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Copyright of Mendive - Revista de Educacion is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Académica Internacional de Educación Física is the property of Asociacion Cientifica Internacional de Educacion Fisica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Iberoamericana de Ciencias de la Actividad Física y el Deporte is the property of Revista Iberoamericana de Ciencias de la Actividad Física y el Deporte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The origin of the initial training of the teacher, still constitutes a problem for its understanding in the students of the career Degree in Primary Education in first and second years. The objective of the research is to reflect on a periodization of the historical-pedagogical process of the initial formation of the primary teacher in the town of Santiago de Cuba (1959-2019). It was an effective way to raise the quality, the establishment of the culture and identity of the profession of the locality. It is possible to enrich the History of Pedagogy and Education, motivation and pedagogical reaffirmation. Theoretical, empirical and statistical-mathematical methods were used. It is considered feasible and pertinent the implementation and application of periodization in pedagogical practice to enhance knowledge of the local process from this bibliographic source; verified in the evaluation of the criteria of the specialists and the socialization workshops where expressed transformations are revealed. [ABSTRACT FROM AUTHOR]

Copyright of Sapientia is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Spal: Revista de Prehistoria y Arqueologia de la Universidad de Sevilla is the property of Spal. Revista de Prehistoria y Arqueologia de la Universidad de Sevilla and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

For some time now, stylometry has offered great results in establishing the linguistic profile of a given individual, the authorship attribution of an anonymous text or a text with a dubious author, the detection of plagiarism, or the analysis of feelings. This is possible thanks to the possibility of quickly and objectively quantifying measurable traits such as lexical frequency, average number of words per sentence, type/token ratio or verbal expression of emotions. In this article we intend to delve into another one of the applications of quantitative analysis, less studied but enormously interesting, which is related to the possibility of determining the stylistic evolution of an author over time (intrapersonal variation), taking the work of Miguel Delibes as a reference. Thus, in the following pages we will study how the delibesian style gradually changes over the years and how this variation manifests itself in an especially significant way in Los santos inocentes, a novel published in 1981 but whose compositional genesis dates back to the end of the 60s. [ABSTRACT FROM AUTHOR]

Fifty years after Juan Schobinger published "Arqueología del valle de Uspallata, Provincia de Mendoza" (Archaeology of the Uspallata Valley, Mendoza province) in the Relaciones research journal, we have updated the list of archaeological sites and added evidence, data, and interpretations produced by several research teams since then. Additionally, specific contributions of ceramic, lithic, rock art, isotopic, bioarchaeological and architectural analyses are included, among others. The time elapsed since the original publication allows us to discuss how the periodization of the valley occupations and the ways of making and interpreting material patterns have changed in one of the primary archaeological areas of midwestern Argentina. [ABSTRACT FROM AUTHOR]

Copyright of Nueva Revista de Filología Hispánica is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Histórica (02528894) is the property of Pontificia Universidad Catolica del Peru and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Cuadernos de Literatura del Caribe e Hispanoamerica is the property of Revista Cuadernos de Literatura del Caribe e Hispanoamerica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Atacameños is the property of Estudios Atacamenos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lúdica Pedagógica is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nueva Revista de Filología Hispánica is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of PODIUM- Revista de Ciencia y Tecnologia en la Cultura Física is the property of Universidad de Pinar del Rio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cultura, Ciencia y Deporte is the property of Cultura, Ciencia y Deporte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Verba: Anuario Galego de Filoloxia is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuestiones de Filosofia is the property of Universidad Pedagogica y Tecnologica de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the evolution of the film integration between the countries of Mercosur since the creation of the bloc in 1991 to the present. To this end, we build longitudinal data about cinematographic integration processes in three dimensions: co-production relations; co-distribution and co-exhibition relations; and film policy development at the regional level. To facilitate the diachronic analysis of progress and setbacks in the cinematographic integration processes, we propose a periodization in four distinct stages following external and internal criteria. Finally, we offer a perspective on the advances, limits and future challenges of the film integration. [ABSTRACT FROM AUTHOR]

The history of argument theories is, in general, the history of the evolution of the use of structures, procedures and resources. Probably due to that, some unresolved problems such as periodization, conceptualization, descriptor indices, and whether we should talk about one or several theories built upon different contributions along the tradition, still remain. In this paper, we state these problems, propose an extension to one of the classical periodization schemes, and focus primarily on presenting some relevant elements in order to draw a picture of the first of these periods known as "foundational". [ABSTRACT FROM AUTHOR]

The topic according to this title is admittedly a broad one, embracing two very general concepts of time and of the cultural valuation of artistic products. Both phenomena are, in the present view, largely constructed by their contemporary cultures, and given authority to a great extent from the prestige of the past. The antiquity of tradition brings with it a certain cachet. Even though there may be peripheral debates in any given society which question the specifics of periodization or canonicity, individuals generally accept the consensus designation of a sequence of historical periods and they accept a list of highly valued artistic works as canonical or authoritative. We will first examine some of the processes of periodization and of canon-formation, after which we will discuss some specific examples of how these processes have worked in the sport of two ancient cultures, namely Greece and Mesoamerica. [ABSTRACT FROM AUTHOR]

Copyright of Archivo de Prehistoria Levantina is the property of Museu de Prehistoria de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Sport & Health Research is the property of Journal of Sport & Health Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Archaeologists observe the development of humanity through changes in material culture in the archaeological context. The passage of time is measured, for example, based on changes in raw materials used (three-age system), on transformations in the shape of artifacts (type), on the relative position of objects in excavations (stratigraphy) or on physico-chemical changes in the materials themselves (e.g., carbon 14, thermoluminescence). The dates and chronologies generated in this way are, almost entirely, expressions of a linear conception of time that is unidirectional and static, while not necessarily adequately representing the cultural processes under investigation, and even less the perspective of people living in the past. The objective of this paper is to highlight some of the conceptual problems encountered and provide theoretical references for a discussion of time management and periodization in archaeology, using the example of Prehispanic Mesoamerican chronology. [ABSTRACT FROM AUTHOR]

Copyright of Historia y Sociedad (01218417) is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas y Economicas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Sport & Health Research is the property of Journal of Sport & Health Research and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Taking into account the importance of the chronology of the historical development of social structures, hereby is set forth generally and by way of introduction what is a historical periodization, on what basis is it founded, and how it may serve us as a theoretical instrument in the processes of social reconstruction. In a tight synthesis a synoptic chart is presented of the different periodization schemes which have tried to order the aboriginal panorama of Cuba throughout more than eight decades of discoveries and scientific discussions, colored by heterogenous theoretical positions. [ABSTRACT FROM AUTHOR]

This article proposes a potential historic periodization structure for the systematic study of the independence in Latin America, especially that of Nueva Granada. For this three fundamental issues are approached: the crisis in the Spanish monarchy, the irruption and transformation of the American autonomy and the subsequent insurgent independence, and the emergence of the republican nationalism. This approach gives importance to the relevance of long-term historic antecedents and grants interpretive clout to the issue of identity and the leadership of specific individuals (Santander y Bolívar). Finally, it is suggested that the use of periodization transcends methodology and that it must serve as basis in the review of the nationalistic ideology and the Eurocentric paradigm which impedes the creation of a strictly Latin American history. [ABSTRACT FROM AUTHOR]

The authors take a comparativist look at Basque, Slovenian and Spanish literature of the 16th and 17th centurias. They look for similarities in the division into periods of these three literary Systems, and show that, taking into account the varied contexts in which they evolved and the differences between the literature of the great Powers and that of lesser nations, the results are clearly distinct. They lay emphasis on the links between the minority Basque and Slovenian production with oral transmisión and with imagery, which they conclude leads to an internal logic of periodization operating in these two Systems. [ABSTRACT FROM AUTHOR]

Copyright of Language Problems & Language Planning is the property of John Benjamins Publishing Co. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Kronos is the property of Revista Kronos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)