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Âşık Veysel, one of the most important poets of the 20th century, has made a name for himself in the following centuries with his personality that keeps his joy of life alive and constantly produces new works despite the difficulties he has experienced and has been the subject of many studies. In this study, it is aimed to examine the reflections of Âşık Veysel's poems on the Life Sciences Course Curriculum in terms of knowledge, basic life skills, achievement and core values and document review is used. The data sources of the study consist of 20 poems by Âşık Veysel and the 2023 Life Sciences Course Curriculum. Âşık Veysel's poems were examined in terms of knowledge and were associated with the program. Then, the poems were examined in terms of basic life skills, achievements and core values in the 2023 Life Sciences Course Curriculum. In the data analysis process, both descriptive and content analysis were used. As a result of the research, the information dimension of Âşık Veysel's poems was associated with the units "Life in Our School", "Life in Our Country", "Healthy Life" and "Life in Nature" in the program. It was also concluded that the poems were associated mostly with observation skills among the basic life skills and with patriotism among the root values. [ABSTRACT FROM AUTHOR]

It is known that in the Ottoman after the second half of the 18th century, muralist house of the palace was disbanded The production of countless miniature manuscripts, which were produced under the auspices of the palace to document enthronements, wars, peace, reigning sultans, weddings and daily events, came to an abrupt end. It is not possible to mention of any significant production until the second half of 20th century. It is known that the two albums worked on 1945 between1953 were produced by the personal efforts of two valuable academicians who gave importance to the arts of the book and worked to keep these arts alive. The first miniature manuscript, which is the subject of this study, began to be produced in 1945 when Professor-in-ordinary İsmail Hakkı Ertaylan held many meetings with famous calligraphers and illuminators of the period to prepare a "the Conqueror Album", which was aimed to be prepared in 1953, the 500th anniversary of the conquest of Istanbul. The second miniature manuscript, which is the subject of this study, is a single copy prepared by Prof.-in ordinary Ahmet Süheyl Ünver in 1953 under the name of "the Conqueror's Book" to be presented to Mehmet the Conqueror in spirit. The two academician/craftsman were teachers and students at the Medreset'ül Hattatin, and later became colleagues at the Fine Arts Academy. The portraits of Mehmet the Conqueror described by A. Süheyl Ünver and Hüseyin Tahirzade Behzat, which are found in two original, unique and artistically valuable miniature manuscripts, were compared and evaluated. [ABSTRACT FROM AUTHOR]

The purpose of this study is to seek how and in what ways nickelodeons, which came to fore since the beginning of 20th century, were benefited by working class as entertainment apparatuses. Transformations in all spheres of life specifically in USA became concrete in the sector of cinema and nickelodeons turned into an inevitable spot for immigrant workers flooding into US to reinvigorate their American dreams. That’s why, moving from the current literature, it is of great significance to analyze the meanings of these cinema saloons for workers and to make academic synthesis within this research. This is also worth mentioning due to its portrayal of correlation between cinema and labor life. So that the relationship between working class and nickelodeons can be ascertained, literature review was used as research method. The study fundamentally consists of two sections. In the very first part of the research, beginning from definitions and the historical backgrounds of nickelodeons, the process of its transformation into an industry will be uncovered. The second chapter of this paper gives information about nickelodeons on the one hand and clarifies the meanings of these saloons for blue collar workers of the era on the other hand. [ABSTRACT FROM AUTHOR]

İskeçe (Xanthi) is a multicultural administrative unit located within the borders of the Republic of Greece today and includes a Muslim-Turkish minority community due to their exclusion from the population exchange between Greece and Türkiye. The administrative city of this prefecture is İskeçe, which gave its name to the region. İskeçe was under the rule of the Ottoman Empire for approximately 550 years starting from the mid-14th century. The city became one of the kazâ centers of the Gümülcine Sancağı, which was subject to the Vilâyet of Edirne in the last quarter of the 19th century. One of the most significant features of İskeçe is that it achieved socioeconomic and administrative development starting from the mid-19th century. This study aims to contribute to historical research on the changes and transformations that İskeçe went through between the end of the 19th century and the beginning of the 20th century. The socioeconomic and administrative structure of the kazâ of İskeçe between 1882 and 1904 is analyzed through the Edirne Vilâyet Yearbooks published between these years and the data contained in these sources. Within the framework of the research subject, the data obtained from the yearbooks are analysed and, where necessary, the method of comparison with Ottoman archive sources is applied. The main argument of the study is that İskeçe became one of the prosperous cities of the region in socioeconomic and administrative terms through its administrative, social and economic institutions since the second half of the 19th century. [ABSTRACT FROM AUTHOR]

This study is about the Başkale Jews, who lived in the Başkale district of Van province for many years and had no presence in the region as of the second half of the 20th century with the migration of the last remaining families. According to historical sources and the information we obtained as a result of the interview; It is known that the Jews of Van-Baskale came to the region for compulsory reasons and after living in the region for a long time, they gradually migrated to other geographies for various reasons. During their time in the region, the Jews used Aramaic as their language; however, it is known that they can also speak Kurdish and Turkish. The shelter and indoor architecture of the region based on mud-brick architecture and the large family structure are common features for all ethnic groups of the period, including the Jews. Accordingly; Based on the similar cultural structure of the geographical region, the traditions, beliefs and rituals of the Jews of Van Baskale also have similarities with other cultural groups of the region. As a result, it has been understood that the Jews of Van-Baskale, who define themselves as Nash Didan, came to this region through Mesopotamia, Iraq and Iran, and that they built a social, cultural, religious and economic life in Başkale for at least 200 years, according to the earliest data. [ABSTRACT FROM AUTHOR]

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Copyright of Yegah Musicology Journal / Yegah Müzikoloji Dergisi is the property of International Yegah Music Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Beytulhikme: An International Journal of Philosophy is the property of Beytulhikme: An International Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Beytulhikme: An International Journal of Philosophy is the property of Beytulhikme: An International Journal of Philosophy and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Journal of Abant Social Sciences / Abant Sosyal Bilimler Dergisi is the property of Journal of Abant Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of the Institute of Social Sciences Cankiri Karatekin University / Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi is the property of Cankiri Karatekin University, Institute of Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The most important factor that creates the structure of the comic book in the context of the scenario is the imagination of the illustrator. One of the factor that supports imagination is monitoring the outside world. Therefore, the places seen or observed by the illustrator constitute the scenario and setting of the comic book. Creating locations in comics is easier than in other branches of art. Because a piece of paper and a pen are enough to take the illustrator and the reader to other lands. In this context, comic books from ancient times, when intercontinental travel was few or costly, took on a cultural role. Therefore, thanks to comic books, readers can experience life in a place, even if only roughly. In the context of supporting and revealing these ideas, the article first focuses on general culture and visual literacy. Then, examples selected from the comic book classics of the 20th century were presented, and in the conclusion, the contribution of geographical descriptions in comics to general culture has to be evaluated. [ABSTRACT FROM AUTHOR]

Some research was conducted on the conditions that gave rise to the authoritarian personalities at the root of fascism in the 20th century that is the age of wars and mass deaths. One of these is the large-scale research conducted in 1950, known as Authoritarian Personality. Theodor W. Adorno, one of the theorists of the Frankfurt School, is among the thinkers who contributed to this study. Adorno's contribution to the research was published as "The Authoritarian Personality" and was used in critical studies. In this study, Adorno researched what the authoritarian personality is, which he sees among the causes of antisemitism and fascism, and what conditions are effective in the formation of this personality. This article, based on Adorno's work, problematizes authoritarian personality representations in cinema. Authoritarian personality elements were searched and analyzed in the films using sociological criticism, psychoanalytic criticism and ideological criticism in the study. The films named Painted Bird (Nabarvené ptáče, 2019) and The Wave (Die Welle, 2008), which were determined as samples in the study, were analyzed in line with these theoretical discussions. It was concluded that all authoritarian personality traits are represented in both films. The fact that the same result is observed in two different films, set in different countries and depicting events in different social structures, shows that authoritarian personality traits can emerge and turn into a danger when they find a suitable environment. Cinema films that contain the sociological situations of societies also successfully reflect this situation. The events, situations and characters represented in the two films selected as samples also confirm these findings. [ABSTRACT FROM AUTHOR]

Copyright of Abant Journal of Cultural Studies is the property of Abant Journal of Cultural Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kırıkkale Law Journal (KLJ) is the property of Kirikkale Law Journal and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article, criticism of objectivism, collectivism, and historicism of Friedrich August von Hayek of one of the most important thinkers of the 20th century is discussed. The nature of these three methodological methods has been evaluated around Hayek's thought world and idea. Along with the enlightenment period, significant progress and development in the natural sciences have been stated by many thinkers that the methodology of the natural sciences is a method suitable for social sciences. However, Hayek has criticized the 'scienticism' methodology, which is thought to be used in social sciences because human knowledge and mind are structurally limited. Again, Hayek stated at every opportunity that the methodology of the natural sciences is not suitable for social sciences because of the unpredictable, unpredictable and unpredictable nature. [ABSTRACT FROM AUTHOR]

The relationship between the one who leads and the one who follows is a relationship based on responsibility and guidance. Good, beautiful and right-centred exchange is an important and non-negligible truth for the individual and society in particular and for the healthy process of humanity in general. The responsible behaviour of the former is directly dependent on the existence of the latter. The human being, who decides on the responsibility, which no being has the courage to accept, with his own will, must fulfil the responsibility he has assumed as long as he carries life. Especially those who see it as a matter of a responsible artist like Necip Fazıl Kısakürek, who has lived the twentieth century almost from beginning to end, who has witnessed the positive and negative events of the century, to take care of both the world and the hereafter responsibility of the trusted generation coming from behind, cannot exhibit a ‘what’s in it for me’ attitude. Necip Fazıl, whose sole purpose of his art and life is to raise youth, lists his ideas about the qualities with which the children of a nation can remain on the stage of history in his Address to Youth. Knowing is the most accurate step to protect. Then, he lists the material and spiritual virtues of the youth in front of him. He describes the situation the youth is in and reveals what they know and do right and what they know and do wrong. He makes suggestions on many subjects ranging from social and historical responsibility to individual and social structuring. He emphasises that whatever has been taught in the name of history and civilisation up to that time should be approached with suspicion. He enumerates the steps to be taken by the individual as the smallest but most important part of the society, regardless of the conditions and the outcome of the events. [ABSTRACT FROM AUTHOR]

Hamid Araslı, one of the leading literary critics of the 20th century, made great contributions to Azerbaijani literature with his research. As a result of his research, the poets who lived and created between Nizami and Fuzuli's creativity in literature were examined and he conducted a study on this subject. It has revealed a lot of unknown information about the poets. Hamid Araslı, in his work "The Life of the Poet", described the city of Ganja in the 12th century and the life and works of Nizami Ganjavi. In the work, extensive information is given about the atmosphere in Ganja at that time, the Ozan neighborhood and the Ahi brotherhood organization that emerged in Ganja, as well as the writing history of the genius poet's "Hamsa". In the work, along with Nizami, Abul-ula Ganjavi, his grandfather Zeki Muayyadin, his father Yusif, his father's friend and teacher the poet Imadeddin, his brother Givami Ganjavi, Mehsati Ganjavi, Hatibi, whose works he read with love, Ganja emir Garasungur, scholar Ebu Zekeriyya Yahya, Hakani, Muhammed Felaki, Valuable figures such as Mujireddin Beylagani are mentioned. [ABSTRACT FROM AUTHOR]

The article examines the history of the city of Ganja, which occupies an important place in the history of Azerbaijan. Based on the works of the scientist Hamid Arasly and historical sources, the social, scientific and literary environment of Ganja in the 11th -12th centuries was comparatively examined. The considered work of H. Arasly, dedicated to the life and work of the great thinker Nizami Ganjavi, is written on the basis of historical facts, as well as the artistic thought of the author. At the same time, the historical facts of the events mentioned by H. Arasli in his work on the history of Ganja are also given with reference to sources. In the book, H. Arasly writes about Ganja - the scientific, literary, social environment of the city, etc. - correspond to historical facts, introducing us to the real Ganja of the Nizami period. And this acquaintance once again reflects the indisputable confirmation that such a genius as Nizami lived and worked in a city like Ganja, where revival and development were observed in all areas. The article also highlights the importance of Ganja's scientific environment in the early 20th century, touching on the scientists from whom Hamid Arasli received his scientific education in Ganja in his youth, the science he adopted from them, and the impact of all this on H. Arasli's life. Ganja, historically the birthplace of great figures, was chosen due to its importance in the history of Azerbaijan, regardless of period, and the enthusiasm and warmth of its literary and cultural environment. And for this reason, in addition to its important place in history, it has also become the main subject of countless works in literature. [ABSTRACT FROM AUTHOR]

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Copyright of International Journal of Economic & Social Research is the property of Abant Izzet Baysal University, Faculty of Economics & Administrative Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turcology Research is the property of Ataturk University Coordinatorship of Scientific Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turcology Research is the property of Ataturk University Coordinatorship of Scientific Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Rice has been a fundamental source of sustenance for people throughout history and remains so today. Ottoman Empire placed special importance on ensuring the public's access to rice, encouraging its production. As the rice plant, from which rice is harvested, grows in water, it has been constantly associated with malaria and is considered a health risk. The Ottoman Empire not only took care to ensure a steady supply of rice but also tried to take necessary precautions for public health. This study primarily focuses on the 19th and early 20th centuries, shedding light on the Ottoman Empire's attempts to strike a balance between ensuring societal sustenance and safeguarding public health. In conclusion, this study unveiled that the cause of malaria was misconceived until the last quarter of the 19th century. Furthermore, despite periodic bans on rice cultivation, its production continued to be prioritized, and legal regulations were established in this domain over time, with the bans remaining in place even after the cause of the disease was elucidated. [ABSTRACT FROM AUTHOR]

In the 20th century, Henri Bergson, John Dewey and Alfred North Whitehead systematically put forward the basic argument of process philosophy that reality is not static but dynamic. In this framework, process philosophy is considered as an approach on the opposite side of the term of substance, which emphasizes the static and permanent aspect of existence. In this study, an idea will be put forward that this is not the case at all on the Whiteheadian aspect of process philosophy. Within this line of thought, it will be argued that the term of substance is not categorically rejected, but that it will be reformed and put back. [ABSTRACT FROM AUTHOR]

Neoclassical paradigm underlies orthodox idea that is based on traditions and accepted applications in the economics discipline. In this paper "economics" of neoclassical paradigm is characterized as the dismal science. The concept of "dismal science" that was first used by Scottish historian Thomas Carlyle in 1849 was used in this research as a critique of being Neoclassical paradigm complex, contradictory, incomprehensible and abstract than the realities. The series critiques that are directed to the Neoclassical paradigm which has maintained its dominance in the economy discipline over a century is the reason for this characterization. Some of these critiques are as follows; making mathematics an end rather than a means to explain economic events; neglecting the social, institutional and historical side of the economics; loyalty to the assumptions of utopian perfect competition market; ignoring the risk and uncertainties in the decision-making process. It is a stubborn fact within this framework that the Neoclassical paradigm cannot find a solution for modern economic problems and moves away from economic reality. The foundation of this research was to criticize the Neoclassical paradigm of Italian economist Piero Sraffa (one of the most important theoreticians of economic thought in the twentieth century) in terms of Alfred Marshall. [ABSTRACT FROM AUTHOR]

Copyright of Hacettepe Law Review is the property of Hacettepe Law Review and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Studies on Turkish Language & Literature in the Balkans / Balkanlarda Türk Dili ve Edebiyatı Araştırmaları is the property of Studies on Turkish Language & Literature in the Balkans and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Studies on Turkish Language & Literature in the Balkans / Balkanlarda Türk Dili ve Edebiyatı Araştırmaları is the property of Studies on Turkish Language & Literature in the Balkans and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Itobiad: Journal of the Human & Social Science Researches / İnsan ve Toplum Bilimleri Araştırmaları Dergisi is the property of Itobiad: Journal of the Human & Social Science Researches and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Throughout the annals of Georgian literature, numerous poets and writers have placed significant emphasis on the cultural characteristics inherent to diverse areas. Vaja Pshavela was a prominent figure throughout the early 19th and 20th century. Pshavela’s literary contributions enhanced the complexity of modern Georgian literature. Nevertheless, his linguistic selections have encountered certain censure. For example, the linguistic style employed in his writings has notable disparities from the present Georgian language, resulting in criticisms. Furthermore, there has been ongoing dispute regarding the comprehensibility and accessibility of Pshavela’s language. The frequent utilization of the Pshavi dialect and outdated vocabulary may impede the comprehension of readers. From a linguistic standpoint, the importance of Pshavela’s creativity and dedication to the traditional Georgian language becomes apparent; yet, the influence of this on the evolution of modern Georgian remains a subject of contention. The primary objective of this work is to conduct a complete analysis of Pshavela's linguistic selections and their impact on the evolution of Georgian literature. Consequently, it can be inferred that Pshavela’s linguistic inclinations have exerted a substantial influence on the subsequent development of Georgian literature. A thorough examination of his literary oeuvre can yield a more profound comprehension of the abundant and varied nature of Georgian literature. [ABSTRACT FROM AUTHOR]

The origin of the Naghshbandiyeh was Transoxian and Khorasan and from these centers found its way into other regions, including Kordestan province which this important measure was taken by Mawlana Khaled Shahrzouri. Why and how the Huraman sheikhs (sufi outhorities) in fluenced among the public and their role in the political developments of the 20th century AD. Is the focus of the present study. The sheikhs and dignitaries of the sufi seets in Kordestan, particularly Naghshbandiyah, due to the people's support as well as through seizing the local rules power were in line with increasing their political social inflwence in various realms. The political influence of the Ouraman sheikhs was issued and encouraged them to fight against the two aforesaid governments. Generally speaking, the political activitis of the Naghshbandi sect, particularly the Ouraman shaikhs reached its Zenith during the Qajar era. [ABSTRACT FROM AUTHOR]

Since the early 20th century, cinema has become a means of depicting the mind for psychoanalysis, providing a platform to discuss mental phenomena. Over time, both disciplines have enriched each other, becoming significant tools for perceiving and understanding the world. One such analytical method is Carl Gustav Jung's analytical psychology, which revolves around the archetypal theory as a central tenet. Jung's analytical psychology focuses on archetypal patterns and the dynamics of the unconscious. He founded his theoretical framework on the intent to heal humanity, relying on archetypal forces in his proposed methods. Archetypal behaviors are activated through thought processes or the assimilation of experiences. Moments of transformation, such as the development of the Self or shifts due to age and experience, involve archetypal processes. Within the archetypes, which serve as crucial references in an individual's long and arduous journey toward self-realization, the "shadow," according to Jung, is a primary element that individuals must first encounter, confront, and integrate. Jung argues that there is a parallel relationship between the shadow and the Ego, asserting that strengthening the Ego occurs as the shadow becomes conscious. As a significant component of the collective unconscious, the shadow archetype plays a vital role in an individual's self-realization. Recognizing and accepting the shadow archetype is a critical stage in achieving psychological balance and individuation. Jung discusses two distinct types of shadow archetypes: the "personal shadow" and the "collective shadow." This paper analyzes the main character, Yalın Eşref, from the 2023 film Boğa Boğa directed by Onur Saylak, using the archetype theory within a Jungian framework, specifically focusing on the personal shadow archetype. Furthermore, Yalın's psyche and individuation process are explored through the lens of the shadow archetype within this psychoanalytic context. [ABSTRACT FROM AUTHOR]

The twentieth century has gone down in history as a period in which millions of people lost their lives due to wars and genocides on Earth. The writers of the 1990s started to bring these painful events to the stage to shed light on the violence that caused the mass death of people and raise awareness. Philip Ridley reveals the psychological disorders that arise due to the traumatic events that people have experienced through the characters in his Mercury Fur. Thus, he ironically explains to the audience that death is not the only solution by reflecting the inner problems of the people of the twentieth century on the stage. Additionally, the desire to gain power, which causes the internal depression of the characters in the play, leads to their death. In other words, people who cannot psychologically control their will become victims of their own ambitions. In this respect, the study reveals how social relations are shaped through their internal dynamics and how power relations become a determining factor in the traumatic experiences of individuals when it is examined within the framework of Foucault's discourse of power and violence. Mercury Fur shows how individuals, especially parentless children, are psychologically affected by the violence around them. It is an inevitable fact that these vulnerable children who grow up outside of parental control will suffer from the psychological depressions they experience when they reach puberty. Philip Ridley's dystopian play questions the power dynamics by deeply examining the power effect on the characters who are victims of trauma living in the chaotic environment created by anarchy, and offers a deep understanding of the complexity of human psychology by using the traumas experienced by the characters. In this context, the article aims to shed light on the inner world of twentieth-century people by revealing the reasons for the violent events experienced by the characters in Philip Ridley's Mercury Fur in the context of Michel Foucault's understanding of power and power-oriented discourse. [ABSTRACT FROM AUTHOR]

In the first half of the 20th century, Abu al-Qasim al-Shabbi emerged as a voice for North Africa under European occupation, taking a strong stance against stagnation in the world of literature and art. Al-Shabbi adopted modern and free forms of expression, using poetry not only as an art form but also as a tool to educate and inspire society. This approach made his poetry carry aesthetic value while also conveying a social and political message. In this study, al-Shabbi’s poem “O Night” will be analyzed in terms of structure and meaning, along with a rhetorical critique. The study will include critical approaches such as structural, rhythmic, morphological, and descriptive, and will focus on identifying certain rhetorical elements. Additionally, the study will address key themes in the poem, the poet’s life, the era he lived in, and the goals he sought to achieve through his poetry. As a result of this study, it will be observed how the poet reflected his thoughts, style, and methods in his works, and the extent to which he used literary elements. [ABSTRACT FROM AUTHOR]

Copyright of MEMLEKET: Politics & Administration / Siyaset Yönetim is the property of Local Governments Research, Assistance & Education Association and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mimarbaşı Lole, one of the most significant figures in Mardin's historical heritage, played an active role in the construction and repair of many major monuments between the 19th and early 20th centuries. The study aims to provide a detailed documentation of the buildings of a craftsman who has taken a place in the historical heritage of Mardin. A four-stage method was used to identify the built or repaired buildings and to reveal his construction practice. First, the monuments associated with him were determined in line with the data obtained from the literature. Second, a map was prepared to determine the relationship between these monuments and their surroundings in the city. Third, they were categorized and presented in a table according to their features. In the last, the monuments and their qualities were analyzed in a sequential approach and also evaluations on how the construction practice evolved over time were included. It was observed that Lole had an active role, including mansions, churches, educational and administrative buildings in different areas of the city. It was concluded that a specific architectural and cultural formation already exists in the region, and that the construction by Lole is not an exception to this formation. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Çankırı Karatekin University Faculty of Letters Journal is the property of Cankiri Karatekin University Journal of Faculty of Letters and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This study aims to compare the French writer Gaston Leroux's The Mystery of the Yellow Room, which was awarded the best detective novel of the twentieth century, to Necip Fazıl Kısakürek's first and only detective novel, Meşum Yakut (1928), which was not published in Latin letters, in terms of The locked room technique of the detective genre. The meaning of the Turkish term "kilitli oda" although literally translates the English term "locked room", in terms of usage follows the French equivalent of "chambre close"/"closed room". To avoid thus, any conceptual confusion raising from this discrepancy, the paper will follow this meaning. This technique, defined as the most difficult type of detective novel for the author, when used, the murder takes place in a completely locked room and it is equally difficult to discover who the murderer is and solve the mystery. The common feature of the two novels in the paper is that they are detective novels written according to the closed room technique. Based on the similarities and the differences of the two novels, the paper will try to explain the closed room technique and elaborate on this writing method. [ABSTRACT FROM AUTHOR]

Hong Kong, which was leased to the United Kingdom by China in the late 19th century, began its return to the People's Republic of China (PRC) with the end of the lease agreement in the late 20th century. Hong-Kong, along with Macau, is one of the two regions that China indirectly governs today under the name of "Special Administrative Region". The main subject of the study is a historical analysis that led to the development of the Hong-Kong identity in the country, which has drawn a separate historical development, immune from the "socialism" approach, which was the PRC's management style for many years, with special laws and treaties. In this study, the reasons for this situation that negatively affects PRC Hong-Kong relations are problematized, based on the proposition that, as a result of historical breaks in the formation of the Hong-Kong identity, people living in Hong-Kong and mainland China are separating from each other by entering into separate social interactions. Today's agenda, "reintegration" in the sense of Hong Kong's return to the PRC, gains meaning by examining what is behind these appearances. Studies in the literature tend to explain the negative course of PRC-Hong-Kong relations by examining the sociocultural, political, legal and economic dimensions of the "reintegration" process. The contribution that this study aims to bring to the literature is to evaluate all these developments within the scope of a historical reading and to make the structure of the international system, which has created the appropriate ground for each period to develop its own course, a part of the issue. [ABSTRACT FROM AUTHOR]

This article explores the experience of Italian-language newspapers in Ottoman Istanbul and their role in fostering a nationalist spirit among the multicultural Italian- Levantenes through multilingual texts and archival records. To this end, the pedagogical role of the longest-running newspaper in Istanbul, La Rassegna Italiana-Organo degl'Interessi Italiani in Oriente, in helping to build a nationalist Italian community in Turkey is analyzed. The Turkish-Italian tensions that spanned the first four decades of the twentieth century, beginning with the Libyan War of 1911-1912, were reflected in the Italian press in Istanbul. However, in addition to La Rassegna, publications such as Il Bollettino della Dante Alighieri, Il Messaggero degl'Italiani, and Vita Katolika, published in Istanbul, would transmit and defend the line of Mussolini's Italy to the Italian culture in Istanbul between 1920 and 1943. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Middle Eastern Studies / Ortadoğu Etütleri is the property of Turkmen Cooperation & Cultural Foundation Center for Middle Eastern Strategic Studies (ORSAM) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Alternative Politics / Alternatif Politika is the property of Alternatif Politika and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The study focuses on "Süs Magazine", a journal that emerged in the 20th century and encompasses the final era of the Ottoman Empire and the initial phase of the Turkish Republic. Süs Magazine stands out as a significant women's journal that delicately covers the historical and sociological shifts between these distinct periods in its all volumes. However, although it reflects this pivotal time, studies addressing Süs Magazine in the literature are quite limited. Therefore, this research aims to illuminate the historical and sociological viewpoints presented in the magazine during this transformative period and examine each of its editions. Additionally, this study explores how Süs Magazine influenced the development of a new identity of modern women and society on a broader scale. It assesses the socio-cultural role of Süs Magazine in shaping this new identity and examines the image of the modern woman that the Turkish Republic aimed to promote. Moreover, the impact of crucial parameters such as education, intellectual transformation in the media, women's involvement in professional life, and their consumption patterns within the broader context of the societal transformation were also taken into consideration in this study. [ABSTRACT FROM AUTHOR]