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Copyright of Revista Austral de Ciencias Sociales is the property of Facultad de Filosofia y Humanidades, Intituto de Ciencias Sociales, Universidad Austral de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Methaodos: Social Science Journal / Methaodos: Revista de Ciencias Sociales is the property of Departamento de Ciencias de la Comunicacion y Sociologia, Universidad Rey Juan Carlos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista del Museo de Antropología is the property of Museo de Antropologia - IDACOR and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The social protests of 2019 and 2021 in Colombia marked a turning point in the political culture of protest. From the perspective of the processes of mediatization, digitalization, and democratization that digital convergence confers on political participation, a reflection is made around the concept of participatory culture as the axis of analysis of the transformations of social protest, its media construction, and its individual and collective experimentation. Sixteen digital communicative pieces produced by native digital media were analyzed, which, supported by resources of digital communication, evidence a political and media culture of protest, supported by the logic of social media, with a strong counter-hegemonic and discursive opposition component. [ABSTRACT FROM AUTHOR]

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios de Teoría Literaria is the property of Estudios de Teoria Literaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Artefactos: Revista de Estudios Sobre La Ciencia Y La Tecnologia is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Información y Comunicación is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Austral Comunicacion is the property of Austral Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article, I make some reflections about body images and performative practices of Heavy Metal bands, whom inspiration is based on prehispanic cultures of Mexico. That kind of images are used to promote themselves on the national and international metal scene. Through an ethnographical analysis with some mexican metalheads, I reflect on the images and discourses of the prehispanic world and how they had mediated through information technologies. This mediatized practices reinforce the beliefs of the millenarian movement of Mexicanity, such as the idealization of mesoamerican past and the mexica's culture. [ABSTRACT FROM AUTHOR]

The objective of this work is to analyze the most relevant contributions in the field of study of migrant caravans. To achieve this objective, first by way of contextualization, a historical review of the different migrant caravans is made. Second, four key discussions are analyzed to understand this phenomenon: 1) the caravans as a form of mobility, 2) as a social movement, 3) the politicization of these marches by government actors and 4) the media visibility of the caravans and their presence on social media. Likewise, it is highlighted how each of these axes can be strengthened through the analysis of the new migrant caravans and through the comparison between the various marches. [ABSTRACT FROM AUTHOR]

Copyright of Correspondencias & Analisis is the property of Universidad de San Martin de Porres and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudos em Comunicação is the property of Labcom / Universidade da Beira Interior and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Norbert Elias is an author traditionally absent in communication studies. His relevance for this field has begun to be defended recently, an argumentative line with which this paper is also identified. The article has two interrelated aims. First, present the main dimensions of Norbert Elias' analysis on human communication. Second, critically examine several current studiesthat, in communication studies, take this author as a theoretical reference for their research. To achieve the first aim, it is analysed Theory of the Symbol, a book originally published in 1989, where Elias collects his reflections about the communicational and symbolic dimensions of human being. To achieve the second goal, the paper is focused on the concept of Communicative Figuration, recently developed according to an eliasian perspective, and currently applied in several studies devoted to the topic of mediatization. [ABSTRACT FROM AUTHOR]

Copyright of Ibero-Americana - Nordic Journal of Latin American & Caribbean Studies is the property of Ubiquity Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Punto de Vista is the property of Revista Punto de Vista and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dilemas Contemporáneos: Educación, Política y Valores is the property of Dilemas Contemporaneos: Educacion, Politica y Valores and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Public controversies are an analytical opportunity to study the emergence of issues, the creation and alliance of actors, as well as the articulation of public arenas (politics, society, activism, academia, etc.). This paper analyzes how two actors in Spanish academia emerged, and how they became an expression of the polarized conflict on prostitution, sex work, and sex trafficking. Through a case study, this work traces the emergence and consolidation in the public space of the #universidadsincensura initiative and the International Academic Network for the Study of Prostitution and Pornography (Red Académica Internacional de Estudios sobre Prostitución y Pornografía, Raiepp). Methodologically, the technique of controversy mapping is applied through an analysis of the flrst phase of the controversy on Twitter with the hashtags #universidadsincensura and #universidadsinprastituáon and the monitoring of the platform's activities based on active participation in the #universidadsincensura initiative. The analysis shows that both actors emerge in line with the logics of the mediatized public space linked to a presence in media and networks. Endowed with different degrees of institutionalization, Raiepp and #universidadsincensura form the same public, that of those directly or indirectly affected by the public problem surrounding the status of prostitution, for which they seek a solution through a process of enquiry and experimentation that defines democratic participation. [ABSTRACT FROM AUTHOR]

This article analyses the process of cultural mediatization of celebrities, taking as a case study the self-presentation of the singer Rosalía (@rosalia.vt) on the social network Instagram. For this purpose, a double quantitative and qualitative analysis has been carried out of the 449 publications made by the singer between 1-1-2018 and 31-7-2020, the period in which she achieved international fame with the release of the album El Mal Querer. The descriptive statistical analysis of this sample allows us to determine the singer's posting patterns, the categories to which she associates her image and the use she makes of the affordances of this social network. The iconological analysis of the sample allows us to determine the cultural references that Rosalía associates with her image within a globalized, urban and flamenco-inspired context. This study concludes that Rosalía appears as a typical case of celebritization, as she strategically uses the media logic of social networks as a way of consolidating her personal brand, diversifying it beyond the field of music. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Religião e Sociedade is the property of Instituto de Estudos da Religiao and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Chilean educational system, which is considered an emblem of neoliberal public policies, was subjected to a profound legal refom in 2014. The moderate left-wing government passed the «Ley de Inclusión» bill, which seeked avoiding the selection of students, the charging of copay upon families in publicly financed schools, and ending the possibility that private schools, which received public financing, could seek profit. During the discussion of this bill, a set of educative, political and social actors articulated and mobilized looking to stop this. The purpose of this paper is to identify and describe the argumentative twists present in the discursive community that opposed the «Ley de Inclusión» bill. The corpus used consists of 139 opinion columns, published in «El Mercurio» and «La Tercera», the two main political media papers between March of 2014 and January of 2015. From an analysis ot these argumentative twists, a discursive coalition was built. The beliefs and representations of the educational community condense on: the need for a gradualist and evidence-based public policy; the free choice of schools as the dominant rationality and tool in the educational quasi-market; and the defense of private education as a means to ensure the existence of differentiated and plural educational offers in the educational system. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Austral Comunicacion is the property of Austral Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this short essay we propose some reflections about mediatization of scientific and academic events, made along the conclave "Conversations in Panmedia": a series of meetings organized by the CIM (Centro de Investigaciones en Mediatizaciones / Mediatizations Research Center) of this Faculty, which was carried out during May and June 2020, and that involved the participation of different researchers and faculty members of the Center. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article explores the mediatization of epidemics as object of public discourse through content analysis of news coverage of the A (H1N1) influenza pandemic of 2009 in Argentina, the United States and Venezuela. The results indicate that newspapers followed efforts by public health authorities to create public engagement and, simultaneously, to contain a sense of alarm and control discourse about the pandemic. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Información y Comunicación is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Research on media coverage of electoral campaigns point to an increasing mediatization. This paper seeks to corroborate whether the trend also takes place in exceptional circumstances, such as those surrounding the regional elections in Catalonia in 2017. The analysis compares the frames observed in six newspapers (El País, El Mundo, La Vanguardia, El Periódico de Catalunya, Punt Avui and Ara) with those adopted by the seven political parties represented in the autonomous parliament (JuntsXCat, ERC, PSC, PP, Ciudadanos, En Comú- Podem and CUP). The results indicate that the symbolic frames characteristic of collective action were dominant in the political discourses, although the media logic once again became hegemonic in global terms. [ABSTRACT FROM AUTHOR]

We seek to explain that the evolution of the format of televised presidential debates -in each country- is determined by the interaction between the specific characteristics of the political system and the media system. As a framework, we use Anstead's (2016) application of the concept of speciation to the evolution of debates in parliamentary systems, together with Strömbäck's (2008) scheme for the evolution of mediatization. We applied this scheme to the Chilean case, and we concluded that the original model used -the same one that the United States used until the mid-1990's- evolved to adapt to a multi-party presidential system and a commercial television system. [ABSTRACT FROM AUTHOR]

The Mediatization of politics reaches its maximum expression with electoral campaigns, in which political actors strive to launch their persuasive messages to the public, in order to reach and, ultimately, convince the voters. This article aims to analyze the political discourse in the electoral debates televised during the 2015 Spanish Presidential Elections. The objective of the analysis is to observe which topics stood out during the political actors' interventions and to determine if mediatization affects the content of the electoral debates, or if, on the contrary, these spaces remain as forums for the detailed discussion of various public policy issues. For this purpose, we propose an analysis of content based on seventy categories of analysis, grouped in four blocks: policy issues, political issues, campaign issues and personal issues. The results clearly indicate that sectoral policy matters control the political discourse; therefore, electoral debates, despite the reach of mediatization, still constitute spaces for detailed exposition and the confrontation of public policies. [ABSTRACT FROM AUTHOR]

Copyright of Dixit. Comunicación, Profesión, Conocimiento is the property of Universidad Catolica del Uruguay Damaso Antonio Larranaga and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Correspondencias & Analisis is the property of Universidad de San Martin de Porres and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aims to emphasize the importance of risk communication as an emerging discipline that, in the face of climate change, analyzes the global environmental crises caused by the current model of economic development. The case ofthe Baja Basin of the Pánuco River, which covers southern Tamaulipas and northern Veracruz, Mexico, is subject to major transformations that have substantially modified the regional coastal ecosystem, making the population more vulnerable to natural phenomena, Before which it is necessary to develop a culture of risk communication as an organized system that integrates the different local actors so that its implementation and follow-up is carried out with opportunity and effectiveness. [ABSTRACT FROM AUTHOR]

Political talk shows -called "tertulias" (media gatherings) in Spain- are a dialogical opinion genre without a clear codification. Their wide-ranging presence and large audiences in the Spanish media system are the reason for the central role of this type of programming in radio and television. These political media gatherings allow for a flexible political discourse process. However, the selection of "opinion-makers" shows a "false" internal plurality that facilitates the spectacularization of political content through the political personification and dramatization of personal anecdotes which heighten the emotional register. In this article two daily regional TV political talk shows -one public (Televisió de Catalunya, TV3) and one private (8TV)- and one public local broadcaster (Barcelona Televisió, BTV) are analyzed to detect elements of spectacularization from the campaigns of Barcelona's local elections (2015). [ABSTRACT FROM AUTHOR]

The main theoretical approaches related to the study of political communication, defined as the interaction between political parties, the media, and citizens, are analyzed. The theories are summarized into two main currents: first, those theories and approaches that emphasize political mediatization, which is the adaptation of political messages to the discourse, strategies, interests, and logic of mass media; second, the theoretical approaches that warn about the dependence of the media on external actors, as well as the loss of influence and relative importance of the media in the last years. [ABSTRACT FROM AUTHOR]

In ten years cinema and opera have come together to create an show that's growing globally. After defining the technological and commercial characteristics that made these broadcasted events a sustainable audiovisual product --in this very same journal (2012)-- our interest is now focused on getting to know the identifying characteristics that have, a decade later, turned opera in movie theaters into a distinctively new media event, in sociological terms. A mostly technological perspective having been overcome, the goal of this research, through a combination of methodologies, is to (a) study the particularities of opera media events, in order to (b) explain some of the behavioral changes of their audiences. Our second study notes that these events are carving their own "niche among conventions," which offers a huge opportunity for both cultural industries to engage in dialogue with new audiences. [ABSTRACT FROM AUTHOR]

Copyright of Mediterranean Journal of Communication / Revista Mediterránea de Comunicación is the property of Revista Mediterranea de Comunicacion / Mediterranean Journal of Communication and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Mediatization is a long-term influential process which affects all social and cultural fields, as well as the war. The aim of this paper is to find out whether this process is reflected in the war film. To that end, first of all we characterized the mediatisation of the Iraq war. Then, we conducted a content analysis of the films that form the Iraq war cycle. In the case of Redacted, we go depth with a more exhaustive content analysis and complete it with a segmentation of the narrative structure. [ABSTRACT FROM AUTHOR]

Copyright of Trípodos is the property of Universitat Ramon Llull, Facultat de Comunicacio Blanquerna and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ecos de la Comunicación is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The relationship between social institutions and the media and information technologies is central to the approach to mediation in Maria Cristina Mata, Eliseo Verón, Muniz Sodré and Jesus Martin-Barbero. In the dialogue with these authors and Martin Heidegger, we contribute to the theoretical construction of the mediatization, under the gaze of the technical as mediation, within the perspective of the uses and social appropriations of contemporary media. [ABSTRACT FROM AUTHOR]

The opera industry wants to renew its audience and has undertaken several strategies based on digitalization and audiovisual broadcasting to achieve it. In order to attract and create a stronger bond with new audiences, it is exploring different ways to update its information policy and modernize its image. By means of Internet, it has managed to get the opera show offstage, bringing it closer to the daily lives of its spectators thanks to video on demand (VOD) and to live streaming broadcastings. It has made the most of mobile devices to enhance their shareable presence, imitating the audiovisual commercial trends to arouse enthusiasm among its viewers and creating social networks to offer the audience a referential background. Finally, the opera industry looks upon its current state and its social integration as a means of regaining its relevance. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Información y Comunicación is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)