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Data physicalization has emerged on the design scene as a way of making sense of big (quantitative) data. This study explores how bigdata physicalizations are designed, how people engage with them, and how that spurs innovation. Graduate student designers created 15 data physicalizations to engage bus planners and bus passengers at multi-stakeholder workshops in discussing bus services and bus designs. The physicalizations were based on passenger data from 9 city bus routes. We used dimensional analysis to scrutinize the data physicalizations as constructs and multimodal interaction analysis to understand how workshop participant interact with the physicalizations. Using the theories of Flow State and Play Moods as analytic perspectives we identified patterns of engagement that were stimulated by both material aspects of the data physicalizations and the designers’ role in facilitating interaction. We contribute with a framework of how data physicalizations can scale big data insights to meaningful engagements, which in turn lead to Small Beginnings of innovation

In this paper, we take the case of Do-It-Yourself (DIY) face masks as an entry point to questions of scale and scalar relations in design. We provide two example scalar trajectories that illustrate how DIY face masks - as everyday design artefacts - are in continuous shaping and re-shaping through various forms of active use and design. We also point out how scalar relations manifest in knowledge sharing and circulation of know-how, as DIY masks emerge in a world facing the same COVID-19 virus but within different local realities and relationships.

openaire: EC/H2020/870759/EU//CreaTures Global scale transformation is urgently required if we hope to stabilise socio-ecological systems. While design contributes to social and ecological un-sustainability, it can also play a pivotal role in bringing us towards more positive, inclusive ways of living and being within the planetary ecosystem. Experimental, co-creative design provides powerful tools for prompting critical thinking and inspiring new imaginaries. We engage with these possibilities, and explore their role in societal transition. We present an experimental food design workshop that aims to engender fantastical and plausible possibilities for regenerative (more-than- human) future food practices. We reflect on how to move from such imaginaries to ‘implementable nows’ that is, transformative innovations that might be enacted today. We provide inspiration and methodological guidance for designers interested in the social imaginaries brought forth through world-making efforts; leapfrogging the adjacent possible and reorienting situated practices towards better – socio-ecologically just – futures

Are you interested in designing new ways of networking at the Nordes conference with fellow researchers?Do you want to explore and discuss the so called “workspacelab” as a platform for user involvement?This workshop invites participants to explore a particular version of the design:lab called the workspace:lab. With a focus on methods like probekits, design games and experience prototyping the participants will experience what it is like being part of the design:lab as “users” and they will be exposed to the different equipment and tools used in the “laboratory of change”. Though the main focus of the workshop is to explore the workspace:lab, the actual output of the workshop is also relevant. The participants will be encouraged to codesign examples of new ways of networking at conferences, which could benifit the Nordes community in the future.

This paper offers a typology for understanding design fiction as a new approach in design research. The typology allows design researchers to explain design fictions according to 5 criteria: (1) “What if scenarios” as the basic construal principle of design fiction; (2) the manifestation of critique; (3) design aims; (4) materializations and forms; and (5) the aesthetic of design fictions. The typology is premised on the idea that fiction may integrate with reality in many different ways in design experiments. The explanatory power of the typology is exemplified through the analyses of 6 case projects.