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Covid-19 pandemic generated various discourses which slipped easily from sanitarian issues to political ones. Responses to the unexpected and disturbing worldwide phenomenon had to deal with previous genre and rhetorical matrixes and to venture into discursive materialities which exceed verbal field. This is what happened in the Demonstration of the Stones organised in Buenos Aires, August 2021, to hommage the people who had died without relatives’ and friends’ company due to quarantine official measures. Since the beginning, this march had a political meaning not only from the way it was called but also because of the places chosen to deposit the stones inscribed with the deads’ names. Our analysis takes a glottopolitical perspective which studies the semiotic dimension of social processes practised in political fields. In this paper we consider the development of pandemic discursivities (and the speeches following the protest) as inscriptions in a social disciplining process that fades disruptiveness and standardises practices. First we’ll refer to discursivities on pandemic and summarise antiquarantine demonstrations. Then we are analysing the protest call and meaningful aspects of its realization. In the third section, we will address the “profanation” or “vandalization” figures as much as the ultimate memorial image held by state institutions. Finally, we will concentrate on memories and emotions that broke out then. [ABSTRACT FROM AUTHOR]

This paper examines the cultural identity expressed by The XII Travelers Memorial of the Southwest in El Paso, Texas, USA. According to the monument's statement, the memorial is an ongoing regional project formed by "... 12 heroic bronze monuments celebrating the multicultural contributions of both men and women to the development of the Southwest." The paper's argument is threefold. First, it argues that the XII Travelers project could be regarded as a collage that incorporates different historical and cultural references into a single narrative. Secondly, by doing this, the memorial blurs spatial scales and builds a regional history with El Paso at its center. Finally, the paper suggests that the construction of this heroic and multicultural regional identity must be understood in relation to growing tourist activities and the expectations that visitors have about a Southern border area in USA. The research is based on a critical review of the material produced by The XII Travelers Foundation and the examination of the characters and monuments of Fray García and Juan de Oñate, the only two approved travelers of the proposed list. [ABSTRACT FROM AUTHOR]

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The liturgical actualization of the Paschal Mystery of Christ's sacrifice has an intrinsic relationship with the words of the Redeemer at the end of the Institution of the Eucharist, "Do this in Memory of Me" (11 22, 19). Already in the early Church this mandate of Christ had been understood in its character of liturgical memorial, by which, each time the offering of the Last Supper is renewed, the sacrifice that He offered and consummated the following day is offered anew. This word, in the context of the Jewish liturgy, holds a deep and singular meaning that Catholic theology has come to know more profoundly, since it was only at the end of the twentieth century that a complete theological vision ofits application to the Eucharistic liturgy emerged. The studies of Heinz Shormann, Max Thurian and Joachim Jeremias have shed new light on its meaning. This consideration is linked to the triple temporal dimension of the pre-pascal, pascal, and post-pascal sacrificial supper, evidencing an intrinsic relationship between the Supper, Calvary and the Resurrection; events that take place and are renewed in every liturgical celebration of the Church. Thus, in their threefold temporal dimension of offering, realization and sacramental actualization, they transcend simply human acts in their ontological sense. This sacrifice of divine value is made effective by The man Jesus Christ. born ofwoman, subject to the Law (cli ITin 2.5, Gal 4,4), demonstrating that the theandric actions of Jesus are made possible by His human nature, hypostatically united to His divine nature in personal unity, a mystery that is realized in Mary, through Mary and counting on the voluntary and active acceptance ofthe "handmaid of the Lord" (Lk 1,38). [ABSTRACT FROM AUTHOR]

Copyright of Pensamiento, Palabra y Obra is the property of Universidad Pedaggica Nacional and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Etudes Romanes de Brno is the property of Masaryk University, Faculty of Arts and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article will aim to examine in depth Memorial by Rafael Cadenas, dedicated to his wife Milena and published in 1977, an important year that marks the continuation of his poetic production after eleven years of apparent silence. We have set out to analyse, and then translate into Italian, some of the poems contained in Memorial to shed light on the existential doubts that constitute the Cadenian approach. Thus, the objective of this research is to demonstrate that Rafael Cadenas' poetic voice is constantly searching for itself and it leads to an incessant questioning of the self, which he perceives as being strange and absent. El presente trabajo está dedicado al estudio de Memorial, poemario escrito por Rafael Cadenas dedicado a su esposa Milena y publicado en 1977, año que tiene una relevancia destacada para el autor porque marca la continuación de su producción poética tras once años de aparente silencio. Nos hemos propuesto aquí analizar, y, posteriormente, traducir al italiano, algunos poemas contenidos en Memorial para echar luz sobre las dudas existenciales que constituyen el planteamiento cadeniano. Así pues, el objetivo de esta investigación es demostrar que la voz poética de Rafael Cadenas está en una continua búsqueda de sí misma y que lleva al autor a un incesante cuestionamiento del yo que percibe extraño y ausente. [ABSTRACT FROM AUTHOR]

Copyright of Historia y Comunicación Social is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article analyzes how some urban spaces that had connection with the French intervention and the Second Empire were demolished to prevent the exercise of memory, however were others whose commemorative purpose had to do with the reconciliation between France and Mexico. Emphasis is placed in the case of Mexican French mausoleum, space in which, the stoicism with which the French Legionnaires fought death, became the virtue that deserved to be remembered through a monument. [ABSTRACT FROM AUTHOR]

The article analyzes how some urban spaces that had connection with the French intervention and the Second Empire were demolished to prevent the exercise of memory, however were others whose commemorative purpose had to do with the reconciliation between France and Mexico. Emphasis is placed in the case of Mexican French mausoleum, space in which, the stoicism with which the French Legionnaires fought death, became the virtue that deserved to be remembered through a monument. [ABSTRACT FROM AUTHOR]

Copyright of Ayer: Revista de Historia Contemporánea is the property of Asociacion de Historia Contemporanea and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article discusses the arbitristas, Spanish authors who advocated reforms in the monarchy and colonial administration, especially in the time of king Philip II. In particular, it describes them in the context of the history of Peru and focuses on their advocacy of political rights for indigenous peoples in terms of Roman Catholic ethics. Among other topics addressed are the work "Memorial de las Historias del Nuevo Mundo Pirú" by the Franciscan monk Buenaventura de Salinas y Córdova, the use of sermons for political and social advocacy, and the use of Spanish law by the arbitristas.

Copyright of Divergencia is the property of Taller de Historia Politica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Espacio, Tiempo y Forma: Serie V, Historia Contemporánea is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this exposition we talk about the concept of the Manuel de Salas memoranda (1754-1841) written in Más a Tierra Island between 1814 and 1817, in the historical context of Chilean Independence, where we recognize the reasons that justify the right of liberty, which is demanded as a natural good for the people who work for the development and social peace of Chile. [ABSTRACT FROM AUTHOR]

The «Satirical and censuring epistle» is a memorial instead of a Horatian epistle --as it has been said--: it finds a high receptor and it has a political meaning. This false epistle by Quevedo proposes a return to the ancient Castilian values. These values are composed by roman virtues which do not have a correspondence with a specific period of Spanish history. This feature is an effective rhetoric construction for readers and the king's favourite, in which we also can find modern elements. [ABSTRACT FROM AUTHOR]

Copyright of Historia y Politica: Ideas, Procesos y Movimientos Sociales is the property of Departamento De Historia del Pensamiento y de los Moviemientos Sociales y Politicos (Madrid) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Historia, Antropologia y Fuentes Orales is the property of Asociacion de Revistas Culturales de Espana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)