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National Astronomical Research Institute of Thailand (Public Organization) initiated a national flagship project in 2017 for development of radio astronomy and geodesy in Thailand. In this project, a 40-m Thai National Radio Telescope (TNRT) and a 13-m VLBI Global Observing System (VGOS) radio telescope as its co-location are constructed in Chiang Mai. The 40-m TNRT is the largest telescope for radio astronomy in South-East Asia. Its flexible operation with a wide-coverage of observable frequencies 0.3-115 GHz will allow us to uniquely contribute to the time-domain astronomy as well as carry out unbiased surveys for a wide variety of science research fields, which were published in a white paper. Within the framework of collaboration with VLBI arrays in the world, TNRT will drastically improve the imaging quality and performances based on its unique geographical location, for both radio astronomy and geodetic VLBI studies in South-East Asia for the first time. On-going commissioning of TNRT particularly in the L-band system (1.0–1.8 GHz) is introduced as well as vision for establishment of forthcoming regional VLBI networks based on TNRT: Thai National VLBI Array and South-East Asian VLBI Network in collaboration with Indonesia, Malaysia, and Vietnam. [ABSTRACT FROM AUTHOR]

Sketched in 1979 by graphic designer Peter Saville, the record sleeve of Joy Division's Unknown Pleasures seemingly popularized one of the most celebrated radio-astronomical images: the 'stacked plot' of radio signals from a pulsar. However, the sleeve's designer did not have this promotion in mind. Instead, he deliberately muddled the message it originally conveyed in a typical post-punk act of artistic sabotage. In reconstructing the historical events associated with this subversive effort, this essay explores how, after its adoption as an imaging device utilized in radio astronomy, the stacked plot gave representation to the diplomacy agendas of two distinct groups. The post-punk reworking of the stacked plot exemplified the ambition of this artistic movement to attack the images associated with social conventions and norms by amplifying their 'semantic noise', and, in so doing, seeking to negotiate a social space for those sharing these subversive goals. Conversely, radio astronomers used the stacked plot to display the presence of interfering radio transmitters in the frequencies exclusively allocated to astronomical research, thus advocating the removal of this electronic noise in the context of international telecommunication negotiations. The article thus shows how the representation of different types of noise through similar images shaped contrasting ambitions in the separate domains of science diplomacy and everyday diplomacy. [ABSTRACT FROM AUTHOR]

Many astrophysical phenomena can only be studied in detail for objects in our galaxy, the Milly Way, but we know much more about the structure of thousands of nearby galaxies than we do about our own Galaxy. Accurate distance measurements in the Milky Way underpin our ability to understand a wide range of astrophysical phenomena and this requires observations from both the northern and southern hemisphere. Our ability to measure accurate parallaxes to southern masers has been hampered a range of factors, in particular the absence of a dedicated, homogeneous VLBI array in the south. We have recently made significant advances in astrometric calibration techniques which allow us to achieve trigonometric parallax accuracies of around 10 micro-arcseconds (μ as) for 6.7 GHz methanol masers with a hetrogeneous array of 4 antennas. We outline the details of this new "multiview" technique and present the first trigonometric parallax measurements that utilise this approach. [ABSTRACT FROM AUTHOR]