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The not-so-bygone worlds of music and colonialism in the twentieth century have yielded a wealth of scholarly 'paper knowledge' in the twenty-first of which to build off new archival-musicological work. This article takes a particular archiving direction by turning to paper itself – and pivots the postcolonial pen around the texts and textures of re-engaging colonial history in postcolonial music scholarship. I explore these writing stakes through my adopted narrative of 'the post/colonial music archive', as shaped by paper and paper's sounding elements of tone and voice. Crisscrossing between the colonial moment and the postcolonial pen, I straddle this developing narrative of the archive, and the registers and inflections of extant source narration for what they can jointly vocalize about the music making of the Municipal Brass Band in 1930s treaty port Shanghai, and the Sino-British Club in postwar colonial Hong Kong – two ostensible musical worlds of 'Britain in China' in the twentieth century, here thrown into disarray by the post/colonial archive's own inchoate, counter-tales. Ultimately, in this process, postcolonial music scholarship gains further traction and meaning as a multi-articulating inquiry – and a turn of mind that does not let colonial history and its persistent challenges for writing go askew. [ABSTRACT FROM AUTHOR]

An introduction is presented in which editor discusses various articles within the issue on topics including use and procurement of paper in wartime; disappearance of paper using the example of restructuring and Reorganization of libraries and how photographs as with agency equipped medium.

This paper describes the development of books and libraries in China, from the formation of the first dynasties until the fall of the Empire, at the beginning of the 20th century. Their status and roll were placed in the context of social, political and cultural changes, especially those which had the profound impact on their further development. The invention of paper and xylography as an initial stage in the development of printing techniques were of immense importance throughout the world at that time. Both inventions have contributed to the increase in printing and publishing production, not only within the territory of China but also in other parts of the world. In this paper, they were considered within Chinese society which was their source. Also, the paper considers different types of libraries. Special attention is given to their work in the period of stability which resulted in faster development of cultural institutions. The Imperial Library, as well as the other state libraries, was especially active during the rule of the Song dynasty. Other types of libraries developed mostly during the rule of the Tang, Ming, and Qing dynasties. In spite of the fact that Chinese libraries were not open to the public (they were more depository then rental institutions) they had strong impact, especially on groups closely related to the emperor. Exceptions were monastic libraries, since their rules obliged the monks to write and read books in the silence of the temples. The first part of the paper describes printing production which contributed to the increase in the types and number of publications in all libraries of China. [ABSTRACT FROM AUTHOR]

In the early twentieth century, American newspapers enjoyed high circulations while presenting readers with diverse and plentiful content. After 1920, radio broadcasting made even more information available for public consumption, giving audience members an abundant range of media choices. During a time of plenty for readers and listeners, companies in the business of media struggled with the opposite problem: scarcity. As the amount of media content proliferated, the practical ability to disseminate it was determined by the access to scarce resources, and this was true for both radio broadcasting and newspaper publishing. In many respects, the history of the American mass media in the early twentieth century might best be told as a tale of two scarcities, one—the electromagnetic spectrum—defined by absolute limits and the other—the newsprint—defined by access to markets for a particular material, the supply of which often fluctuated in availability and price. [ABSTRACT FROM PUBLISHER]

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In 2020 the Cellulose and Renewable Materials Division (CELL) of the American Chemical (ACS) society celebrates its 100th anniversary. The following paper is based on a chapter from the book commissioned by the Division (Patterson, 2021). CELL is one of the most successful and dynamic Divisions in the ACS. It has evolved throughout its history to remain relevant and productive. One of its strengths is its diversity, while staying true to its founding vision. This perspective was present at its founding, and the following paper surveys the world of cellulose and renewable materials from the dawn of history to 1920. CELL has both industrial and scientific roots and has always welcomed the full range of participants from these communities. Rather than operating as separate tribes, the two groups have fostered innovations in each other. Many aspects of cellulose science and technology are discussed from antiquity to the early 20th century. [ABSTRACT FROM AUTHOR]