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Copyright of Cuadernos de Historia Contemporanea is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

A literary criticism of the book "Paper Shadows" by Chinese Canadian author Wayson Choy is presented. Topics discussed include reason Choy's memoir remains an important cultural and historical document, ways in which public memory in Canada today remains detrimentally Eurocentric, and brief consideration of the book as a contribution to an antiracist rewriting of Canadian public memory.

This article discusses the artwork of Azadeh Akhlaghi, a visual artist from Iran. Akhlaghi's series, titled "By an Eye-Witness," explores the documentation of past deaths in Iran's history, focusing on violent and traumatic events. The artist stages scenes depicting the deaths of poets, journalists, students, intellectuals, and political activists, imagining how these events would have been captured if mobile phone cameras had existed at the time. Akhlaghi's work challenges the official version of national history and invites viewers to consider the impact of photography on our understanding of historical events. [Extracted from the article]

"The Routledge Companion to Global Indigenous History" is a comprehensive volume edited by Ann McGrath and Lynette Russell that explores the complexities and diversity of Indigenous history across the globe. The book is organized into six themes, including global perspectives, migrations and mobilities, colonial encounters, removals and diasporas, memory and identity, and future approaches to Indigenous histories. The chapters cover a wide range of topics and regions, highlighting the shared experiences and struggles of Indigenous peoples while also recognizing their unique histories and aspirations. The collection aims to address the omission of Indigenous history from mainstream global accounts and offers valuable insights for the field of history. [Extracted from the article]

INTIMATE GEOPOLITICS: Love, Territory, and the Future on India's Northern Threshold: By SARA SMITH. In a vivid ethnographic study of the Ladakh region in northern India, Smith provides an intricate examination of how community tensions are shaped by ethnic identities, family planning, and majoritarian politics - and one incendiary moment on a public street. Though I Intimate Geopolitics i is overtly a study of Ladakhi territorial politics as related to family dynamics, the commentary on sectarianism is relevant beyond the confines of the distant province. [Extracted from the article]

"The Holocaust and Australia: Refugees, Rejection, and Memory" by Paul Bartrop is a book that explores Australia's relationship to the Holocaust. The author discusses Australian governmental policy, the influence of Britain, and the public's view of Jewry during the war years. While the book provides valuable insights, the reviewer notes that it is largely a revised edition of Bartrop's previous work from 1994, with some new material added. The reviewer suggests that the book could have delved deeper into the coverage of the Holocaust by other Australian newspapers and analyzed the attitudes of different states and territories. The final chapters cover the post-1945 period but are considered brief and lacking in depth. The reviewer also questions the book's omission of the Helen Demidenko scandal and the fabrication of Holocaust-related testimony in other Australian works, and raises important questions about Australia's refugee acceptance policies in the face of genocidal horror. Overall, the book is praised for its readability and as a valuable resource for students. [Extracted from the article]

Thus each chapter addresses a different aspect of cinema going memories. The intention of this project was to extend knowledge of cinema history with an emphasis on how films were received and the social experience of cinema going. The six chapters clearly set out different aspects of the 1960s cinema going experience- social experiences, sex and cinema going, the experience of watching American films and British films, European films, and postcolonial audiences. [Extracted from the article]

Copyright of Anadolu University Journal of Art & Design / Sanat & Tasarım is the property of Anadolu University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Troubling Truth and Reconciliation in Canadian Education: Critical Perspectives, Edmonton, University of Alberta Press, 2022, 328 pp., $46.99 (paper), ISBN 978-1-77212-600-6. 30 Tepperman, Lorne and Maria Finnsdottir, Canada's Place: A Global Perspective, Oakville, ON, Rock's Mills Press, 2022, 222 pp., CAN $35.00 (paper), ISBN 978-1-77244-230-4. 31 West, Leah, Thomas Juneau, and Amarnath Amarasingam, eds., Stress Tested: The COVID-19 Pandemic and Canadian National Security, Calgary, University of Calgary Press, 2022, 280 pp., $34.99 (paper), ISBN 978-1-77385-243-0. 32 Wilson, Michael, Something within Me: A Personal and Political Memoir, Toronto, University of Toronto Press, 2022, 302 pp., CAN $24.95 (paper) ISBN 978-1-4875-4438-6. The I American Review of Canadian Studies i has received the following books for review. [Extracted from the article]

The variety of contributions in I Fragments i point to how we might yet substantially revise current understandings of New Zealand's colonial conflict and its memories. This "fragmented" but exciting collection is useful as a short accessible text for Australian scholars wanting to understand shifts in New Zealand's commemoration of colonial conflict. Kidman pitches a larger context of colonial conflict and its legacy in an opening chapter on the 250th commemoration of Captain Cook in 2019, conveyed beautifully in an ethnographic mode. [Extracted from the article]

Several revealing maps appear toward the end of Jeffrey Erbig's fascinating inquiry into imperial efforts to demarcate the border between Portuguese and Spanish South America. Border practices followed this new mode of border thinking, and not only for Europeans. Where Caciques and Mapmakers Met: Border Making in Eighteenth-Century South America: By Jeffrey Alan Erbig, Jr. Chapel Hill: University of North Carolina Press, 2020. [Extracted from the article]

Into the Loneliness: The Unholy Alliance of Ernestine Hill and Daisy Bates: By Eleanor Hogan. The biographical and historical material in I Loneliness i is framed by travelogue as Hogan retraces routes taken by Hill and Bates. Hogan also uses material from "the Daisy Chain" (a loose group of researchers interested in Bates during the 1970s and 1980s), who had access to interview subjects who knew Bates and Hill. [Extracted from the article]

In the so-called West, feminist activists and scholars have long been traumatised by the erasure of their histories via dominant patriarchal narratives, which has served as an impediment to the intergenerational transmission of feminist knowledge. Recently, while acknowledging the very real and ongoing impact of this historical omission, some feminists have issued a call to turn away from a narrative of women's history as 'serial forgetting' and towards an acknowledgement of the affirmative capacity of feminist remembering. At the same time, memory theorist Ann Rigney has advocated for a 'positive turn' in memory studies, away from what she perceives to be the field's gravitation towards trauma and instead towards an analysis of life's positive legacies. In this article, I combine both approaches to investigate one feminist memory-keeper's archive, analysing what it reveals about 'the mechanisms by which positive attachments are transmitted across space and time'. Throughout her life, little-known 'between-the-waves' Australian feminist Ruby Rich (1888–1988) performed multiple intersecting activist activities. While she created feminist memories through her work for various political organisations, she also collected, stored and transmitted feminist memories through her campaign for a dedicated space for women's collections in the National Library of Australia. Propelled by fear of loss and inspired by hope for remembering, Rich constructed a brand of archival activism that was both educational and emotional. In this paper, I examine the strategies Rich employed to try to realise her dream of effecting intellectual and affective bonds between future feminists and their predecessors. [ABSTRACT FROM AUTHOR]

The article highlights important connections between the spoken word, handmade paper, cultural memory, and natural sustenance in books and in artworks. Topics include display of works that challenge the silos and sensory atrophy that scholar Barbara Kirshenblatt-Gimblett critiques so eloquently, and how "Tomes" unfolded as culturally provocative outreach, using diverse collections and community experience to re-present the archives through a more public scope.

Sample this: a hypothetical menu book of fish recipes from both sides of the Bengal border; a barbed wire running through the Ichhamati, showing the river's indifference to political borders; a sandstone and fabric pillar standing as a metaphoric monument of unity between religions, commemorating Gandhi's peace march in Noakhali in 1946; an accordion book opening out, unfolding narratives immortalised in Ritwik Ghatak's films. These are some of the artworks that were showcased at The Legacy of Loss: Perspectives on the Partition of Bengal, an Art Exhibition that the Kolkata Partition Museum Trust (KPMT) organised in collaboration with the Kolkata Centre for Creativity (KCC), to commemorate the 74th anniversary of India's Partition. The Exhibition ran from 17 to 29 August 2021 at KCC, and was supported by Tata Steel and the Emami Foundation. Conceptualised and conceived by the late art historian, Dr. Rajasri Mukhopadhyay, and curated by KCC, this was an unique Exhibition on the Bengal Partition by five contemporary artists – Paula Sengupta, Vinayak Bhattacharya, Debasish Mukherjee, Amritah Sen and Dilip Mitra – each with a distinct style and perspective on the theme. As Rajasri Mukhopadhyay put it, Partition provided 'the psychological topography for this Exhibition. The pictorial narratives ... [found here] are embedded in the geographical sites of ancestry, the physical border, the trajectories of nostalgia in refugee colonies, and stories of inherited memories.' This paper will delve into the uniqueness of this Exhibition and argue for the importance of the Arts in preserving cultural memory, something that KPMT strongly believes in. [ABSTRACT FROM AUTHOR]

One of the central underpinnings of Islamophobia is the theoretical construction of Muslim women as "Other". Going hand in hand with colonization, the overall Orientalist imaginary has depicted Muslims as misogynistic, homophobic, and gynophobic in contrast to the normal and enlightened Western European subject. Liberation psychology, as a field of decolonial work, emphasizes several main tasks one of which is the recovery of historical memory in relation to how humans see each other and the world. This paper builds on the work of recovering historical memory to emphasize the Indo-European origins of misogyny and patriarchy and the subsequent cover-up of this history as a part of the legacy of colonialism and current narratives of Islamophobia. The paper concludes that the work of psychology should include decoding reality to uncover the true nature of the origins of patriarchy, thus building new, revitalized understandings of human society. [ABSTRACT FROM AUTHOR]

Maryam Jafri is a visual artist who explores cultural and visual representations of history and political economy. Her work "Independence Day 1934-1975" examines the role of photography in shaping national narratives during the decolonization of Asia, the Middle East, and Africa. The project features over 60 archival photos sourced from public archives in these regions, highlighting the similarities in the first Independence Day ceremonies across different countries. Jafri's more recent works, such as "Disappearance Online," address the digitization of historical images and its impact on cultural memory and copyright law. Her work emphasizes the importance of critically engaging with historical narratives and understanding shared histories. [Extracted from the article]

After the formation of the independent state, the Ukrainian people's interest in their own history and events of the past has significantly increased. The shaping of national identity and preservation of historical collective memory plays an increasingly important role in these processes. This is to some extent true of the Cherkasy region which is one of the richest in Ukraine. Scientific research of historians and archival material which reflect the development of the workflow management systems in the society of the region is suffi- cient proof of this. Special role in the study of the region history is given to the State Archives of Cherkasy region, the leading experts of which during 1970-2013 period made a significant contribution to the implementation of recordkeeping standards and normative document regulation acts such as the Laws of Ukraine "On Electronic Documents and Electronic Document Management" and "On Electronic Digital Signature", dated May 22th, 2003, etc. As document management traditions are being produced during the centuries, investigation of electronic records management is practically possible from its initial formation stage. On the one hand, the main task of the electronic records keeping, as a relatively new phenomenon, is to adopt the best principles of traditional document management; on the other hand, it is no less important to develop new approaches to recordkeeping management, taking into account the use of electronic documents. Therefore it is important, in our opinion, to consider the main problems that accompany the practices of electronic document management as the investigated object, taking the example of Cherkasy region. [ABSTRACT FROM AUTHOR]

The article presents a speech by Kousar J. Azam, professor at Osmania University, given at the 2010 Nagoya American Studies Summer Seminar (NASSS) at Japan's Nanzan University. The speech was given in response to the presentation of paper entitled "Exploring a Bridge between Hiroshima and the US: Tanimoto Kiyoshi and his activities in the early post war period," by Yoko Kawaguchi. Azam comments on collective memory of the atomic bombing of Hiroshima, Japan and the peace movement it sparked.

The discovery of the Nag Hammadi Codices (NHC) in 1945 rates as one of the two most profound occurrences for Biblical archaeology and interpretation during the last hundred years, along with the Dead Sea Scrolls (1946–1956). The codices allow us to document Christian monastic culture, gnostic Christianity and gnostic offshoots in the desert climate of Late Ancient Egypt. The recovery of the related Codex Tchacos (CT) brought further excitement for contemporary readers by 2006, it being sensational that narratives of "Judas the betrayer" and "doubting Thomas" were found in the whole collection of writings. The text named the [First] Apocalypse of James, significantly, was found to be in both NHC and CT in different Coptic versions (from near the sacred sites of Chenoboskion and El Minya), but yet another more fragmentary version in Greek had turned up much earlier among the huge cache of papyri found at Oxyrhynchus (also, like the other places, on the banks of the Nile). Given the opportunity for comparison, what distinguishes the three versions? Does comparative analysis better tell us what this ancient text is about? Does the strong presence of Gnostic Christian insights in the Coptic texts still imply a historical Jamesian community is being honoured? This paper concentrates on three comparable passages in the three versions that apparently contain historical memories of James and his followers. It works on the reasonable hypothesis that the Greek version of Oxyrhynchus Papyri (P.Oxy. 5533) (hereafter = PO) is prior and read with different purposes than the two Coptic translated versions of CT (CT 2.10–30) and NHC (NHC V,3. 24–44). When a critical approach, involving a socio-linguistic comparison, is applied, we will see that the three versions of the text were not directly related to each other, but that narratives about James the Just were available to desert monastics from the second century CE. The paper argues for a literal transmission of traditions from a Jewish Christian community around James into Egypt, that the textual figure of James in the Oxyrhynchus fragments points to a 'mutual familiarity' between PO and CT, while the NHC tradition of James has been further elaborated by processes of compilation and addition. [ABSTRACT FROM AUTHOR]

This paper presents a comprehensive visual analysis often repatriated Benin Bronzes, following their return from Germany to Nigeria in December 2022. The study employs compositional interpretation and visual methodology to examine the forms and contents of these iconic artifacts, which were looted in 1897 and have since been scattered across European museums. Through a decolonial lens, this research aims to recontextualize these artworks within their original cultural framework, challenging the long-standing Eurocentric interpretations that have dominated their narrative. The analysis reveals the intricate craftsmanship, symbolic significance, and historical importance of the Benin Bronzes, highlighting their role in preserving Benin's cultural memory and artistic traditions. By focusing on readily available images of the returned works, including ceremonial heads, ivory carvings, and decorated plaques, this study offers insights into the aesthetic and cultural values embedded in these artifacts. Furthermore, the paper addresses the understudied nature of Benin Bronzes within their home context, attributing this gap to their prolonged absence and limited visual art education in the region. The research contributes to the ongoing discourse surrounding the repatriation of cultural artifacts and advocates for a shift in perspective that centers on African voices and knowledge systems. By decolonizing the gaze through which these artifacts are viewed and interpreted, this study not only enriches our understanding of the Benin Bronzes but also underscores the importance of cultural restitution in fostering a more inclusive and equitable global art history. [ABSTRACT FROM AUTHOR]

The paper examines how Amitav Ghosh's The Hungry Tide and Indra Sinha's Animal's People register the sense of vulnerability and precarity of ecocatastrophic experiences and place these experiences in the collective memory of people. The paper explores the interrelation between detrimental human actions and their impact on both human and nonhuman lives and the dimensions which these narratives construct, adapt, and respond to. The paper discusses the ways in which the authors imagine the calamity, its representation, and narration, portraying the slow, unnoticed, unmeasured, and cumulative disaster. It shows how literary texts, in their cultural bearing, enable the reader to realize that human activity is the common link between environmental disasters. [ABSTRACT FROM AUTHOR]

The article is an editorial from the journal Landscape Research, written by the new Editor-in-Chief, Hannes Palang. Palang acknowledges the challenges faced in recent years, including the COVID-19 pandemic and security crises, and discusses their impact on landscapes and landscape research. The journal has been successful in attracting submissions and readership from around the world, with a focus on interdisciplinary research. Palang announces the winners of the journal's Best Paper Prize and Best Paper by an Early Career Researcher for 2023. Looking ahead, Palang mentions changes in the editorship and plans for special issues and essays on the topic of 'landscapes of care'. The journal is also strengthening its connection with research activities funded by the Landscape Research Group. [Extracted from the article]

Hungarian mnemonic practices have transformed over the past decade. Among these changes is a decline in the prominence of remembering communist crimes, alongside efforts to reposition the nation as a community of victims of crimes committed by great powers. Based on these observations, this paper argues that Hungarian public memory no longer aligns with the established post-communist memory framework. It is more appropriate to label it as populist, as Hungarian government practices are comparable to populist movements and politicians from Europe and beyond. Moreover, this emerging memory culture is fundamentally configured around the notion of a struggle between a people and their supranational or imperial oppressors. This paper analyses how this threat is constructed, particularly through mnemonic practices, with specific reference to the recent government-driven reinterpretation of the Trianon peace treaty and its aftermath. This reinterpretation has become a signifier of the destructive effects of cosmopolitan liberalism on a Central Europe of nations. [ABSTRACT FROM AUTHOR]

Purpose: The objective of this paper is to describe the evolution of the available subject heading list, i.e. the CC Soggettario (Carabinieri Corps Soggettario), towards a thesaurus, that is CCThes (Carabinieri Corps Thesaurus), to support subject indexing and retrieval of the documentary heritage held by the Historical Office of the General Command of the Carabinieri Corps. This work follows the need to implement a controlled vocabulary compliant with the state-of-the-art standards. Design/methodology/approach: The methodology implements the practice of reengineering available vocabularies, following standardised guidelines for thesaurus development. The conversion process includes the balance maintenance of what has been achieved in the CC Soggettario and the enrichment of the semantic structure in the thesaurus by using both deductive and inductive methods. Findings: The main result of this study is a thesaurus compliant with ISO 29964-1:2011 recommendations, which improves information retrieval performances and interoperability with other vocabularies and applications. It generally has a mono-hierarchical structure with the possibility of admitting, as an exception, the poly-hierarchy for a few concepts. An introductive user guide has been created as a complementary tool to the CCThes. Originality/value: This is an applied study which deals with Knowledge Organisation System (KOS) reengineering and outlines this process using a pragmatic approach. The paper strength lies in providing the description of performed activities and conveying a set of resources to approach KOS reengineering practice. The study is also relevant for the preservation and diffusion of a part of the social memory and identity of Italy. [ABSTRACT FROM AUTHOR]

The process of retrieving information in memory allows humans to recall and forget things. It is an active approach to determining our mutable identity, as memory never remains static. But what occurs if this dynamic process of iteration and interaction becomes fixed and fails to establish a rapport based on sympathy and solidarity with non- Western 'others?' This paper investigates the intricate relationship of language, memory, trauma, and power, particularly focusing on the precarity induced by the manipulation of language in the context of historical and political narratives. Apropos how such manipulation can also distort collective memory and ignite trauma; shaping perceptions and moulding societal narratives. Through an examination of Joy Kogawa's Obasan and by employing theoretical frameworks such as Freud's concept of "screen memories" and Deumert's notion of "scripts of supremacy," the paper examines the intersection of precarity and the politics of language. Additionally, it investigates the concept of "Historiographic Metafiction", as proposed by Hutcheon, highlighting the fusion of history and fiction in preserving collective memory and aiding in the process of healing from trauma. Thus, the main objective of this study is to critically examine how language manipulation distorts collective memory and triggers trauma, emphasising how literature functions as a corrective tool and a representation of cultural memory to counteract this precarity, navigate power dynamics, and preserve collective memory. [ABSTRACT FROM AUTHOR]

In 2019, the Chinese government put forward the concept of social co-governance in the field of emergency management. This paper discusses whether the adjustment in the governance concept promotes public participation in emergency management practices and what the mechanisms are to achieve successful public participation in a wildfire emergency. Taking the Beibei wildfire in Chongqing in 2022 as a study case, this paper establishes the public participation mechanisms for wildfire rescue and management with a qualitative case study method. The result shows that adjustments to emergency management concepts and the pressure of wildfire governance make local governments and commanders seek help from the public; key persons and informal networks play an important role in public participation in a wildfire emergency; and constructing social memory in social networks, whether government-led or public-organized, is an important way to enhance public participation in wildfire governance. Our findings, grounded in the reality of the growing complexity of wildfires, provide useful lessons for future wildfire governance in other provinces in China, as well as valuable references for other countries or regions. [ABSTRACT FROM AUTHOR]

In 2011, something surprising happened in terms of Australian feminist cultural memory: a celebratory feminism arrived in the shape of the hugely popular ABC television mini-series, Paper Giants: The Birth of Cleo. Eschewing dour social realism for a stylish and ludic narrative, Paper Giants uses the story of the women's magazine Cleo to tell the story of Australian women's liberation. This essay analyses the components of the mini-series' celebratory feminist aesthetics, examining the ways in which it mobilises feminist tropes to speak an intelligible feminist language in postfeminist times. Further, I detail how women's liberation becomes central to the national historical narrative underpinning the programme. [ABSTRACT FROM AUTHOR]

Although the relationship between religion and football has gained considerable interest during the last twenty years, scant attention has been paid to the relationship between pilgrimage and football. This paper seeks to advance the study of this relationship through an exploration of collective memory about football disasters that throws fresh light on central themes within pilgrimage studies—pilgrimage as both a journey to a sacred place and the performance of diverse rituals at such places. The paper explores, in particular, the ways in which three different tragedies involving English football clubs have been commemorated through journeys to and ritual performance at places seen as sacred to those involved in commemoration—football stadiums and urban spaces, and cathedrals and pilgrimage shrines in England, Germany and Italy. Through this analysis, we seek to show how the commemoration of football disaster is linked to pilgrimage as a process where people seek healing and reconciliation through the public performance of rituals that link the local to the global. [ABSTRACT FROM AUTHOR]

During the COVID-19 lockdown, cultural heritage institutions responded promptly to this difficult time by launching a series of digital collections of traces of this historical moment. Due to the limitations of the lockdown, such collections have generally focused on the intimate dimension of the pandemic, representing represented the outside world (streets, shops, cultural venues, etc.) as a site of emptiness. This paper examines the 'Windows in lockdown' initiative, which aimed to collect photographs of the messages displayed in physical locations during the lockdown period. The collection was carried out through an action research approach based on a participatory platform and social media. A collection of 1,224 photos taken in France between March and May 2020 was built. This paper analyses this collection through a social semiotics approach. The analysis highlights the role played by the outside world as a generator of an alternative collective memory during COVID-19. [ABSTRACT FROM AUTHOR]

Copyright of Cahiers Victoriens & Edouardiens is the property of Presses Universitaires de la Mediterranee and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This essay describes a campaign by nationalist Japanese journalist Komori Yoshihisa against a public symposium and workshop on historical memory and reconciliation in East Asia held at George Washington University in 2003. When conservative politicians, led from behind the scenes by current prime minister Abe Shinzo, alleged anti-Japan bias in the Diet (parliament), the cosponsor and funder of the workshop, the Japan Foundation Center for Global Partnership, wilted under intense political pressure from the Right, lost its autonomy within the Japan Foundation, and withdrew support for the book project. A counterprotest in defense of academic freedom by senior American Japan specialists revived the workshop only to have the Foreign Ministry intervene. Funder interference-insistence on progovernment authors-undermined the project and the essay collection based on conference papers was never published. Fear of the Right led American and Japanese professors to reject a highly qualified fellowship applicant in 2015 and still haunts prominent bilateral intellectual exchange competitions. This essay's scrutiny of the Komori Affair leads it to other contemporary concerns, such as the integrity of peer review in a context of funder intervention and the compromise of US academic partners dependent on intellectual exchange activities bankrolled by foreign governments. [ABSTRACT FROM AUTHOR]

An expanding literature on money and identity is built around the assumption that political elites deliberately use currency design to foster national identities. However, the empirical evidence in favor of this assumption has been fragmentary. Drawing on detailed primary sources we demonstrate nationalist intentions of political elites involved in currency design. We also examine how political elites use banknotes as official pronouncements on who is and who is not part of the nation and what the official attitude toward foreigners is. By tracing changes in the inclusive and exclusive messages directed at an intra-state or international audience we document that there is no connection between ingroup (national) love and outgroup (foreigners, minorities, opposition) hate. The amount of exclusive messages to outgroups culminated in conditions of perceived threat when political leaders tried to mobilize pre-existing identities to secure or maintain political power. In contrast, the officials deliberately tried to broaden ingroup boundaries in order to build international communities. Finally, we document that in the case of limited support for the new conception of identity, officials tried to depict the old and the new identity as complementary, embedding the new identity in existing discourses. [ABSTRACT FROM AUTHOR]

The article focuses on errors in author Thomas Olechowski's biography of philosopher Hans Kelsen. Topics discussed include information on writing of Olechowski as a sympathizer, which is corrective against Kelsen's selective memories and the "authorized Biography "of the student friend Rudolf A. Métall; confrontation with the ancient philosophy in writing; and translation of legal theory into a General Theory of Law and State by Kelsen.

This article explores the ultimately unsuccessful 1935 campaign by Kentuckian Mary Darby Fitzhugh to erect a national memorial to honor the song "Dixie" and its Ohio-born composer, Daniel Decatur Emmett. Locating Fitzhugh's campaign in the larger effort by Confederate heritage groups to promote a southern perspective on the Civil War, it examines why and how proponents of the Lost Cause came to embrace both the song "Dixie" and blackface performer Dan Emmett as symbols of sectional reconciliation. The story of the "Dixie" memorial also highlights the work of Confederate heritage groups outside the South and the ways in which their efforts shaped the commemorative culture in Emmett's hometown of Mount Vernon, Ohio. [ABSTRACT FROM AUTHOR]

The article aims to understand the tensions inherent to the commemoration of a difficult and conflicted past and the conservation of dissonant heritage. It explores the politics of memory and identity, and the power struggles that underscore the heritagisation process through a study of the transformation of Rio de Janeiro's port in preparation to host the 2014 World Cup and 2016 Summer Olympics. The paper uses the notion of heritage dissonance to shed light upon contemporary struggles over the interpretation of the port's contested history and explores the debates that have surrounded the 'discovery' of archeological remains, which exposed a controversial past marked by collective amnesia. The paper identifies various actions, instruments, and strategies used by various actors to either support or undermine the project, from inertia and obstructionism to memorialisation and ritual agency. The analysis of these findings reveals the transformative potential of heritage, as an instrument of empowerment in the ideological battle over collective memory, and a tool of resistance against historical denial. It discusses the way debates over heritage have stimulated public debate, inflected the official historical narrative, and allowed the legacies of slavery to infiltrate collective consciousness. The paper concludes with a discussion of how heritage dissonance can engender actions leading to conflict mediation, thereby promoting reconciliation and dialogue, and, ultimately, societal change. [ABSTRACT FROM AUTHOR]

The February 2024 edition of the PM World Journal features a diverse collection of works by authors from 16 different countries. The edition begins with a tribute to the late Dr. J. Davidson Frame, a respected leader in the Project Management Institute. The journal also includes an interview with Connie Beck, Chair of the Board of Directors of the Australian Institute of Project Management, as well as several featured papers, series articles, advisory articles, commentary articles, reports, and book reviews. The journal aims to provide valuable insights and knowledge to professionals in the project management field. [Extracted from the article]

This paper is an exploration of cinematic memory as a resource for remembering large-scale Keralan migration to the Gulf since the late 1960s. The south Indian state of Kerala, which predominantly speaks Malayalam, is a major contributor to the migrant labour force in the Gulf region for the last five decades. However, until recently, the migrant figured in the public discourse of Kerala as an economic agent alone. There has been increasing instances of memorialising the Gulf in the Malayalam public sphere since the beginning of the 2000s which brings to light the subjective aspects of the Gulf migration. However, what is lost in these accounts is the simultaneity and interlinked nature of the two places. Cinema, on the other hand, offers resources to inscribe the mutuality of the two places in the collective memory of Kerala. Invoking Pierre Nora's concept of places of memory, the paper looks at cinematic renditions of 'Dubai' as one such site of memory in the present when the image of Dubai and the profile of Keralan migrant has undergone a shift. Taking the example of one Malayalam film, Pathemari (Salim Ahamed, 2015), and tracing its cinematic genealogy, this paper analyses the ways in which 'Dubai' is remembered and how this remembrance inscribes the Gulf as part of the collective memory of Kerala. The paper identifies the persistence of filmed space, intertextuality, and the archivality of the star body as the modes in which cinematic memory achieves this collective memorialisation. The mutuality between Kerala and Dubai, offered by cinematic memory, allows it to be an act of affective citizenship on the part of the migrants, i.e. embodied and sensorial acts of claiming the universal right to have rights. [ABSTRACT FROM AUTHOR]

The paper problematizes Ghatak’s Marxist treatment of the Bengali as well as the Brahmanical repertoire of cultural knowledge, for the purpose of carving out a Communist significance of the period. Rather than a recontextualization of traditional myths, the paper reads in this attitude a nostalgic particularistic abstraction of a rich array of aesthetic ideas, which are best appreciated in their diverse cultural context. The paper argues that Ghatak utilizes creative opuses of vast potential to serve political goals, with an aim of strengthening the East Bengali immigrant population in post-Partition West Bengal. The paper criticizes how Ghatak breaks down the traditions from different spatial and temporal coordinates for serving the representation of the plights of the Bengali Refugee – making a powerful integrated identity of the traumatized subject at the expense of erasing class, caste, communal and gender distinctions. In this, there is an effort to fashion an imaginary unified East Bengali sub-national entity, which is politically evened out for realization of unique identity and clout. [ABSTRACT FROM AUTHOR]

In modern electronic warfare, radar intelligence has become increasingly crucial when dealing with complex interference environments. This paper combines radar agile frequency technology with reinforcement learning to achieve adaptive frequency hopping for radar anti-jamming. Unlike traditional reinforcement learning with Markov decision processes (MDPs), the interaction between radar and jammers occurs within the partially observable Markov decision processes (POMDPs). In this context, the partial observation information available to the agent does not strictly satisfy the Markov property. This paper uses multiple layers of historical observation information to solve this problem. Historical observations can be viewed as a time series, and time-sensitive networks are employed to extract the temporal information embedded within the observations. In addition, the reward function is optimized to facilitate the faster learning of the agent in the jammer sweep environment. This simulation shows that the optimization of the agent state, network structure, and reward function can effectively help the radar to resist jamming. [ABSTRACT FROM AUTHOR]

Having been an unofficial archivist of Organization over the last 20 years, in this essay I offer a selection of stories from the archive as a tribute to the journal's 30th anniversary. I draw the stories mainly from the journal's backstage, hidden archive (comprising old documents, interviews, and observation), but also to a lesser extent from its public (i.e. published) facet (comprising editorials and journal papers). The stories concern the journal's relationship with Sage, its efforts to internationalise, the evolution of its archive in relation to the journal community, and the preservation of its critical intellectual mission. Altogether, these stories offer insights for the journal's collective memory and hope for remaking its future. [ABSTRACT FROM AUTHOR]

Hong Kong's cultural heritage and tourism offerings include several prominent symbols and legacies drawn from the waters that surround it, including dragon boat racing, Tin Hau temples honouring the Goddess of the sea, and iconic junk boats sailing on the harbour. Within the growing field of Hong Kong heritage studies, however, there has been little work addressing these and other aspects of its maritime past. This paper addresses this contradiction, of the simultaneous presence and absence of maritime heritage. It does so by considering the story of the 'coming ashore' (上岸) of people who lived on boats in the fishing centre of Aberdeen on the south side of Hong Kong Island. In the 1960s, many of them moved into Yue Kwong Chuen, an early public housing estate which is now being redeveloped. Drawing on archival research and oral history interviews, we consider the significance of the estate as an important example of the heritage of public housing that sheds light on the status of boat dwellers, excluded for centuries in South China, and their eventual incorporation into land-based society. The paper contributes new insights on collective memory and identity formation in Hong Kong under and after colonial rule. [ABSTRACT FROM AUTHOR]

Tattoos are important markers of tribal cultural identity. As embodied texts, they not only reflect a worldview but also become repositories of historical and ontological memory. As carriers of traditions, customs, and beliefs, they manifest the collective identity of the people and guide and bind them as a community. As such, tattooing or godna acquires a much wider significance than being a mere bodily art. It turns into an aesthetic-narrative entry point into tribal consciousness, cultural worldview, identity and history. In their engagement with their identity, the tribal writers dig deep into their cultural repository to foreground the truth of their being and becoming. In the present paper, an attempt is made to understand the nature of this tribal negotiation of 'tattooing' as a textual metaphorical tradition through a critical study of Sirawon Tulisen Khating's "Retold by Grandma-Yarla's Tattoos" and Nidhi Dugar Kundalia's "The Godna Artists of Jharkhand". The paper uses the insights from Raymond Williams's cultural theory to deconstruct and critically analyse the tribal practice of tattooing and its relational dynamics within the tribal society. Using memory as a trope and the concept of collective theory as a theoretical framework, the paper sets out to see how gender and caste/class notions are upheld during the tattooing process. Looking through the tattoo as a significant cultural practice in the tribal world, the paper also exposes the diverse class and caste hierarchies prevalent among tribals. [ABSTRACT FROM AUTHOR]

The Nigerian Middle Belt is the epicentre of violent conflicts between Fulani herders and sedentary farmers over land and agricultural resources called eco-violence; existing research has not adequately addressed the persistence of these conflicts. Using Social Representations Theory (SRT), this paper examines empirical case studies conducted in April 2018 and May 2022 in Benue State, Nigeria, to determine why these conflicts persist. The paper argues that contending parties anchor, objectify, and socially represent past contestations in pre-colonial, colonial, and post-colonial Nigeria in present-day realities and events in the Middle Belt, leading to the re-experience of collective memories and their consequences on people's violent collective behaviour. Consequently, people resort to violence to redress present grievances viewed through the prism of past events. To promote sustainable peace when tackling deeply-rooted conflicts, it is essential to comprehend the historical context and the significance of collective memory while employing a comprehensive strategy for conflict resolution. Implementing the Cognitive Reappraisal Technique to address issues related to collective memories is critical to this approach. [ABSTRACT FROM AUTHOR]