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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research aims at contribuiting to studies on textile lexicon from a historical perspective. Therefore some words from textile field registered in invenotires of goods from Cádiz at the end of the 18th century have been analyzed. These terms or graphic variants, which are poorly documented due to late lexicographic manifestations, reflect mostly the processes of lexical creation or foreign adoption that have determined the configuration of this vocabulary in the 18th century. Our interest is focused on its manifestations in documents and on its lexical and lexicographical tracing along some decades. The importance of the research lies in the comparative value of the data, which can provide clues about the degree of fixation of the terms, their geographical extension and their vitality. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the memories and knowledge of women craftswomen from the provinces of the Cajamarca region in Peru, especially San Miguel, Chota (Tacabamba) and Cutervo, in the design and execution of the waist or qallwa weave. Exhaustive field and archival work was carried out to understand how this intangible cultural heritage is in constant motion throughout history. For a broader understanding of this enmeshed complex, an interdisciplinary dialogue is carried out through a tour the historical context of waist loom textiles in Cajamarca, pointing out changes and continuities in this know-how. All this to show how the qallwa loom constitutes one or the expressions of resilience on the part of these women's collectives. [ABSTRACT FROM AUTHOR]

The intergenerational transmission of textile practices among women are considered a strong reclaiming statement. Currently, textiles practices have been recognized as social struggle manifestations that favor the development of a human rights culture, allowing the expression of communities 'without a voice'. This article examines the emergence of textile artivism linked to recent socio-political conflicts in Latin America, emphasizing the role of women as promoters of these projects. Mil agujas por la Dignidad, a platform and textile community emerged in 2019 as a response to human rights violations in Chile, has been analyzed to understand how digital technologies favour the dissemination of textile calls, and the connection between women through feminist meetings. This research proposes that textile practices are a form of resistance art, activated simultaneously in various spaces due to their political nature. [ABSTRACT FROM AUTHOR]

Copyright of Zephyrus is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

With the purpose of developing a non-woven textile genre, an investigation is carried out to determine if vegetable cellulose can be used as an alternative raw material for the elaboration of a non-woven textile of the agglomerate type or the felt type that can be used as raw material. In clothing products, this research project is framed in a mixed method, which has a quantitative phase of an experimental nature in which the achira leaf is used as a source of cellulose, analyzing its chemical composition and morphological characteristics. In order to know the acceptance and use of alternative materials by fashion designers, a survey is carried out; In addition, the Desing Thinking methodology will be applied using its 5 phases: empathize, define, devise, prototype and evaluate. The results obtained led to the conclusion that a non-woven textile of the agglomerate type or vegetable cellulose felt can be obtained using the achira sheet, and when carrying out the tensile and resistance tests, a percentage of 0.08% is obtained as a result. the same one that is not suitable for use in clothing products directly, therefore it is considered a textile for technical use, one of the options is to combine it with a material that provides more resistance therefore when combining it it can be used in the development of trimmings that is a textile product. [ABSTRACT FROM AUTHOR]

The development of a textile analysis protocol for natural fibers suggests that several natural species can be considered as textile raw materials for the production of different textile genres and they can be used within the clothing industry by appreciating the qualities they possess. Among the objectives is to determine the feasibility of using natural fibers in a textile genre and to do so, the physical and morphological characteristics of the natural fibers must be investigated as well as analyzed to finally develop the textile analysis protocol, which includes physical and morphological. The criteria of experts related to all fields of the textile industry were investigated through interviews, with the objective of determining what are the minimum characteristics necessary to obtain a textile fabric of the woven or non-woven type that is usable within the clothing industry, additionally The information collected was taken into account after developing a bibliographic analysis on national and international control standards. In the development of the tool for textile analysis, it was possible to establish a textile analysis protocol supported by control standards that provide the necessary information for the analysis of natural fibers. The analysis developed with this protocol is an indicator to determine if a material can be considered for the production of woven and non-woven textiles, with the experimentation of the production of textiles at an industrial level still pending. [ABSTRACT FROM AUTHOR]

Copyright of CIRCULO de Linguistica Aplicada a la Comunicacion is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Zephyrus is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present research article consolidates the results of an experience in a community environmental education in Las Llanadas de Sahagún, Córdoba (Colombia), with the purpose of valuing the orchard, as a living classroom space, where relationships, actions, senses and experiences are interwoven with the recognition of the dialogue of knowledges, involving the social actors to assume critical, ethical and political positions, an educational commitment that has led to the transformation of habits, behaviors and beliefs in the educational community. This is a qualitative and interpretative research with the staging of formative and reflective activities, workshops and interviews that were analyzed with the Atlas.Ti software and the contributions of the textual discourse analysis, where emerged the categories associated with feelings, natural and social fabric and territory in action. The results show that the living classroom strengthened bonds of friendship based on respect, acceptance and appreciation of the other, as well as the individual and collective expertise projected towards the sustainability of life, the food sovereignty and territorial identity, which led them to question each other about their daily actions and their effects on the system, generating individual and collective commitment. [ABSTRACT FROM AUTHOR]

Copyright of Boletín del Museo Chileno de Arte Precolombino is the property of Museo Chileno de Arte Precolombino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigación Administrativa is the property of ESCA Santo Tomas - IPN and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The semiocritical proposal is an innovative approach that seeks to delve into the text and the subject to reveal their own relationships of their symbolization in the world, which is why a representative sample of the litanies of the carnival of Barranquilla, Colombia was chosen to know their structure, semiotic fabric that allows to discover its meaning in the texts, products of the perception of the litany enunciators. [ABSTRACT FROM AUTHOR]

Copyright of Revista Espacios is the property of Talleres de Impresos Oma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Derecho de la Seguridad Social, Laborum is the property of Ediciones Laborum S.L. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The field of didactics, as an object of analysis and discussion, expands from the novel mediations and modes of knowledge construction that are intertwined with emerging practices and subjectivities. This article presents the need to recognize the way in which didactic expansions in networks, platforms and devices transform the educational experience and invite to inhabit immersive processes in heterogeneous cultural fabrics. The tensions that occur in the designs that involve the amplifications of teaching practices in collective constructions are addressed and considers the approaches of multiple languages, as well as alternative times and spaces for teaching and learning. It is proposed to give rise to the possibility of recognizing new arrangements and counter-hegemonic perspectives of didactics that discuss with traditions, with the motions that are imposed with a normative claim and with the omissions that veil differences, inequalities and exclusions. [ABSTRACT FROM AUTHOR]

This article analyzes the importance of textile work carried out by women in ancient Greece. Some Homeric passages in the article will be used to guide the recognition of the concept of thinking hands, where a theoretical/hands-on activity can transmit powerful unspoken messages from the vulnerability of the feminine that, contrary to what might traditionally be thought, have a political dimension. To do so, the article will proceed in three sections. In the first, the way in which the Greek world saw manual work as an intellectual exercise will be shown; in the second, we will review how fabric is understood from the human point of view and the way in which Athena is a symbol of the textile that covers the human. In the third, we breakdown the practice of weaving as an ideal way of vindicating the female figure. The article closes by showing this practice prevails today. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Vivienda y Urbanismo is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Latinoamericana de Etnomatemática is the property of Universidad de Narino and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Papeles de Europa is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Amauta 'Todo lo Humano es Nuestro' is the property of Universidad del Atlantico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dilemas Contemporáneos: Educación, Política y Valores is the property of Dilemas Contemporaneos: Educacion, Politica y Valores and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Espacio, Tiempo y Forma. Serie VII, Historia del Arte is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Además de is the property of Ademas de: Revista on line de artes decorativas y diseno and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CS is the property of Rafael Silva Vega and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pacha: Revista de Estudios Contemporáneos del Sur Global is the property of PACHA REVISTA DE ESTUDIOS CONTEMPORANEOS DEL SUR GLOBAL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Letras (0326-3363) is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Artnodes is the property of Universitat Oberta de Catalunya and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arte, Individuo y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article discusses the textile pedagogies incorporated in four canvases made by groups of weavers, seamstresses, embroiderers and/or craftswomen who are victims of the Colombian armed conflict in the municipalities of Quibdó and Bojayá (Chocó), Sonsón (Antioquia) and the village of Mampuján in María La Baja (Bolívar). We describe the processes involved in their trajectories of creation, circulation, and appropriation, focusing on the experiences and knowledge that these pieces incorporate and teach through their social trajectories. We argue that the articulation between artisan collectives, testimonial textiles, and their processes of circulation and appropriation result in textile pedagogies concerning the memories of the armed conflict, women’s experiences, and their artisanal knowledge. [ABSTRACT FROM AUTHOR]

Copyright of Acotaciones: Investigación y Creación Teatral is the property of Real Escuela Superior de Arte Dramatico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)