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Copyright of Cumhuriyet Üniversitesi Fen-Edebiyat Fakültesi Sosyal Bilimler Dergisi is the property of University of Cumhuriyet, Faculty of Sciences & Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Erciyes Akademi is the property of Erciyes Universitesi Sosyal Bilimler Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi is the property of ODU Journal of Social Sciences Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Nysa ad Maeandrum is located in today’s Sultanhisar district in Aydın province in Turkey and inhabited from the Hellenistic to the Byzantine Period. Graves dated to Byzantine Period were encountered on Street 8B, which was unearthed during the excavations carried out in 2022. A total of 11 individuals were found out of the 8 graves that were unearthed. In the study conducted on skeletal remains, after obtaining the demographics of the individuals, some data on their health structures, epigenetic characteristics and lifestyles have been obtained. In the study, epigenetic characters such as extra ossicles and Inca bone ossicles on the skull were encountered. In addition to pathological formations such as periosteal reactions, porotic structures, Schmorl’s nodes, and Harris lines on some bones of individuals, and dental diseases such as hypoplasia, caries, and abrasion have been encountered. Also, cultural deformations were detected on the skull of a child and on the teeth of a female individual. [ABSTRACT FROM AUTHOR]

Copyright of CEDRUS is the property of Mediterranean Civilisations Research Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CEDRUS is the property of Mediterranean Civilisations Research Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of CEDRUS is the property of Mediterranean Civilisations Research Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Black Sea / Karadeniz is the property of Black Sea / Karadeniz and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Electronic Turkish Studies is the property of Electronic Turkish Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Wolf and deer et al. some animals have been considered sacred since the past, and they were brought to Anatolia from Central Asia and mentioned in many legends and stories. The fact that it is sometimes associated with the Tree Mother is one of the reasons why it is seen as the ancestor-mother of the goddess and why it is considered among the sacred animals in our culture. Archaeological excavations in various regions of Anatolia have yielded various geometric, floral and animal motifs, especially on ceramic forms. These fragments and the motifs on them were also identified during the archaeological excavations at Kaman Kalehöyük, which began in 1985. Deer motifs, which are considered sacred by the Turks, were analyzed on ceramic surfaces in the Kalehöyük Archaeology Museum in Çağırkan Town, Kaman District of Kırşehir Province. The research is based on the ongoing excavations in the region, oral interviews with museum officials and institute staff, and onsite documentation. In this context, this study is considered important in terms of determining the finds obtained during the excavations and explaining why the deer motif of previous civilizations was used. [ABSTRACT FROM AUTHOR]

The paradigms constructing the 18th-century Enlightenment took place simultaneously in many fields. These paradigms mediate the presentations of concepts within a limited framework. The construction of epistemological discourse in architecture occurs with a similar understanding. In the 18th century, excavation of archaeological sites and overseas travels caused an awareness of "other" architectures. However, such encounters shake the basements of the architectural knowledge built on Antiquity. Documentations of these architectures bring about production of knowledge and many issues to the agenda in institutional/theoretical fields not discussed before. Although there are heated debates that can be considered as productive, these encounters inevitably produce paradoxes in architecture and crises in the existing habits and traditional discourses. In this study it is discussed through examples producing time-space paradoxes in architecture and therefore caused situations that can be seen as anti-Enlightenment, such as Alexander Pope, landscape gardens and follies. These were negotiated in a limited framework to be consistent with Enlightenment ideology. For example, discussions about paradoxical situations were rare despite the fact that numerous texts were written on Picturesque, which forms the theoretical basis of this study and takes an important place in 18thcentury architectural historiography. This situation, not coincidentally, confines architecture in a limited frame in a set of such rules. In fact, it is very meaningful to understand the epistemology of these situations in order to scrutinize time-space paradoxes in architecture, differently. [ABSTRACT FROM AUTHOR]

Zeytinliada is located 250 m offshore of Erdek District of Balikesir Province in the Sea of Marmara. The excavations on the island, known as Artake and Arteceon in Antiquity, started in 2006 and were completed in 2016. The Church of the Virgin Mary, located in the northeast of the island, was unearthed during the excavations carried out in 2006-2009. The church, dating to the Early Byzantine Period, has a basilica plan with 3 naves. In this study, 44 coins, among the small finds unearthed during the excavations in the church, were examined. Of the 44 coins found in the church, 36 were identified, and 8 could not be identified due to excessive deterioration. The coins described belong to the Roman, Byzantine and Ottoman Empire Periods. Coins were minted during the dynastic years of 10 different emperors. The coins found in the Virgin Mary Church in Zeytinliada belong to 4 different mints and are in 7 different units. The earliest dated coins belong to AD 276-282, and the latest dated 1861. The majority of the coins are Byzantine coins, which are contemporary with the church, with 32 coins. 16 Byzantine coins are dated to the Early Byzantine Period and 2 Middle Byzantine Period. The coins we examined provide important information about the dating of the building and the coin circulation of the period. [ABSTRACT FROM AUTHOR]

Classification, description and interpretation methods of the ceramic vessels as well as the products made of metal, glass etc. unearthed during the archaeological excavations are very important tools for dating archaeological sites. In this study, from the finds uncovered during the archaeological excavations of Beçin Castle, which have been carried out until today a group of artifacts found in the years 2018-2019 was examined. The three-dimensional digital images of ceramic, metal, glass artifacts selected for inspection and inventory were taken in computer environment by using 3D scanner and their drawings were made. Using these systems object is digitized and become ready for CAD design. 3D models serve also as the basis of the three-dimensional objects to be produced and are converted to solid objects by 3D printers. Solid modeling represents the actual volume and the appearance of the object to be modeled. On the other hand, in surface modeling volume is not modeled. Only the shell of the physical object is modeled to represent the boundaries. This type of models is created more easily but doesn’t completely suffice for production in comparison to solid modeling. By means of documentation of archaeological findings using above mentioned 3D scanner and completing/reproducing them using 3D printers, potential mechanical and chemical damages which may occur in the unique artifacts during the performance of the studies such as drawing etc. can be avoided. After finishing the documentation studies of artifacts obtained from the Excavation in Beçin Castle with this method, 3D printing and completion/reproduction trials were performed in selected groups. This study based on the non-contact 3D scanning method through digitization and reconstruction of the objects in original scales with a sensitivity of ≥ 0,05 mm showed that this method makes a significant and indisputable contribution to documentation, protection, preservation of the especially unique objects obtained in the excavation and passing down the artifacts and their information to future generations accurately. [ABSTRACT FROM AUTHOR]

Most of the excavated sites in northwest Iran are located in the Urmia Basin, which has been the main focus of the past and present archaeological research and excavations. The prehistory of this basin begins with the Neolithic Age (Hajji Firuz Culture). Hajji Firuz, whose cultural sequence was identified at Hasanlu Tepe, is the oldest known settlement in northwest Iran. However, the thousand-year gap between the Hacı Firuz phase and the Early Chalcolithic Dalma phase has merely been filled with new archaeological data. In the Early Chalcolithic, the Dalma pottery tradition was widespread in the Urmia Basin to the west of the Iranian plateau and to the south of the Araxes River, for example at Kül Tepe. In the Late Chalcolithic, the Dalma pottery was replaced by the straw-faced pottery tradition found in the Urmia Basin and around the Araxes River. In the Early Bronze Age, northwestern Iran came under the influence of the Kura-Araxes culture. This prehistoric culture is also found in Transcaucasia and eastern Anatolia. Therefore, the settlements of northwestern Iran in this period were part of this cultural tradition. The Middle Bronze Age is represented in the Urmia Basin mainly by cemeteries and a few settlements. Based on the painted pottery tradition in the Urmia Basin, sites from this period have been identified here as well. [ABSTRACT FROM AUTHOR]

Copyright of Seljuk University Journal of Seljuk Studies is the property of Selcuk University Journal of Seljuk Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Erciyes Akademi is the property of Erciyes Universitesi Sosyal Bilimler Dergisi and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In Smintheion/Gülpınar, in northwestern Anatolia, many important archaeological structures have been unearthed more than 40 years fieldwork, and this archaeological site has made significant contributions to the archeological studies with its significant historical background. At the same time, Smintheion stands out as an important field of study for many scientists in different fields of archeology, as well as for experts in the fields of architecture, epigraphy and restoration. And has been achieved successful results as a result of the multidisipliner work of archeology and engineering sciences in recently, such as documenting the remains with modern techniques. Here, three-dimensional modeling and photogrammetric studies were carried out, primarily mapping and city plan creation, and data were collected for the digitization of the ruins. In this direction, methods suitable for the field were determined, many measurements were made with the help of modern devices, and the data obtained as a result of the measurements were processed in digital environment and a base was created for the archaeological studies that were or will be made in Smintheion/Gülpınar. Throughout this short study, these digitization studies at Smintheion will be discussed together with the applied methods and the results will be presented. [ABSTRACT FROM AUTHOR]

The subject of this article is the "graphite slipped ceramics", which were unearthed during the excavations at Pulur Höyük restarted after many years in 2021 and should be considered as a separate group among the Karaz-Early Transcaucasian culture ceramics. Although there are many scientific publications on the Karaz culture, the graphite slipped ceramic ware is not mentioned much in these publications. In the absence of analytical study, the mentioned ceramic group can be considered mostly as glossy black slipped ware or mica slipped ware. Whether the shine on the ceramic surface is achieved by burnishing or by a mineral such as mica and graphite can only be revealed by analytical studies. Micro Raman Spectroscopy, XRay Photoelectron Spectroscopy (XPS) and X-Ray Fluorescence Spectroscopy (XRF) analyzes were performed on 2 samples from the ceramic group discussed in the article. The aim of the article is to draw attention to this ware group, which has not been discussed before, in the Erzurum-Kars Plateau, which has an important position in the spread of Karaz culture, and to announce it to the scientific world. The article will focus on the geological structure of the research area and the graphite mineral, the archaeological findings related to graphite, the 2021 excavations at Pulur Höyük and the graphite slipped ceramics unearthed here. [ABSTRACT FROM AUTHOR]

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Great Bulgar Khaganate became a state in the north of the Black Sea in the first half of the 8th century. Its collapse during the second half of the same century, caused the heirs of the Khaganate to migrate to all directions. One such migration began with the aim of finding a new homeland. Therefore, they looked westbound towards the Balkans, under the leadership of Asparuh Kagan. The Bulgars had already been organized along the southern border of the Lower Danube. They had ruled over that geography for two centuries and were the architects behind Bulgaria's transformation - which had included the tribe union, to the name of the country. Pliska bears distinct traces of the nomadic Turkish culture in the Balkans and was first established as a Bulglar military in the 680s. It eventually became a capital city later on. Archaeologists had pinpointed the probable location of Pliska during excavation work in the 19th century, near the village of Aboba (eastern Bulgaria). Over time, further archaeological digs have revealed that Pliska had architecture, administrative and military buildings, and economic vitality (as a producer of commercial goods, crafts, agricultural tools, and equipment). Bringing Saltovo-Mayaki cultural elements - including ancient beliefs - to the region they migrated to, the Bulgars succeeded in creating an urban culture that included the settled peoples of the Balkans. [ABSTRACT FROM AUTHOR]

The skeletal remains obtained from anthropological and archaeological excavations provide a lot of information about the biological structure and socio-cultural behavior of people. The teeth constitute the most important part that lets us unearth the skeleton’s biological character. Provided that the tooth is the hardest substance in the body, it is more resistant to taphonomic processes. Therefore, comprehensive evaluations can be made thanks to dental studies, such as the diets of individuals and societies, the food they consume and the frequency of their consumption, food preparation techniques, oral and dental hygiene, and the diseases they suffered. The subject of this study is the oral and dental health of infant and child skeletons excavated from Börükçü Site of Muğla Province, dating back to the Late Geometric-Roman Period. A total of 823 sockets and teeth belonging to 125 infants and 698 children were examined within the scope of the study. Dental wear, tooth decay, hypoplasia, calculus, abscess,aleolar loss, ante-mortem tooth loss were examined in the study based on jaw and dental pathologies. At the end of the study, wear was 81.7%, caries 3.5%, hypoplasia 25.8%, calculus 10.8% in total milk and permanent teeth; Abscess, antemortem tooth loss and alveolar loss were not found. The data obtained show that Börükçü infants and children are exposed to nutritional deficiencies and factors that will negatively affect their developmental processes. However, the fact that the results of the analysis are in the range of average values shows that the living conditions of Börükçü were not very bad, and that he was included in the general health profile of ancient societies. [ABSTRACT FROM AUTHOR]

One of the cities of Carian, the ancient City of Myndos, is one of the cities at the Aegean Sea and the Mediterranean crossing, which, as ancient authors often mention, is a major location due to its geographical location. As a result of the archaeological excavations carried out on Asar Island between 2009 and 2013, 15 coins were found and evaluated. The coins included in the study cover the period starting from the earliest finds until the acceptance of Christianity as the only legitimate religion of the empire in 391 AD. The earliest coin finds found on the island belong to the Mausolos Period. The city, which Mausolos rebuilt, was planned in accordance with Greek urbanism understanding, and the entire settlement area was enclosed within the walls. In addition, it is thought that the fortification structure surrounding the city and the Apollo Archegetes altar were built during the Mausolus Period. Coin finds dating before this period could not be identified. The increase in the welfare level of the city in the Hellenistic Period played an important role in the minting of coins. Among the coins that may belong to the Hellenistic Period, 1 Halikarnassos coin, 3 Myndos' own coin, and 1 Thessaloniki coin were identified. Among the coins of the Roman Period, 3 Great Constantine, 1 Constantine I, 5 II. Constantius, 1 Valens, and their coins are among the finds. Although the density of the coin finds is low, it represents a wide period from the Mausolus Period to the 4th century AD. Especially in coins II. Constantius coins show a little more density. [ABSTRACT FROM AUTHOR]

When the Eastern Roman Emperor Manuel I Komnenos came to the throne, although he had many enemies in the east and west of his country, he preferred to follow a predominantly western foreign policy. The reason for this is the idea of establishing a world-wide empire by making the Eastern Roman Empire the worldly leader in the west. For this reason, he tried to establish close relations with the Germans and the Papacy against the Normans in the west. However, II. The start of the Crusade and the Germans being at the forefront in this expedition, and the Pope's support of this Crusade, nullified these alliance efforts. Taking advantage of this situation, Emperor Manuel I Komnennos, who produced new policies in the face of the attacks of the Norman King Roger II, was able to re-establish an alliance with the German King Kondrad III, and also provided their naval support thanks to the commercial concessions he gave to the Venetians. However, since the death of the German King Kondrad and the presence of Eastern Rome in Italy and the Adriatic coasts were against the interests of the Venetians, their opposition to Eastern Rome ruined the plans of Manuel I Komnenos. Despite the successes in Southern Italy and Sicily, the dominance in these areas did not last long and the Eastern Roman armies had to withdraw from these regions as a result of an agreement with the Normans. These western- oriented policies of the emperor caused the army to be filled with mercenaries and the country to fall into a difficult economic situation. The weakness of the emperor to the Latins for the sake of being the only world emperor has led to the reaction of the people of the country. Emperor Manuel I Komnenos, who appeared as an ambitious emperor in terms of world-wide policies, could not achieve this goal. [ABSTRACT FROM AUTHOR]

During the archaeological investigations carried out in 2019 and 2020 in Islahiye and Nurdağı districts of Gaziantep province and near Yesemek Sculpture Workshop, 77 archaeological sites from different periods from the Middle Palaeolithic to the Late Ottoman period were identified and investigated. The archaeology of this region, located in the northern Levant corridor, has not yet been sufficiently explored. Among these centres, the Late Bronze Age remains found in the Yesemek Sculpture Workshop and in a large hilltop settlement in its immediate vicinity answered crucial questions about the Yesemek Sculpture Workshop, especially the problem of dating. Architectural remains, sculptures and pottery sherds from the Late Bronze Age found on a 3.5 km long natural hill extending in an east-west direction directly east of the workshop provide the dating of the Yesemek sculpture workshop, while the workshop's production purpose has also been uncovered. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Art History / Sanat Tarihi Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Electronic Turkish Studies is the property of Electronic Turkish Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Tyana Ancient City excavations in Kemerhisar town of Bor district of Niğde province started in 2001 and continue today. During the studies, the remains of the Roman, Byzantine, Anatolian Seljuk, Principalities and Ottoman periods were reached. During the Arab raids and the first Turkish conquests, the region changed hands frequently as a result of the struggles with the Byzantines. For this reason, it lost its importance for a period and remained in a dilapidated state. In the Anatolian Seljuk and Principalities periods, the existing ceramic finds show that the region regained its importance. It is seen that the number of finds in the region after the Principalities period until the Late Ottoman period was almost non-existent. The cup and bowl finds from the Late Ottoman period, which were found during the excavations, indicate that active life continued in the region during this period. In addition to the cups, serigraphy decorated samples and bowls indicate that people with high economic income may have lived in the region during this period. It is thought that the cup and bowl finds, which will be discussed for the first time and examined in detail in our study, will shed light on the Late Ottoman period settlement in the region. [ABSTRACT FROM AUTHOR]

Copyright of Journal of Social Sciences Institute / Sosyal Bilimler Enstitüsü Dergisi is the property of Bingol University / Rectorate and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this study, it is informed about the altars especially Kül Tegin and Nomgon I altars which were unearthed during archaeological excavations around Bilge Khagan's monument site in 2001-2004. Depending on the cult of ancestors, the large granite altar stone in the oblation area, where the sacrifice ritual is performed, will be examined. The photographs were taken for the first time in course of overburden in Bilge Khagan's monument site by L. Gürkan GÖKÇEK. As stated by Ahmet TAŞAĞIL, the photographs are historical documents. One of the main purposes of this study is to publish these photographs that emerged after 21 years. [ABSTRACT FROM AUTHOR]

The subject of this study is an A-type skyphos decorated in Attic Red Figure Technique which was unearthed during the excavations in the area called Palestra Terrace at Kaunos, an ancient city in the region of Caria. The stylized form of the volute-shaped floral motifs on this vase, which consist of two non-joining parts, indicates that this skyphos is the work of the Kalymnos Painter; it is the first work of this artist to be found in a scientific excavation in Anatolia. The depiction of a young male figure wearing a himation, partially preserved on one of the pieces of this vase, indicates that the painter repeated the same scene on this skyphos: young male figures wearing a himation were standing opposite each other among the voluteshaped floral motifs. The artist was identified by J. D. Beazley as the Kalymnos Painter in reference to the island of Kalymnos - the place where his vase, now kept in Brussels, was found. He was active in the Late Classical Period (second quarter of the 4th century BC) and decorated only vessels of the skyphos form. His known products show that he worked in a workshop that mass-produced low-cost vases, just like the painters of the F.B. Group, with whom he was artistically closely related. [ABSTRACT FROM AUTHOR]

Copyright of Electronic Turkish Studies is the property of Electronic Turkish Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Arkeoloji Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arkeoloji Dergisi is the property of Ege University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Art-Sanat Journal / Art-Sanat is the property of Art-Sanat and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of TÜBA-AR: Turkish Academy of Sciences, Journal of Archaeology is the property of Turkish Academy of Sciences and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Anadolu University Journal of Art & Design / Sanat & Tasarım is the property of Anadolu University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of CEDRUS is the property of Mediterranean Civilisations Research Institute and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)