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Obwohl Komik und Behinderung gerade in den Künsten immer wieder zusammentreffen, gibt es so gut wie keine theoretisch und methodisch fundierten Auseinandersetzungen mit dieser Thematik in den Literatur-, Kultur- oder Sozialwissenschaften. Gerade im Kontext von Inklusionsdiskussionen jedoch sind Fragen nach dem Potential des Lachens und der Komik, aber auch nach deren Ambivalenz im Zusammenhang mit Behinderung von weitreichender Bedeutung. Der vorliegende Band unternimmt eine Bestandsaufnahme möglicher Theorien und Analysekonzepte anhand konkreter Einzelanalysen. Die Autor:innen vertreten die Sozial-, Erziehungs-, Literatur-, Kultur-, Medien-, Theater- und Filmwissenschaften.

The book presents a collection of articles authored by several members of the Warsaw School of Political Theory, affiliated with the University of Warsaw. The team of scholars, whose roots extend to the 1970s when professor Artur Bodnar founded the Political Theory Research Group at University of Warsaw's Methodical Centre for Political Science (COM SNP), has been conducting research under the leadership of professor Miros³aw Karwat. The school's most distinguishing features include: the acceptance of the directives and principles of methodological holism, the acceptance and creative development of holistic integral definitions, the application of sociocentric spatial analyses, and a critical approach to the “cratocentric” tradition.

During the past fifty years Schenkerian theory has been adopted as the main method for analysing tonal music. This book questions the value of Schenker's «tonal analysis» for musical description and interpretation, and discusses its relations to «generative» theory and «implicational» analysis – taking into account its links with linguistic syntax and the perception of tonal closure. It is observed how auxiliary theoretical concepts transform the music so as to pave the way for preordained tonal structures. Alternative readings of the music examples are provided.