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Windows Into Art was a month-long exhibit, held in June 2010, that placed paintings, works on paper, textile art, sculpture, video, and installations in the windows of vacant buildings in downtown Vancouver, WA. Co-curated by Karen Madsen and Dene Grigar, it was envisioned as an "alternative means of viewing art" that "turned the street into a museum and connected people with art." The show was also seen as a way to utilize art as a means for uplifting the spirit of a community where the number of vacant windows and storefronts was a growing concern to the city's public image. While such an approach to site-specific, civic art is not new, the show did break new ground with its use of technology: It utilized QR Codes to provide viewers with more information about the paintings, sculpture, installations, and the buildings in which the art was featured and to create an intermedial experience that connected analog art to the digital realm. Much has been written about technologies that make interacting with real world objects possible and tagging objects in ways that they can be found digitally. What interests this paper, instead, is the idea of intermediality--that is, the concept that digital and analog can come together so seamlessly that they create a new experience that is both real and virtual, augmented and extended. These are experiences that place viewers in two worlds simultaneously, offering all of the affordances available from both, thus making it possible to appreciate art in new ways. [ABSTRACT FROM AUTHOR]