Cultural memory refers to the memory of societies that are passed down from generation to generation. There are many factors for ensuring cultural transmission. One of the most important of these factors is space. Space has significance, especially for cultural productions that have been developed depending on a specific space, by hosting the culture and providing a suitable space for cultural transmission. This study investigates the place of tomb sites, believed to belong to Yunus Emre, in terms of transmission of cultural memory related to him from generation to generation. Yunus Emre (1240/41-1320/21) is a significant person who influenced many Turkish culture areas, such as literature, art, history, and music. From the 13th century, which is accepted as the century in which he lived, until the 20th century when his name came to the fore in the world of science, he existed in a limited way in written sources with his legends and poems and widely in the oral cultural environment. He has been the subject of many academic studies since the 20th century. Yunus Emre's tomb is one of the unanswered areas among the studies focusing on him. There are 13 tomb sites believed to belong to Yunus Emre in Turkey. These are as follows: Afyon (Sandıklı), Aksaray (Tapdık village and Reşadiye village in Ortaköy district), Bursa (Yıldırım), Eskişehir (Mihalıççık), Erzurum (Palandöken), Isparta (Keçiborlu, Gönen and Güneykent), Karaman (Center), Konya (Doğanhisar), Manisa (Kula) and Ordu (Ünye). Each of these tombs is believed to belong to Yunus Emre by the local people in each of these places. The ownership of tomb sites often leads to controversy among these cities. In this article, the unanswered question, discussed for nearly one hundred years, "Where is Yunus Emre's real tomb?" is put aside, and the question "What is the role of these burial sites that are believed to belong to Yunus Emre in cultural transmission?" is raised. First of all, depending on the fieldwork carried out at Yunus Emre's tombs in 2017-2019, information is presented about the current status of the burial sites and their cultural productions. In line with the data obtained from the field study, how the cultural memory of Yunus Emre is kept alive in these places and the role of these tombs in the transfer of culture have been discussed. Accordingly, it is seen that the cultural transmission in Yunus Emre's tombs took place in the dimensions of narrative, ritual and space. The widespread existence of Yunus Emre in narrative environments of oral culture causes verbal memory to need a space to protect itself. It is determined that the places that appear in the form of attribution of tombs function as memory spaces and provide the appropriate environment for forming narratives and rituals. It is seen that each place fulfils the function of keeping the cultural memory of Yunus Emre alive and transmitting it from generation to generation, with its unique narratives, visiting rituals and practices on commemoration days in accordance with its geographical location and conditions. While Yunus Emre's production in written culture is protected by writing, its production in oral culture is also preserved, kept alive and transmitted in the tomb sites attributed to him and owned by the people. [ABSTRACT FROM AUTHOR]