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A Bengali Dalit religion called Matua emerged in the nineteenth century in East Bengal. It counts tens of millions of followers across the Bay of Bengal and the Indo–Bangladesh border. With the COVID-19 pandemic, Matua religious gatherings were shifted online. This paper asks what happened to multisensory and sonic-haptic religious engagements of the Matua community once ritual gatherings were transported to the cyberspace of digital media. Using data collected through remote ethnography and digital ethnography with the Matua community in 2020 and 2021, we suggest that the increased online visibility of the Matua community (1) contributed to reshaping Matua identity narratives as a global diasporic network, downplaying previous self-definitions of untouchability and displacement; (2) exacerbated inequalities along class and gender lines; and (3) shifted the sensoryscape of Matua ritual experiences, with important repercussions in the domains of embodiment, ritual authority and authenticity. As Matua experiences of increased online visibility clashed with their traditional aesthetics of resistance through shared sonic commingling, we argue, more broadly, that understandings of visibility must take into consideration culturally informed articulations of the senses and sense hierarchies, and how sensory ideology can manifest following the affordances of different media. [ABSTRACT FROM AUTHOR]

This introduction opens a collection of seven articles which investigate how religious communities negotiate demands for physical distance induced by governmental responses to the COVID-19 pandemic in accord with their religious and spiritual aspirations to establish presence and togetherness. Grounded in ethnography and media analysis, our contributors offer studies on Pentecostal healing, Mormon eschatology, Hindu diasporic rituals, Chinese spirit mediums, the virtual Burning Man festival, Sufi sonic meditations, and televised Shia Muslim mourning. These studies collectively demonstrate that in pandemic rituals (1) Media are reflexive and enchanted; (2) The religious sensorium is sticky and lingers in embodied and mnemonic ways even under new circumstances of mediation; (3) Space and time emerge as modular, transposable, condensed, yet expanding. Ritual innovations can provoke new kinds of mediations, sensory engagements, and temporal-spatial arrangements, while revealing continuities with pre-pandemic cosmologies, theologies, liturgies, and social hierarchies, and relying on memories of previous ritual sensory experiences. [ABSTRACT FROM AUTHOR]