Search

From Turkistan to Anatolia, weaving came with the Turks. In the Ottoman period, there was an important production in the production of fabrics as well as carpets and rugs.Izmir was one of the cities that had a well-deserved reputation in fabric production during the Ottoman period. It is known that in İzmir, where fabrics are sent to both the domestic market, the palace and the foreign market, it is common in workshop and factory style production, as well as personal production.There are many documents about Izmir fabrics in the Presidency Ottoman Archives. Some of these documents will be examined within the scope of the article. Key words: Archive, weaving, fabric, yarn

During the Ottoman Empire, which was established in Anatolia after the Seljuks, many developments were made in the name of art for 600 years. Especially thanks to the Ottoman Empire's value to the artist and art, very good works have been produced in many fields. In addition to branches such as calligraphy, illumination, miniature and marbling, fabrics, carpets and rugs, which attract the attention of the whole world in the field of textile, were also woven. The art of weaving experienced its brightest period in terms of weaving technique, color and pattern in the Ottoman Empire. It is understood that weaving, which continued to be produced traditionally in Ottoman cities, continued its existence as an important cultural element and sector. The clothes of the Ottoman sultans kept after their death and the qualities of the fabrics used in the palace convey very important information at the point of understanding the importance of weaving. The diversity and richness of the weavings and textiles produced in many documents belonging to the period can be clearly seen. In this context, this rich weaving and textile diversity has taken an important place in Turkish culture. Especially this rich variety of weaving and textiles has been painted by many painters in almost every period and has gained an important place in terms of conveying information about their periods. In this study, some of Halil Pasha's paintings in which he displayed an objective and objective approach with a realistic style, some of which are in an orientalist style, are discussed as subject. In the study, will focus on Halil Pasha's life, his understanding of art and the textiles and clothing he depicted in some of his paintings. The textiles and clothes in the paintings were discussed in terms of characteristics such as color, pattern, and texture. Key Words: Textile, weaving arts, clothing, painting, carpet.

Dokumacilik dunyadaki en eski uretimlerden birisidir ve Turkler tarih boyunca dokumacilikta onemli uretimler yapmislardir. Orta Asya sonrasi Anadolu’da da Turkler, Selcuklulardan itibaren Osmanli doneminde de koy el sanati, saray sanati olarak ayrica Ahilik gelenegi icerisinde de bir ‘meslek’ olarak dokumaciligi surdurmuslerdir. Ahilik, Anadolu’da sosyal ve ticari bir muessese olarak onem kazanmistir. Tanzimat fermanina kadar da onemini korumustur. Ahilik icerisinde her dokuma turune gore ayri bir esnaf teskilati, varligini o donemlerde surdurmustur. Konu ile alakali Osmanli Arsivi’nde de cok sayida belge vardir. Ahilik sistemi icerisinde yer alan pek cok dokumacilik meslegi gunumuzde islevini kaybetmistir. Makalede ahilik sisteminde bulunan dokumacilik mesleklerinden bahsedilecektir

Yabancıların Türk halılarına olan ilgisi yüzyıllardır bilinmektedir. Özellikle XV. yüzyıldan sonra Avrupalı ressamlar tablolarında Türk halısı tasvirlemişlerdir.Tablolardaki renkler ile tasvirlenen halının renkleri arasında bir bağ olduğu düşünülmektedir. XV. ve XVI. yüzyılın başlarında resim yapmış Rönesans ressamlarının bir kısmının bazı tablolarında Türk halıları vardır. Bu halıların desen analizi ve halıdaki renklerle tablodaki diğer renkler arasındaki bağlantı bu araştırma ile tespit edilmeye çalışılmıştır.