and coverage of national and transnational literatures. [ABSTRACT FROM PUBLISHER]

In the face of the controversies surrounding the writings of the East African writer Ngũgĩ wa Thiong'o, this article contends that his Gikuyu fictions (also in English translation) are as much an integral part of Ngũgĩ's engagement with the Anglophone tradition as his earlier works published in English. Negotiating through various critical issues raised on Ngũgĩ and his articulations on the language of African literature, the paper uses his works to show that those originally written in English and those in Gikuyu benefit from similar processes of translingualism. It addresses the subject of the relationship between translation and minor languages, arguing that translation involves an inevitable and continuous manipulation of texts in which the words' subjectivity, ideology, visibility and power complicate the very process of translation and reception of texts from minor languages to major languages. Finally, the paper shows that Ngũgĩ's Anglophone and Gikuyu novels (in translation) are complementary in the exploitation of various manifestations of translingualism, despite arguments to the contrary. [ABSTRACT FROM AUTHOR]

An essay is presented which takes a look at the divisive policies of apartheid in the novels of Nadine Gordimer, including "The Lying Days," "The Conservationist," and "July's People." It exposes Gordimer's novels as critical of apartheid and as works that embody African language, discourse, and culture. The author cites that her evaluation of Gordimer's novels is influenced by the idea of the dialogic nature of language as a means to reveal the social and cultural impact of apartheid.