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Copyright of Revista General de Información y Documentación is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The following is an updated overview of the experiences regarding the digital preservation of digital audio objects in Chile, based on the collection of information in public and private heritage centers. The evidence shows that these institutions generally follow the conceptual and management guidelines proposed by international organizations and experts in the area. However, the institutions are not aligned in their efforts to preserve their sound heritage. Therefore, there is a need to take action, share best practices, and coordinate work standards, among others things. [ABSTRACT FROM AUTHOR]