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In 2003, the excavation of the ancient site Baochuanchang Shipyard was carried out in Nanjing, China and this shipyard was believed to have been the workshop where the huge vessels of Zheng He's fleet were built and maintained. Several pieces of ancient putty were found here, and a small piece was sampled and analyzed in this paper to study its components and structure. The results of X-ray diffraction (XRD) showed that the putty was mainly composed of calcite (CaCO3), while pyrolysis-gas chromatography–mass spectrometry (Py-GC–MS) analysis indicated that tung oil was used in making the putty. In addition, plant fibers inside the putty were identified as jute by the means of polarizing microscope and scanning electron microscope (SEM) analysis. These findings confirmed the putty as the so-called chu-nam putty, which was a traditional sealing material used in ancient shipbuilding. Moreover, the surface morphology of the putty was obtained by SEM, and pore size distribution was measured by gas adsorption-desorption analysis. The analytical results suggested that the putty was quite compact, which could perform well in sealing huge wooden ships. This research revealed the shipbuilding skills of the Baochuanchang Shipyard. It may provide reference for studying Zheng He's vessels and make further a contribution to the conservation and restoration of ancient wooden ships of the Ming Dynasty.

The restoration of incomplete artifacts is important for presenting the value of artifacts. Even though the existing methods provide rich solutions for the restoration of artifacts, they may not be the ultimate and perfect methods. The innovation of restoration methods may provide better restoration effects in some aspects or bring people a different visiting experience, which motivates people to explore new restoration methods. In this paper, based on virtual imaging technology, a virtual imaging restoration method for incomplete artifacts were proposed. In order to examine the effects and potential of the virtual imaging restoration, a bronze mirror and a mural were restored through our newly invented virtual imaging restoration device. The effects of the restorations were evaluated through the illumination test and the questionnaire surveys. The results proved that the virtual imaging restoration can visually achieve in-situ restoration, and it is completely reversible. Virtual imaging restoration also performed well in terms of visiting experience, authenticity, discernibility, and economy. Limitations of this restoration method are related to the scope of application, the viewing angle, and the imaging effects. Overall, virtual imaging restoration is worth recommending and the potential of this method and its encouraging results may provide a choice or pretest tool for the restoration of some incomplete artifacts in the near future.

The restoration of incomplete artifacts is important for presenting the value of artifacts. Even though the existing methods provide rich solutions for the restoration of artifacts, they may not be the ultimate and perfect methods. The innovation of restoration methods may provide better restoration effects in some aspects or bring people a different visiting experience, which motivates people to explore new restoration methods. In this paper, based on virtual imaging technology, a virtual imaging restoration method for incomplete artifacts were proposed. In order to examine the effects and potential of the virtual imaging restoration, a bronze mirror and a mural were restored through our newly invented virtual imaging restoration device. The effects of the restorations were evaluated through the illumination test and the questionnaire surveys. The results proved that the virtual imaging restoration can visually achieve in-situ restoration, and it is completely reversible. Virtual imaging restoration also performed well in terms of visiting experience, authenticity, discernibility, and economy. Limitations of this restoration method are related to the scope of application, the viewing angle, and the imaging effects. Overall, virtual imaging restoration is worth recommending and the potential of this method and its encouraging results may provide a choice or pretest tool for the restoration of some incomplete artifacts in the near future.

The restoration of incomplete cultural heritage is important for presenting the value of cultural heritage. Usually, the restoration methods mainly include physical restoration, digital restoration, digital projection restoration, and plane patterns restoration, which all have insurmountable shortcomings. This paper presents a virtual imaging technology based on a kind of visual illusion phenomenon to restore cultural heritage in situ virtually. We proposed a virtual imaging restoration device and examined the practicability of the virtual imaging technology in restoration by applying it in restoring an incomplete bronze mirror. The results showed that the virtual imaging restoration performances better than traditional restoration methods from the perspective of keeping authenticity, non-interference, reversibility and discernibility of the cultural heritage. The potential of this technology and its encouraging results may provide a better alternative to the restoration of certain kinds of incomplete cultural heritage and a useful tool to pretest the restoration programmes.