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Historical overview of mid-latitude SuperDARN. (PDF 212â kb)

This essay examines the controversial legacy of the Italian theatre-maker Giorgio Strehler as a director, artistic director, ideologue and politician from the 1940s – when he founded the Piccolo Teatro in Milan – to his untimely death in 1997. The study will focus not so much on Strehler’s aesthetics but on his ideas and political engagement, his conception of theatre as a primary agent of social change, and his efforts to put into practice his dream of a unified Europe based not only on free markets and consumerism, but on what he called, not without a touch of essentialism, a ‘common humanity’ and shared cultural heritage. In this essay I reassess Strehler’s ‘humanist-socialist’ project for the future of the Old Continent, from the first phase (1940–1979) in which he enacted the ‘Europeanisation’ of Italian theatre, to the second phase (1980–1997) in which he aimed to ‘transnationalise’ the European theatre system through the direction of the Odéon – Théâtre de l’Europe in Paris, the establishment of the Union des Théâtres de l’Europe, and his election as MEP in 1982. \ud \ud It is ironic and somewhat uncomfortable to be researching Strehler’s dream of a United Europe today, but it is also particularly timely and important in the context of post-Brexit Britain. How can we read the EU referendum vote in the light of Strehler’s vision of the future of Europe as the first European Parliament was inaugurated in 1979? And what does Strehler’s legacy mean for Europeans today, as the EU project appears to have been taken over by ‘anti-humanist’ and ‘anti-socialist’ forces?