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Nel mondo delle Digital Humanities (DH) i risultati prodotti sono spesso nella forma di banche dati, siti internet, blog o pubblicazioni digitali di varia forma; per gli autori è difficile ottenere il riconoscimento dei crediti e garantirne la tracciabilità. In questo articolo si descrive il sistema del DOI (utilizzato come identificatore persistente assegnato di norma a monografie e articoli scientifici per la loro identificazione e tracciabilità) proponendone l’adozione in alcuni contesti di progetti di DH per favorirne la identificazione e diffusione, attraverso anche un ampio set di metadati descrittivi. In the world of Digital Humanities (DH), the results produced often take the form of databases, websites, blogs, or various digital publications. For authors, it is difficult to obtain recognition and ensure traceability of these results. This article describes the DOI system (used as a persistent identifier typically assigned to monographs and scientific articles for their identification and traceability), proposing its adoption in some DH project contexts to promote identification and dissemination, also through a wide set of descriptive metadata.

En este trabajo presentamos el proyecto de investigación Post Scriptum, que tiene por objeto la búsqueda, edición y estudio históricolingüístico de cartas privadas escritas en España y Portugal durante la Edad Moderna. Post Scriptum reúne una amplia colección epistolar y la ofrece en dos formatos preparados para la búsqueda: el de la edición crítica digital y el del corpus lingüísticamente anotado. En esta presentación se exponen los aspectos fundamentales sobre el diseño y elaboración de Post Scriptum, desde la búsqueda de los manuscritos en archivos históricos hasta la edición digital y anotación semiautomática de los textos y su publicación en línea; también se recogen resultados definitivos y se aportan algunos ejemplos de explotación del corpus en diferentes niveles de análisis., In this paper we present the project Post Scriptum, which aims to build up a campaign of collection, edition and historical-linguistic study of private letters written in Portugal and Spain along the Early Modern Ages. Not only does the Post Scriptum project present a wide collection of private letters, but it also makes it available as a scholarly digital edition and as an annotated corpus. Key aspects about the development of Post Scriptum are explained in this paper, from the finding of manuscripts in historical archives to the digital edition and semi-automatic annotation of texts and their publication online. Final results and some examples that illustrate how the exploitation of this corpus works at different linguistic levels are also included.

The humanities reflect a great disciplinary diversity, marked by different practices of knowledge production, which do not have a deep-rooted tradition of using computer-based methods in their research processes. Digital Humanities (DH) follow an interdisciplinary orientation, which can bring together a series of experimental approaches to some central questions of the humanities, applying computational methods, but not only. DH are comprehensive, interdisciplinary, and heterogeneous and are characterized by a great diversity of practices, which correspond to different epistemic cultures. The discourse around Open Science (OS) seems to reflect a more focused discourse on scientific research and communication practices, fundamentally inspired by the hard sciences, which does not seem to consider the peculiarities and characteristics of the digital humanities fully. The main goal of this work is to reflect on the inclusion of the epistemic cultures of DH in the OS discourse. As specific goals, it is proposed (i) to describe the concept of epistemic cultures, particularly in DH, (ii) to identify the approaches adopted by OS and relate them to those of DH, and (iii) to discuss the need for the existence of a discourse dedicated to the opening of the humanities and to prove that DH contributes to it. An exploratory qualitative approach was adopted, by conducting a literature review aiming to contextualize the approach of epistemic cultures, particularly about DH and its relationship with OS. The practices and environment for building scientific knowledge of DH were related to the principles of OS, considering the multidimensionality of the scientific communication system. The conclusion is that the OS adopts a unified view of science, not considering the different epistemic cultures, especially about the digital humanities, and therefore, a specific discourse around the opening of the scientific process in this area is necessary. 2D12-DBCD-3A21 | Beatriz Lourenço Barrocas Neves Ferreira info:eu-repo/semantics/publishedVersion

RESUMO Este dossiê discute as contribuições de António Manuel Hespanha (1945-2019) para a história política e a história do direito, bem como o seu pioneirismo no campo das humanidades digitais. ABSTRACT This dossier discusses the historiographical contributions of António Manuel Hespanha (1945-2019) for political history and history of law, as well as his pioneering work in the field of digital humanities.

“And Gabriel Kept on Writing” (Megilla 16a). Literary Features of Traditions Involving Supernatural Entities in the Babylonian Talmud according to the Elyonim veTachtonim Project In this paper, I explain the theoretical and pragmatic aspects of the annotation system of the literary features used in the Talmudic database developed within the Elyonim veTachtonim project. In the first section, I recapitulate the theses concerning the production of the Babylonian Talmud and operationalise the formal indicators (i.e., language and attribution) of its specific layers. In the second section, I review the scholarship on the Talmudic genres and propose a categorisation that adheres to the cross-cultural framework of the Elyonim veTachtonim project. In the final section, I offer an illustration: a qualitative scrutiny of a fragment from Berakhot 62a and a quantitative-qualitative analysis of the data gathered from the Talmudic inventory.

This paper presents a digital resources ecosystem prototype of integrated tools and resources to support heritage-led regeneration of rural regions, thanks to a deeper understanding of the complexity of cultural natural landscapes throughout their historical and current development. The ecosystem is conceived as a distributed software platform establishing data ecosystem and open standards for the management of information, aimed at providing different services and applications to address the needs of the various end-users identified. The platform has been conceived and realised in the framework of a Horizon 2020 research project, with a view to building a set of holistic knowledge about rural regions and their cultural and natural heritage and making it available for long-lasting heritage-led territorial processes of change. It is the product of a multidisciplinary collaboration amongst heritage, digital humanities and ICTs ex- perts, and combines data and methodologies from a range of approaches to humanities together with the customisation of effective digital tools. It has been designed for deployment also in cloud systems compli- ant with the Infrastructure-as-a-Service paradigm. All data is Findable, Accessible, Interoperable, Reusable (FAIR data). It hosts and integrates different tools, making the data gathered with/for local stakeholders usable and making the same data re-usable within the tools’ functions, generating integrated heritage knowledge. It comprises data on 19 rural pilot territories, where the tools and their integration have been developed and tested, while 62 more are partially included as additional territories which partici- pate in certain activities within the project. The main testers for this platform and its functions are the local stakeholders of these territories. The paper describes and analyses the platform and its impact, dis- cussing the integration of tools as an innovative approach that goes beyond the use of individual tools in shaping a multidimensional vision. It also offers an analysis of the potential of an integrated digital ecosystem in evidence-based and place-based regeneration strategies. Some reflections for developments and cooperation during the pandemic are also presented.

My virtual poster presentation for SciPy 2023 on Rozha, a package to simplify and streamline a number of natural language processing processes and methods for a wide variety of languages, empowering users to use NLP on both non-English and English texts. The notebook included in this repo can also be accessed via Google Colab at this link.

The digital transformation has affected literary studies in a variety of ways. First, by making more materials available and second, by opening new avenues of doing research. Many digital approaches to text analysis developed in computer science, computational linguistics, and natural language processing however have primarily been applied to large collections of texts and literary corpora. While these forms of “distant reading” have already produced novel insights and have helped to ask entirely new research questions, methods of distant reading are not the only way of using computers to better understand the works of a single author. My talk will showcase some computational close readings of the American writer Herman Melville and will illustrate that categories of closeness and distance are in fact scalable and not necessarily oppositional. With such a “scalable reading” (Weitin), I will argue that the humanities may find a stance of continuity within the monumental infrastructural change we call digitization. Bio Dr. Dennis Mischke ist wissenschaftlicher Koordinator und Leiter der Geschäftsstelle des »Ada Lovelace Center for Digital Humanities (ADA)« der FU Berlin. Seine Arbeitsgebiete sind Digitale Literaturwissenschaft, Critical Infrastructure Studies, Daten - und Digitalkulturen sowie Digitale Hochschuldidaktik. Dem Studium der Anglistik / Amerikanistik, Medienwissenschaft und Kognitionswissenschaft in Potsdam und Sydney folgte die Promotion im Fach Amerikanistik an der Ruhr-Universität Bochum. Nach verschiedenen Post-Doc Stationen in Deutschland, USA und Australien, war er zuletzt Gründungskoordinator des »Netzwerk für Digitale Geisteswissenschaften« an der Universität Potsdam.

Chapter at:O’Sullivan, J. (ed.) (2022). The Bloomsbury Handbook to the Digital Humanities (pp. 17-26). Bloomsbury Academic, ISBN: 9781350232129.

Digitale Coffee Lecture am 12.06.2023 an der Staats- und Universitätsbibliothek Hamburg Abstract: Obwohl Mehrsprachigkeit bzw. Mehrschriftlichkeit ein konstitutiver Faktor für Forschung, Lehre, Lernen und Arbeiten in allen akademischen Einrichtungen ist, unterstützen Wissenschaftsinfrastrukturen wie (Universitäts)Bibliotheken oft hauptsächlich nur die Verwendung der englischen Sprache und lateinischen Schrift. Davon sind in besonderer Weise die Digitalen Geistes- und Sozialwissenschaften (Digital Humanities) betroffen, die international sowie auf eine Region bezogen forschen und lehren und dabei auf die Nutzung von multilingualen (Meta)Daten, multilingualen digitalen Tools (Plattformen, Software, …) bzw. insbesondere auf die Verwendung nichtlateinischer Schriften in digitalen Umgebungen angewiesen sind. Unter dem Motto "Disrupting Digital Monolingualism" (King's College 2020) arbeiten derzeit immer mehr Forschende und Bibliothekar*innen zusammen, um diese anglophone Hegemonie als Ursache für kulturelle und technologische/digitale Asymmetrien sowie als Hindernis für den globalen wissenschaftlichen Austausch im Allgemeinen zu beseitigen, z. B. die mangelnde Sichtbarkeit/Zugänglichkeit von und Zugang zu Forschung oder Quellen in nichtanglophonen Sprachen und nichtlateinischen Schriften. Die Coffee Lecture zielt darauf ab, das Bewusstsein für Fragen der Multilingualität und Forschungsinfrastrukturen zu schärfen, mit besonderem Augenmerk auf Bibliotheksservices für Digital Humanities und nicht-lateinische Schriften. Am Beispiel des "Multilingual Digital Humanities Lab" (https://www.ada.fu-berlin.de/ada-labs/multilingual-dh/index.html ) im „Ada Lovelace Center für Digital Humanities“ (ADA) an der Universitätsbibliothek der Freien Universität Berlin (FUB) werden Akteure und Netzwerke innerhalb und außerhalb der FUB vorgestellt. Auf diese Weise soll die Diskussion um Aufgaben und Rollen von Bibliotheken für die Digital Humanities allgemein mit dem Aspekt der Stärkung von sprachlicher und schriftlicher Diversität in Bibliotheken verbunden werden. Veranstaltungshinweis: https://blog.sub.uni-hamburg.de/?p=35985

This talk focuses on how design can embrace a plurality of perspectives in displaying data and thus bolster the interpretative activity of research in digital cultural archives. Max Frischknecht is a designer, developer, and digital humanist. In his presentation he will touch upon themes in his current dissertation work creating visualizations and interfaces for the critical exploration of the Atlas of Swiss Folklore, a collection of over 300 maps that depict cultural patterns of Switzerland between 1930 and 1940. His research is part of the Participatory Knowledge Practices in Analogue and Digital Image Archives, a project funded by the Swiss National Science Foundation (2021–2025). At MIT Max is a visiting student in Comparative Media Studies, working with Kurt Fendt.

Cultural Collections as Challenging Research Data in Small States: the Case of Latvia Jānis Daugavietis Sanita Reinsone The Institute for Literature, Folklore and Art at the University of Latvia DARIAH Annual Event 2023 - Cultural Heritage Data as Humanities Research Data? (June 7 - 9, 2023, Budapest) Keywords: small states, open science, research data, digital research infrastructures, convergence Research (and statistics) indicate that despite recent improvements the Latvian humanities and arts community in general still lacks awareness and understanding of contemporary open science and is not particularly supportive of open science practices (Bite et al 2020, Daugavietis et al 2022, Reinsone et al 2023). This phenomenon can be attributed to a multitude of reasons, the main ones being one of the lowest levels of R&D funding in the European Union and the lag in the implementation of national science policy in this domain. Roadmap adopted in 2016[1]. The academic community in the field of humanities is just starting to grasp the notion of “research data” and necessary management it requires, while it remains unfamiliar to most cultural heritage institutions and public cultural administration. There is a risk that the differences between the two communities' attitudes towards cultural heritage collections as humanities research data will remain significant, as most of the state heritage institutions are under the supervision of the Ministry of Education and Science, while state and local heritage institutions are under the supervision of the Ministry of Culture. This is the first year since the Latvian Science Council (the national science grant distributor) started asking for DMPs, thus familiarising scientists with this practice[2]. As participation of Latvian humanities and arts researchers in large international research projects (e.g. H2020) is rare, the community also has virtually no such indirect experience of working with archiving and publishing FAIR data. In the field of humanities, there is only one data repository in Latvia, created in 2022 – https://repository.clarin.lv (about 70 datasets). The development of digital research infrastructures continues to pose a persistent challenge. Although some progress has been made and there are a sparse examples across several research disciplines, including operation of national CLARIN ERIC repository in recent years and the joining of one institution as a cooperating partner in DARIAH-EU last year, the overall development of digital research infrastructures in Latvia remains deficient. This holds true for the social sciences as well. Of the 25 EU ERICs[3], Latvia participates in 8 (humsoc – ESS ERIC and CLARIN). In comparative political science, the notion of small states is often employed to argue that the process of socio-economic development in small countries differs from that of larger countries (Baldacchino & Wivel 2020; Chodak 1989; Katzenstein 1985). Smallness can be both a hindrance and a help. Small countries are more vulnerable because they have fewer resources. At the same time, it encourages international and regional cooperation; communication with public institutions is more informal; mobility and communication is easier with small geographical distances and small interest groups (Katzenstein 2003). Latvia, with a population less than 2 million and an even smaller Latvian-speaking community, is such a case. The attributes of a small and economically challenged country may shape other optimal scenarios for the development of research data repositories and research infrastructures in general. The research community in such states is commonly limited in size, with a scarcity of research institutions in each field, and characterized by a lack of inner competitiveness. Furthermore, the geographical distances within the country are relatively modest, academic research is predominantly concentrated in the capital city. The administration of science and culture is centralized but both fields are operating independently from one another. The main question this paper seeks to address, with Latvia being the main focus and other small countries being used for comparison, is: which of the above mentioned and other characteristics of a small state facilitate or hinder the EU’s science and culture policy objectives, specifically, the implementation of open science principles and the complete digitisation and accessibility of cultural heritage? From the EU's perspective and practice to date, the ambition to build multi-sectoral digital infrastructures in small countries is unrealistic. Not only in individual countries, but even at international level, there is a convergence of humanities and social sciences research infrastructures (EOSC, SSHOC). The experience of small countries shows that there is often a strong overlap between the DARIAH and CLARIN communities, e.g. CESSDA and ESS. This is also the situation in Latvia and the choice of the Latvian science policy to create one research data infrastructure for the humanities and social sciences. At the beginning of 2022, a consortium of 4 major universities – “Higher Education and Science Information Technology Shared Services Centre” (https://www.vpc.lv/about) – was established at the initiative of the Ministry of Education and Science of the Republic of Latvia. The plan also includes the creation of a national repository of humanities and social sciences research data (on DataVerse), as well as the creation of a data stewardship system. Progress is slow. Meanwhile, The Institute for Literature, Folklore and Art at the University of Latvia, one of the few leading Latvian DH institutions also active in the CLARIN community, as Cooperating Partner joins DARIAH this May[4]. REFERENCES Baldacchino, G., & Wivel, A. (2020). Small states: concepts and theories. In Handbook on the politics of small states (pp. 2-19). Edward Elgar Publishing. Bite, K., Daugavietis, J., Kampars, J., Kreicbergs, J., Kuchma, I., Ločmele, E., Ostrovska, D., Vecpuise, E., Veisa, K., & Želve, M. (2020). ‘Pētījums par atvērto zinātni un rīcībpolitikas ceļa kartes izstrādi’ [Study on open science and the development of a policy roadmap]. Latvijas Nacionālā bibliotēka. https://www.izm.gov.lv/sites/izm/files/petijums-atverta_zinatne_21_2.pdf Chodak, S. (1989). The New State. In The New State. Lynne Rienner Publishers. Daugavietis, J., Karlsone, A., Kunda, I., & Kristāla, A. (2022). ‘Latvijas digitālo humanitāro zinātņu rīku un resursu izstrādāšanas prakses’ [Tools and Resource Development Practices in Latvian Digital Humanities]. Letonica, 47, 12–51. http://lulfmi.lv/files/letonica/47/02-tools-and-resource-development-practices-in-latvian-digital-humanities.pdf Katzenstein, P. J. (1985). Small States in World Markets: Industrial Policy in Europe. Cornell University Press. Katzenstein, P. J. (2003). Small states and small states revisited. New political economy, 8(1), 9-30. Reinsone, S., Matulis, H., & Daugavietis, J. (2023). ‘Digitālie resursi un rīki humanitārajām zinātnēm. Rekomendācijas politikas veidotājiem un digitālo resursu un rīku izstrādātājiem’ [MANUSCRIPT / Digital resources and tools for the humanities. Recommendations for policy makers and developers of digital resources and tools]. LU LFMI. ________________ [1] Informatīvais ziņojums “Par Latvijas dalību Eiropas pētniecības infrastruktūru stratēģiskā foruma (ESFRI) Eiropas pētniecības infrastruktūru Ceļa kartes konsorcijos” [Informative report "On Latvia's participation in the European Roadmap Consortia of the European Strategic Forum for Research Infrastructures (ESFRI)"], 2016 LR IZM [The Ministry of Education and Science Republic of Latvia]; https://www.izm.gov.lv/lv/media/6161/download?attachment [2] Latvian Research Council on the ARGOS platform (https://devel.opendmp.eu) has developed a DMP form "LCS FARP", which is recommended for use by Latvian scientists. [3] https://eur-lex.europa.eu/legal-content/LV/LSU/?uri=celex:32009R0723 [4] https://www.dariah.eu/2023/05/15/the-institute-for-literature-folklore-and-art-at-the-university-of-latvia-joins-dariah-as-cooperating-partner ACKNOWLEDGEMENT The poster was made within the framework of the State Research Program “Towards Development of Open and FAIR Digital Humanities Ecosystem in Latvia (DHELI, 2022–2025)”. (Nr. VPP-IZM-DH-2022/1-0002) funded by Latvian Council of Science of the Ministry of Education and Science. The project is implemented by the The Institute for Literature, Folklore and Art at the University of Latvia, Institute of Mathematics and Computer Science of the University of Latvia, University of Latvia (UL Livonian Institute and Latvian Language Institute of the University of Latvia), Rēzekne Academy of Technologies, Riga Technical University, National Library of Latvia. http://lulfmi.lv/en/DHELI-VPP

This article aims to present the hermeneutic problem related to the emergence of the research field widely known as digital humanities. In general, at the epistemological level, this problem involves the consideration of a theory of historical interpretation that articulates research methods and techniques with digital objects in their symbolic character. At the ontological level, it highlights the need to take into account the constitutive aspects that make this theory of interpretation possible. By examining the historical-philosophical foundation of the hermeneutic paradigm, as well as the engagement of human sciences at large — and history in particular — with digital technologies, we have come to the conclusion that a digital historical hermeneutics needs to go beyond epistemological and methodological reflections towards the questioning of the ontological conditions not only of human understanding but also of machine interpretation. Este artigo tem como objetivo apresentar o problema hermenêutico relacionado ao surgimento do campo de pesquisa amplamente conhecido como humanidades digitais. Em geral, no nível epistemológico, esse problema envolve a consideração de uma teoria da interpretação histórica que articula métodos e técnicas de pesquisa com objetos digitais em seu caráter simbólico. No plano ontológico, ele destaca a necessidade de levar em conta os aspectos constitutivos que tornam essa teoria da interpretação possível. Ao examinar o fundamento histórico-filosófico do paradigma hermenêutico, bem como o engajamento das ciências humanas em geral — e da história em particular — com as tecnologias digitais, chegamos à conclusão de que uma hermenêutica histórica digital precisa ir além de reflexões metodológicas e epistemológicas em direação ao questionamento das condições ontológicas não apenas da compreensão humana, mas também da interpretação realizada pela máquina.

The article is concerned with a central contribution of designing to information visualization in the digital humanities. The activity is characterized as one of externalization, instantiation in visible or tangible form of ideas that might otherwise be internal to the minds of the designer and other participants. A spectrum of different interpretations of this process in the existing literature is discussed, focusing on early attempts to theorize designing as a means of creating new knowledge, and especially the ways in which that new knowledge contributes to defining or redefining the question or problem to be addressed. The arguments are illustrated with recent practical examples from the authors’ own work in designing with a range of cultural organizations, museums and archives. The article concludes with reflections on how projects may best benefit from this work of design, empowering the designer as a co-researcher, alongside the historian, curator or other humanities scholar.

presentation at kuwikitips & tools #6 Vortrag »Verbindung zum Weltwissen. Bilder mit Wikidata erschließen« von Michael Müller und Georg Schelbertim Rahmen der Veranstaltung »Wikidata«, Vortragsreihe kuwiki tips & tools der AG kuwiki. Kunstwissenschaften + Wikipedia kuwiki tips & tools #6: Wikidata 11.05.2023, 18.00–19.30 Uhr, online

The text reads: Quatreoil / Given as a / Thank Offering by / John H & / S. Elizabeth Moore. Lead Investigator and Photograph: C. Cody Barteet (cbarteet@uwo.ca). https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stpaulcathedral/1034/thumbnail.jpg

Lead Investigator and Photograph: C. Cody Barteet (cbarteet@uwo.ca). https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stpaulcathedral/1056/thumbnail.jpg

Lead Investigator and Photograph: C. Cody Barteet (cbarteet@uwo.ca). https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stpaulcathedral/1057/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1085/thumbnail.jpg

Inscription: TO THE GLORY OF GOD IN LOVING MEMORY OF / EVELYN GARRETT DIED DEC. 12, 1948 / AND MARK GARRETT DIED JULY 6, 1951 / ERECTED BY THEIRS SONS. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1091/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1018/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1004/thumbnail.jpg

The inscription reads: Solider: BE / THOU / FAITHFUL / UNTO / DEATH / AND. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1003/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1020/thumbnail.jpg

The widow was redesigned from an earlier window, by a currently unknown firm. Wallis was commissioned by the St. Mark’s community to update the window to its current location. Wallis’ contribution includes the reformatting to the window and the larger religious inscription. Inscription: THEY / SHALL / SEE / HIS / FACE. To the Glory of God and in Memory o f/ FLORENCE C MCNAB / NOV 24, 1925. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1009/thumbnail.jpg

Inscription: TO THE GLORY OF GOD AND IN LOVING MEMORY OF / ELIZABETH DUNSTON WHO DIED JAN 29TH 1923 / AND WALTER DUNSTON WHO DIED APR. 28TH 1924 / ERECTED BY THEIR CHILDREN. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1084/thumbnail.jpg

Inscription: THEY / SHALL / SEE / HIS / FACE. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1016/thumbnail.jpg

Inscription: TO THE GLORY OF GOD IN LOVING MEMORY OF / EVELYN GARRETT DIED DEC. 12, 1948 / AND MARK GARRETT DIED JULY 6, 1951 / ERECTED BY THEIRS SONS. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1028/thumbnail.jpg

Inscriptions read: ISAAC / AND / REBECCA and To thee Glory of God and in Loving Memory of / DANIEL BACON WHO DIED JULY 28TH 1921 AND / MARY B. BACON WHO DIED NOV. 20TH 1925 / ERECTED BY THEIR CHILDREN. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1081/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1093/thumbnail.jpg

Icons: Dove, Anchor, Chalice. Inscription: TO THE GLORY OF GOD / AND IN LOVING MEMORY OF / MARY ELDER TAYLOR. / ERECTED BY HER SONS JEREMY AND REV. KENNETH TAYLOR, 1935. Signed: C. WALLIS / LONDON / ONTARIO/ 1964. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1012/thumbnail.jpg

Ventilator plaque: TO THE GLORY OF GOD AND IN EVER LOVING MEMORY / OF WILLIAM JOHN ROBINSON, M.D. / BORN JULY 24 1858 / MEDICAL SUPERINTENDENT OF THE ONTARIO HOSPITAL / FOR 22 YEARS, WHERE HE DIED SEPT/ 3, 1922. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1078/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1017/thumbnail.jpg

Inscriptions read: Isaac / Rebecca. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1089/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1007/thumbnail.jpg

Inscription: THEY / SHALL / SEE / HIS / FACE. To the Glory of God and in Memory of/ FLORENCE C MCNAB / NOV 24, 1925. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1014/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1087/thumbnail.jpg

Inscriptions read: Isaac / Rebecca. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1027/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1094/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1019/thumbnail.jpg

Inscriptions read: Isaac / Rebecca. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1090/thumbnail.jpg

Detail shows partial inscription: BE / THOU / FAITHFUL / UNTO. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1001/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1095/thumbnail.jpg

Inscription: I / WILL / GIVE / THEE / A / CROWN / OF / LIFE. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1006/thumbnail.jpg

Inscriptions showing: SAINT / PETER / THE / BELOVED / PHYSICIAN. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1076/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1005/thumbnail.jpg

The figures of Christ and the Solider in these windows are form the Memorial Window given to the Glory of God and loving memory of William Wills and his wife Elizabeth. Solider: BE / THOU / FAITHFUL / UNTO / DEATH / AND. Christ: I / WILL / GIVE / THEE / A / CROWN / OF / LIFE. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1000/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1088/thumbnail.jpg

Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1092/thumbnail.jpg

Inscription: TO THE GLORY OF GOD AND IN LOVING MEMORY OF / ELIZABETH DUNSTON WHO DIED JAN 29TH 1923 / AND WALTER DUNSTON WHO DIED APR. 28TH 1924 / ERECTED BY THEIR CHILDREN. Lead Investigator: C. Cody Barteet (cbarteet@uwo.ca). Photograph: Katie Oates https://ir.lib.uwo.ca/chriswallis_stainedglass_on_london_stmarks/1083/thumbnail.jpg