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Transfer of the designs to the surface of ceramic wall tiles is performed by ink-jet digital printing technology. CMYK ink colors are used in ink-jet printing technology. The similarities between hues for various color types make it difficult to come up with different designs. In this study, the development of a wall tile matte glaze recipe with high color activity, which can be worked with CMYK+Pink ink colors. Different recipes were developed by increasing the amount of calcite, dolomite, zinc oxide and magnesite ratios, respectively. Firstly, matt glaze recipes are prepared and employed on wall tile with engobe, followed by CMYK+Pink ink digital decor application. Succeeding the sintering of tiles, L,a,b color measurements of ink decorated glaze recipes were made, and it was determined that the value of 'a' increased from 15.35 to 22.18. The hue angle and chroma values of the recipies were calculated. No significant differences were observed in the color activities of the colors other than pink, and the desired pink color intensity was achieved with one of the new wall tile matte glaze recipes. It was observed that the pink color intensity increased with the increase in the amount of CaO in the content of the matte glaze recipe. The color activity of the pink color could is not obtained in the glaze recipe where the amount of ZnO increased. [ABSTRACT FROM AUTHOR]

This paper aims to present glaze ceramics recovered from ST (South Trench), A4 (Area 4), and Op.54 (Operation 54) trenches of Gordion in Phrygia. As a working method, instead of casting the finds of each trench separately, grouping them according to form characteristics under the technical features indicated by the glazes and decorations was preferred. It is observed that the ceramic groups discussed in this study are similar in terms of fabric and form. There is also a similarity with the finds from Amorium Upper City, Karacahisar Castle and its surroundings, Anaia, Pergamon, and Ephesus. Although more detailed analysis is required regarding the production locations of the ceramics discovered, Gordion and its nearby geography have a high potential to be a production center. Pottery sherds unearthed from the contexts of Gordion excavations enable us to obtain data about the location and purposes of use of the settlement in the Principalities Period. The article's purpose is to examine the socio-economic identity of the local people of Gordion through this data. The main premise of the research is the problem of determining the chronological gaps (hiatus) seen after the Late Antique Period in Gordion and determining the exact chronology of the settlement continuity through the vessel forms belonging to the Principality Period. [ABSTRACT FROM AUTHOR]

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this study, the usability of pumice, which is an abundant raw material in Nevşehir (Turkey), in glaze compositions prepared for vitrified products with increasing production capacity was investigated. For this purpose, different glazes containing micronized pumice were prepared by using the Seger formula for the quartz, kaolin and feldspar amounts in the glaze raw materials. The results were evaluated by applying industrial standard tests in a sanitaryware company (Turkuaz Ceramic Company, Kayseri). Glazes were applied to fire clay bodies and fired in an industrial firing regime at temperatures ranging from 1200-1250°C. In addition, grain size analysis, physical glaze flow length and thermal expansion test were applied to the glaze samples. Glazed surfaces containing micronized pumice were characterized by color parameters CIELab, Harkort test and stain resistance tests. Measurement by scanning electron microscopy (SEM/EDS) and X-ray diffraction (XRD) showed that zircon and quartz crystals were formed. The micronized pumice provided the necessary silica to react with the zircon particles forming homogeneously dispersed zircon crystals. Zircon crystals also increased the whiteness of the glaze. It has been concluded that it is possible to use micronized pumice in vitrified glaze compositions in ceramic sanitaryware glazes without compromising their sustainable technical properties. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi is the property of ODU Journal of Social Sciences Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Erdem is the property of Ataturk Kultur Merkezi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Bitlis Castle excavation findings, located on a rocky hill in the center of Bitlis Province, are very important in terms of reflecting the socio-cultural life in the region. During the excavations, many nozzles, coins, glass and metal finds, especially ceramics, were found. The porcelain cup findings obtained during the 2018-2020 excavations of Bitlis Castle will be handled and analyzed in our study. Many Kütahya-made cups and nozzles, as well as porcelain cups, were found near the place, which is thought to be a coffee house in Bitlis Castle. Although porcelain cups are examined in terms of paste, form, decoration and composition properties, it will be tried to identify similar and different aspects with Kütahya made cups. It is seen that underglaze and over-glaze painting technique is frequently used in porcelain cups located in different parts of the area. It is estimated that the cups, which are thought to belong to the 18-20th century Ottoman period, came to the region as imported and it is aimed to determine the possible production places of our subject samples. In addition, it is seen that the porcelain cups in the Late Ottoman period Bitlis Castle reflect the socio-cultural structure of the region. Porcelain samples, whose production ranges are estimated to a large extent, are also important in terms of dating other excavation finds. [ABSTRACT FROM AUTHOR]

A large number of Byzantine glazed ceramics were found in the excavations carried out between 2012 and 2019 at the Iznik Roman Theater. These ceramics and oven materials such as tripod which were found at various areas of the theater together with Ottoman Period ceramics attract attention with their unique and various ornaments. The glazed Byzantine ceramics in the theater are divided into two main groups as white ware and red ware according to their clay types. Among the white clay ceramics that have been used from the 9th century to the 12th century, there are "Impressed Ware" and "Polychrome Ware" subgroups. Definition of sub-groupings were made according to the production and decoration techniques among red ware ceramics, which were frequently used from the 12th century to the end of the 14th century. The red ware ceramic groups in the theater consist of "Zeuxippus Type", "Slip Painted Ware" and "Green/Brown Painted Sgraffito Ware" ceramics. Among these finds, numerical density is composed of Zeuxippus type ceramics with sgraffito technique with various decorations. In this group, there are fragments with floral, geometric motifs, figures and monograms. It is stated by the researchers that there was ceramic production in Iznik during the Byzantine Period. Although there are many semi-finished fragments with ceramic kilns and kiln materials belonging to the Ottoman Period on the theater area, it is difficult to say this for the Byzantine Period. However, the glazed Byzantine ceramics found in the Theater, which are also discussed in this study, are important finds that support the existence of ceramics production during Late Byzantine period in Iznik. [ABSTRACT FROM AUTHOR]

Copyright of Black Sea / Karadeniz is the property of Black Sea / Karadeniz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Turkish Culture & Haci Bektas Veli Research Quarterly is the property of Turkish Cultur & Haci Bektas Veli Research Quarterly and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Çattepe Mound is near the Çattepe Village (Tilli/Tili/Til) of the Kurtalan District of Siirt Province. The mound is on a natural peninsula at the junction of Botan and Tigris rivers. Çattepe had been a very important settlement until the 11th centuryAD due to its strategic location. This settlement was settled from the Prehistoric period to the Middle Ages, and has lost its importance after the 11th century AD. During the survey and excavantion works on the mound many finds from different periods were found. However, there are a few finds of terracotta oil lamps from late Antiquity and the Middle Ages. Lamps from Çattepe are divided into two main groups as mould made and wheel made; the majority form is wheel made, glazed oil lamps. In additon, it was observed that there were burning marks on the nose of the lamps, indicating that the lamp was used for lighting. Furthermore, lamp finds that were affected by the fire dating to the 10th century AD and which we can give to the same date was also recovered. These details are also important in terms of linking the settlement and its finds. [ABSTRACT FROM AUTHOR]

Copyright of Journal of the Cukurova University Institute of Social Sciences is the property of Cukurova University Institute of Social Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of SDU Journal of Engineering Sciences & Design / Mühendislik Bilimleri ve Tasarım Dergisi is the property of Journal of Engineering Sciences & Design and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The effects of addition of phosphogypsum to wall tile opaque glaze receipe are investigated by viscosity, thixpthropy and density tests before sintering. Tiles which are prepared by dipping method are sintered seperately at 950°, 1050° and 1150°C anda re subjected to impact resistence, thermal shock, resistance to chemicals and color tests for searching physical properties of the tiles. The flow behaviour of opaque glaze increased with DKOS1 sample and all mechanical tests gave positive results after firing at 1150°C. The addition of phosphogypsum is considered as an appropriate method for recycling phosphogypsum. [ABSTRACT FROM AUTHOR]

Copyright of Anadolu University Journal of Art & Design / Sanat & Tasarım is the property of Anadolu University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi is the property of University of Cumhuriyet, Faculty of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this research, we aimed to work on the the probability of the usage of low fired ceramic glazes (1020 °C) as natural raw material of Çanakkale, the renkown city for its ceramic. As well as theoretical research and laboratory studies were studied on this subject. Especially these glazes were planned to have some specialities, which are highly important for native ceramic producers and potters. Because of this, usage of Eceabat clay will be economic solutions, as a flux for glaze and body material. On the other hand, Ezine region calsit and Atikhisar clay also has other properties as a usage of native raw materials. The resaults of the research will be important steps as a relationsip for university and industry. [ABSTRACT FROM AUTHOR]