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Copyright of Revista de Letras is the property of Revista de Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Historia Americana y Argentina is the property of Universidad Nacional de Cuyo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The arrival of pelagic sargassum in Cuba is not a phenomenon of great magnitude as in other Caribbean regions, however, there is no adequate management of this biomass. The use of macroalgae in agriculture is a common practice. The objective of this research was to characterize sargassum collected from the Havana coast in December 2021 and March 2023 to detect variations in its chemical composition and to evaluate its potential for developing agricultural inputs. The collected samples were characterized by phytochemical screening, physico-chemical properties, and the content of heavy metals and natural polymers. In both collections, the presence of alkaloids, reducing sugars, amino compounds and steroids was noted; the physicochemical characteristics and biopolymer content varied between collections; and the concentration of metals was below the permissible limit. The results make sargassum a potential raw material for the production of agricultural bioinputs (biofertilizers, biostimulants or biomaterial). [ABSTRACT FROM AUTHOR]

In this work we stop at the projections of what can be thought of as a “utopian language” in Pedro Henríquez Ureña. To do this, we consider a series of writings by the Dominican author published from the beginning of the 1920s and his arrival in Argentina, when what is considered a “linguistic” and “philological turn” occurred in the production of he. Our position is that the “utopian language” as projected in Henríquez Ureña is conceived as an open and multiple object, in line with the philological project that is reflected in the unfinished manual that he prepared with Amado Alonso and that he published only in part in 1930. Likewise, taking into account the place of intellectual projects in the construction of linguistic hegemonies as a conflictive and open instance, we relate the utopian linguistic projections of Henríquez Ureña and other contemporary projects (Fernando Ortiz in Cuba, Leopoldo Lugones in Argentina, the Spanish circle of Ramón Menéndez Pidal, the historical semantics of Leo Spitzer), with emphasis above all on the tensions and disputes over what is considered a legitimate American philology. [ABSTRACT FROM AUTHOR]

Copyright of Bitácora Urbano/Territorial is the property of Bitacora Urbano/Territorial and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

There is a growing interest in the field of social sciences in the study of topics related to the so-called gig economy or platform economy and, among them, in the figure of the rider-a term that refers to the home delivery workers employed through digital platforms. In these platforms, the work of the riders is organized from algorithmic management logics, a mediation in which the panoptic quality of their forms of control and governmentality has tended to be emphasized. In contrast to these frameworks, this paper presents a theoretical-methodological approach that emphasizes the co-constitution-in an open agency- of the rider and the application, to ethnographically approach the everyday labor practices of riders. In the interest of exploring how algorithmic mediation functions in the diversity of riders' experiences, we analyze the coordination tasks responsible for producing the shared space-time geography and the flexible control strategies that mediate the application. The text describes how the algorithm generates a kind of scaffolding that defines directive spatiotemporalities in the riders' operations, within which the deliverers extend the landscape of calculability to those elements that the algorithm cannot consider and to those others that the rider must incorporate in order to make his activity compatible with the algorithmic logic. This article presents the initial results of an ethnography carried out in Madrid since September 2021 with riders from several of the main digital home delivery platforms: Glovo, Uber Eats, and Getir . Along with the fieldwork with riders, we interviewed four technologists in urban logistics. The results show that salaried riders have a less intense experience of the directive chronography of the algorithm, showing how autonomy is not necessarily equivalent to the riders' capability to choose. [ABSTRACT FROM AUTHOR]

The following pages present a joint reading marked by lesbian desire of a passage from the film Fuego, directed by Armando Bo and released in 1969, and a fragment of the novel by Manuel Puig, Pubis angelical, published in 1979. Through the montage of images, it is proposed an approach to the construction of erotic relationships between female characters in light of the theoretical contributions of gender studies as well as practices and reflections from the archive, in order to unravel the inscriptions, meanings and scope in around the lesbian desire housed in the representations of each of the fictions. The purpose is to activate a critical listening to the dialogue that is established between both authors, to deploy in that gesture a space where unregulated identifications and identities are put into operation. [ABSTRACT FROM AUTHOR]

Our main goal with this article is to carry out a reflective exercise regarding the theoretical-methodological strategy known as Grounded Theory (GT), with no exhaustiveness or generalization intended. The writing is schematically divided in two sections. The first segment describes GT's characteristics as presented in social sciences' introductory books on qualitative research methodology. At the next fraction, we will be resuming Argentinian, Spaniard and Chilean texts where the specific uses and applications of this research strategy tools are disclosed. We firmly believe this reflexive-comparative exercise contributes to the GT's various returns, uses and appropriations. [ABSTRACT FROM AUTHOR]

This paper takes as a starting point a device named pass, created by Jacques Lacan in 1967. This device was created to access the institution of that time, the Freudian School of Paris. Known from then on as the Proposal of October 9, 1967, the pass focuses on an analysand —the intern— expressing before others —the interns— his experience with his analyst. In this article, reference is made to the historical context in which Lacan finds himself and the path he follows to propose the pass. At the end, this device and its scope are briefly reviewed. [ABSTRACT FROM AUTHOR]

This essay aims to present a reflection in a Foucaultian key on how the Chilean school system produces and manages subjectivities. The school is understood as an institution located in a highly neoliberal context and the psi discourse as a preferred tool for the management of this type of government and the architect of a large part of the technologies of the self which are present today in Chilean schools. In the first place, we present a reflection on the relationship between neoliberalism, government and education, to finally present a discussion of what we consider, two of the most interesting technologies of the self to be analyzed in Chilean schools, namely: 1) the silent inclusion of so-called "emotional education" in the current educational paradigm, and 2) the conflict of interests generated by the Preferential School Grant law and the law that give rise to the Integration School Program, which leads to a growing psychologization and medicalization of discomfort and difference in the classroom. [ABSTRACT FROM AUTHOR]

Along with the concept of difference, the ontological concept of repetition has many important drifts in Deleuze's work. In this article, I shall analyze the concept of repetition that appears in Difference and Repetition, while also reviewing the precursory philosophies pertaining to Kierkegaard, Nietzsche and Péguy in relation to this topic. It will be shown that, although repetition is, in principle, an ontological category that fulfills an eminent role in relation to time and the constitution of subjectivity, it also has been subject to an ethical drift that questions the claims of the moral law. This ethical drift places the concept of repetition in connection with issues and problems that would later appear in the ethico-political texts that Deleuze wrote along with Guattari. I will refer to this connection in greater depth at the end of the article, demonstrating how the structural framework of notions that make up the thinking about repetition is implicit in Deleuze's later works on the concepts of minority and majority. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Filosofía (0185-3481) is the property of Universidad Iberoamericana Cuidad de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

If it is about Argentinian "barras bravas", there is a simplification that always prowls the subject, which is the reductionism that thinks of them as fossils anchored in the stand. In opposition, this paper focuses on the itinerant experiences of the Belgrano Athletic Club supporter group in Córdoba, Argentina, which self-proclaims as "Los Piratas". The article explores the different types of trips that the members of "Los Piratas" made during the author's ethnographic fieldwork. In all these years the author has been able to record four types of organized trips: a) "barriales" (blocks); b) "provinciales" (provincial); c) "de infiltrados" (of infiltrated); d) "de anfitriones y huespedes" (of hosts and guests). Throughout the work each one of them will be analyzed and then, at the end, a systematization that summarizes the importance that traveling condenses in the process of social formation of "Los Piratas" and the involvement of its members will be proposed. It will be observed how travel is linked to the imperative that every social group has to experience limits. [ABSTRACT FROM AUTHOR]

This paper aims to examine, from a communicational and biocentric approach, sentiments, and questions that emerged as a result of the Covid-19 pandemic. In this process, the 'uncertainty' will be used as an epistemological category for the essay. This is one of the most challenges aspects of our contemporary culture. Furthermore, this short essay proposes the 'emergency' as theoretical term to reflect on the so-called 'new normality', and to promote integral-human living experiences (of body-reflections-emotions-actions) that can show us new horizons where we can live and be. [ABSTRACT FROM AUTHOR]

In this article, I read Beatriz Sarlo's Tiempo pasado: Cultura de la memoria y giro subjetivo. Una discusión in the context of new scholarship in cultural memory studies, that proposes its transgenerational perdurability both at the a social and the collective level. I propose that Sarlo criticizes the personal voice of the "subjective turn" by deploying her own predilections, and therefore interrupting the discourses she purports to analyze. Sarlo's critique of the subjective turn is therefore carried out within her own subjectivity, inviting a question that echoes her own: what is the place of the first person singular in the narration of the recent past? [ABSTRACT FROM AUTHOR]

In order to understand the professional identity configurations that emerge in everyday and work life, considering the transformations of the new public management (NMP) and taking Chilean social work as a case, this article is organized from two broad areas. By virtue of the above, in order to understand the professional identity configurations that emerge in this scenario and taking as a case of Chilean social work, this article is organized from two broad areas: On the one hand, materiality's that are associated with legal statutes, that prescribe and subject to this profession, and on the other, the narratives of social work professionals in different performance spaces, considering as relevant aspects, their training and work trajectories. The starting point is an interpretive paradigm and the research method of grounded theory is used, in order to make knowledge emerge from the people themselves. The results show tensions, crises and the emergence of a precarious configuration in terms of identity and work for this profession, in times of neoliberal hegemony. [ABSTRACT FROM AUTHOR]

In this article, we reconstruct the way in which the battered woman category emerged in Argentine psychology, in a peculiar circulation between civil society and the State. From the approach of the critical history of psychology to the contributions of recent history, we analyze the reception in the local scene, in the interconnection of the human rights agenda with the feminist ideology. We analyzed how gender violence was included in the governmental agenda, in feminist activism and in the theoretical production of psychology. We include solidarity and the differences between these areas, taking into account the representations and values involved in the uses of the different categories. [ABSTRACT FROM AUTHOR]

Copyright of Crítica y Resistencias: Revista de conflictos sociales latinoamericanos is the property of Fundacion El llano - Centro de Estudios Politicos y Sociales de America Latina (CEPSAL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyses the epistemological, methodological and ethical issues faced during ethnographic research examining nightlife, music, dance and eroticism in Córdoba, Argentina. First off, we conceptualize the meanings that "nightlife" had for the subjects in the research process and describe the diversity of "nights" that we encountered in the research process. Then, we discuss the issue of situationist drift during fieldwork. Subsequently, drawing on vignettes taken from our ethnographies, we reflect on the potential and limitations of "participant observation" in situations involving significant bodily exposure and sensory experimentation, including illegal activities. Finally, we examine the issue of the "anthropological blues" that, according to Roberto Da Matta, characterize the ethnographer's work, and Da Matta's proposal for the construction of an "anthropological groove" capable of producing knowledge from the immersion in the flow of the situations that are part of the "ethnographic drift". [ABSTRACT FROM AUTHOR]

Copyright of Escritura e Imagen is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuestiones de Sociologia: Revista de Estudios Sociales is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of BRAC: Barcelona, Research, Art, Creation is the property of BRAC: Barcelona, Research, Art, Creation and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Psicologia GEPU is the property of Universidad del Valle and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In the context of the multiple and changing sociology that has engaged in prostitution relationship, this article seeks to review just a few of the most significant lines in the production of social sciences on commercial sex to understand the current reading keys. First some milestones are addressed in the sociological construction of prostitution as an object of study. After considering the influence of the feminist debate in its various positions and movements of prostitutes or sex workers. Finally there are mentioned some topics that are existed intersected by the prostitution and the sexual market finally to make raised the vicissitudes and needs of this area. [ABSTRACT FROM AUTHOR]

This article is the third part of the research De la ciudad prometeica a la ciudad proteica, where was a reflection on public art, the need to rethink this notion and therefore redefine what is meant by public art. Thus, in this section we note that the public is merely a relational dimension, which shows that the monstrous city has never been able to hide. To show both the visual material as some poetic writings provided by the ITM student, Andrés Mejía Arango is used. [ABSTRACT FROM AUTHOR]

Copyright of Obras y Proyectos is the property of Universidad Catolica de la Santisima Concepcion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Panorama Económico is the property of Universidad de Cartagena and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Diferents: Revista de Museus is the property of Diferents. Revista de Museus and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aurora: Papeles del Seminario María Zambrano is the property of Seminario Maria Zambrano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista 180 is the property of Revista 180 and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hermenéutica is the property of Hermeneutic - Revista Digital de Arte, Critica y Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Archivos de Ciencias de la Educacion is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ERAS: European Review of Artistic Studies is the property of European Review of Artistic Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Interdisciplinaria de Estudios de Género de El Colegio de México is the property of El Colegio de Mexico AC and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (0034-8244) is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía UIS is the property of Universidad Industrial de Santander and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The prefabricated Soviet great panel system has shown good earthquake resistance performance in several countries where it has been implemented. However, there are uncertainties with the buildings built in the city of Santiago de Cuba, the area of greatest seismic danger in the country. Due to the fact that the design codes of the time of the emergence of the prefabricated system have already been repealed, together with the pathological damages and structural transformations carried out by the inhabitants. Therefore, a structural verification is required, through the checking of global control parameters, the eccentricities of the centers of mass with respect to the centers of stiffness, displacements and drifts of the floors, torsional stiffness, the P-? effects, among other aspects. Building U-142-143 is chosen for this analysis, mainly because it has critical operating conditions. It is concluded that, although the prefabricated system does not comply with all the current requirements of earthquake resistant design and present significant irregularities in plan and elevation, the building analyzed according to the formulations in the codes used, can retain rigidity in the face of seismic action. A comparison between the building according to the original project and the current variant corroborates that the greatest changes are observed in the fundamental periods. Consequently there are variations in drift, displacement and stiffness. [ABSTRACT FROM AUTHOR]

Copyright of Archivos de Ciencias de la Educacion is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)