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In this article, I examine the construct of parental home or maher in my native language Marathi—as a social, emotional, cultural, spiritual, physical, and lived construct. Maher informs my struggle to comprehend the construct of home and its relationship to displacement, loss of familiarity, nostalgia, and the liminal. I juxtapose my experiences of being a newly married woman of Indian origin in the United States, with my experiences of being a new graduate student in a reputed North American university—both simultaneous life events. This article is an autoethnographical reflection on my negotiation of my marital and academic landscapes where I found my identity and ontological orientations challenged. The borderlands that resulted from geo-familial displacement and ontological displacement in academia intersected to create vantage points and liminal spaces that allowed me to explore, re-orient, and assert my ontological roots that are informed by Indian philosophy—specifically, the Advaita Vedanta approach. This article explores the power of art as research and the process of art-making as a process synchronous to researching to explore identity in the making. [ABSTRACT FROM AUTHOR]

Our speculative ethnography of Chinese student experience in the United States during COVID-19 weds the tradition of speculative fiction (exemplified by the likes of Margaret Atwood and Octavia Butler) and digital autoethnography. The study is two-pronged: First, we articulate/map the methodological merits of speculative and digital autoethnography as particularly conducive to the crisis context of COVID-19 and its accompanying social isolation; second, we deploy said methodology within a population of nine Chinese students "trapped" in the United States during the COVID-19 period. [ABSTRACT FROM AUTHOR]

This article describes how an Asian/American woman leader-scholar (and others un/like her) have processed the Atlanta Massacre of 2021 and other types of racialized violence in and out of the academy by drawing on the analytic frameworks of Orientalism and racialized sexualization. This critical autoethnography involved synthesizing traumatic reflections into concept maps by drawing from the content of author-generated poems, e-mails, institutional statements, and journal entries based on a series of critical incidents that occurred between March 15, 2021 to March 22, 2021, as well as over the past several decades. She describes how many leaders at White-dominated institutions of higher education have perpetually dishonored Asian/Americans and other BIPOC faculty, staff, and students through their in/actions, mis/behaviors, and mis/deeds before, during, and after the Atlanta Massacre March 16, 2021. [ABSTRACT FROM AUTHOR]

In this critical autoethnography, the author counter/narrates how she has navigated the dual pandemics of COVID-19 and structural racism predicated on over four centuries of racial oppression that reached a zenith on May 25, 2020, when George Floyd was murdered by a White police officer. As an Asian American woman dean of education at a White-dominated regional university, she weaves in between the past and present to discuss the multilayered intersections between the lives and livelihoods of Asian Americans and Black Americans by theorizing contemporary meanings of the historic slogan from the 1960s: "Yellow Peril Supports Black Power." She reflects on a few critical moments during the dual pandemics where she has navigated predominantly White spaces that have attempted to center tired-old platitudes around justice for George Floyd despite the daily persistence of blatantly and subtly racist practices against individuals who are Black, Indigenous, and People of Color. [ABSTRACT FROM AUTHOR]

This essay broaches the location of cultural production and circulation through an analysis of popular aesthetics and fantasy structures specific to the postindustrial milieu. While tracing the influence of American popular children's culture throughout Japan during post-World War II occupation, this essay demonstrates the rise of the Japanese cultural industry as a unique response to and anticipation of the pressures and anxieties of globalization. The Japanese cultural imaginary has significantly prefigured the very anxieties faced in an increasingly globalized world where bodies must be primed for instantaneous communication and be flexible and adaptable to rapidly changing consumer and material landscapes. [ABSTRACT FROM AUTHOR]

In this article, I describe my narrative walking project, StoryWalks, as a methodology that underscores the concept of movement in relation to place-based narratives. I describe several community member's walking narratives, theorizing movement through Deleuze and Guattari's concept of the refrain and through Donna Haraway's concept of storytelling as open signification and materialization in order to think about the various ways in which walking with stories is an entanglement of memories, place-based inquiry, history, future goals, and imaginings that matter for an ethnic and racial politics of place, identity, and belonging. I highlight storytelling through walking as an affective production of political, social, and cultural formations within communities. [ABSTRACT FROM AUTHOR]

This piece is an experimental autoethnographic text that juxtaposes the author’s childhood experiences of growing up as a mixed-race Korean immigrant in a xenophobic small town in the United States with her mother’s dreams of migrating from Korea to America. The story of the family is contextualized within the history of the Korean War and postcolonial Korea and is based on several conversations the author had with her mother and aunt, in addition to her research on the Korean War and its aftermath. It reveals the many physical and symbolic disappearances in both the author’s family and Korean diaspora. [ABSTRACT FROM AUTHOR]

Samgwangsa is an autoethnographic memoir that begins with the author’s early childhood memories of living in Korea with her mother, who became a “military bride” and the first Korean immigrant to settle in the author’s hometown. This piece questions what notions such as home, freedom, mobility, and the American dream mean under conditions of displacement. It chronicles the author’s desire to return to Korea with her mother, and through a life-long effort to do so, reveals new insights about kinship. [ABSTRACT FROM PUBLISHER]