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Based on an unpublished memoir about the life of a seven-year-old Moroccan Jewish child in the 1940s in themallah(Jewish quarter) of Casablanca, this article examines the traumatic dimension of a child's memory vis-à-vis the precarious social milieu and the instability of the political street at the time. The article draws a parallel between the deterioration of the protagonist's mental and physical health during 1948 and political and social events relating to the formation of Moroccan national sentiment in Casablanca. It details the contradiction between the official narrative and the ‘homey narrative’, the impact of news and rumours about the war in Palestine and the creation of the state of Israel, and how the formation of a (trans)national politico-religious sentiments among the Jews of Casablanca and Purim festivities coincided with all these events and reflected their uncertainty. The protagonist's mental ‘crisis’ is analysed through concepts used in Deleuze and Guattari's metaphor of a ‘body without organs’ known as ‘BwO’, where schizophrenia is not connected to either an Oedipus complex or the libido; instead, it is related to the world's (dis)order and stems from the repressive social, political, and economic conditions of the milieu in which the ‘subject-patient’ is living. [ABSTRACT FROM PUBLISHER]

The Falklands War has been described and experienced as disproportionately traumatic. The war was the first following the consolidation of the diagnostic for Post-Traumatic Stress Disorder (PTSD) as the measurement for the traumatic nature of combat. Whilst a variety of different disciplines and literatures have explored the traumatic nature of warfare, the experiences and accounts of Falklands veterans have been key to the popularization of the PTSD model, as well as to campaigns around the treatment and rehabilitation of ex-combatants. Ex-combatants' Falklands memoirs share a number of explanations of trauma with the wider literature. However, Falklands soldiers' memoirs also provide invaluable insight into both the specificity of their battlefield experience, and suggest wider universal lessons on trauma more generally. Although presented as individual accounts, central to Falklands memoirs is the importance of the military collective body in maintaining resilience to, and enabling recuperation from, the traumatic impact of combat. [ABSTRACT FROM AUTHOR]

There is a prevalent critical tendency to name My Ántonia's unnamed introductory narrator (in either its original or its revised incarnation) Willa Cather, "Willa Cather," or lesbian sexuality; "On Not Naming I" treats the impetus to identify and nominate the narrator as a catachrestic attempt to impose understanding on what remains a beguiling gap. I narrates the story of the conception, generation, and dissemination-via I as its mediating agent-of Jim's memoir, witnessing a history from which I is absent and that Jim describes as "incommunicable." The unnamed, unclaimed, equivocal I embodies a Catherian aesthetics compellingly rife with contradiction, a Catherian history legibly lined with loss and indirection. [ABSTRACT FROM AUTHOR]