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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios de la Gestión is the property of Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Reconfiguring the dynamics of life became a necessary reality due to COVID-19; most of the population did not visualize what we face today. Breaking with existing paradigms around derived activities from forced confinement and the use of masks, has given relevance to the image as the basic language in the face of social distancing. The objective of this work is to interweave symbolic representations and the need for human beings to integrate themselves into a society, through the processes of meaning and symbolic elements, to weave cohesion or to unravel social relationships. [ABSTRACT FROM AUTHOR]

Objective: To analyse the potential of atole de plato to be considered as an element of agrotourism in El Estanco, municipality of Luvianos, State of Mexico, through the theory of social representations. Methodology: The study is based on an exploratory qualitative approach; through participant observation it was possible to identify the meanings and symbolism surrounding the elaboration of atole de plato for its use in tourism. Results: Using the theory of social representations, it was identified that atole de plato is a food with cultural, historical and social value, a situation that postulates that it is at a stage prior to its insertion into the tourism offer of rural destinations that have opted for tourism as a path towards development. Limitations: One of the limitations of the study is the difficulty of grounding the postulates of the theory in empirical operational terms, as well as the cultural hermeticism of the family group studied. Conclusions: The study concludes that atole de plato has latent potential for inclusion in the local agro-tourism offer; however, it is necessary to establish an integrated offer with other community resources. [ABSTRACT FROM AUTHOR]

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aims to reflect upon the configuration and operation of the art's field today. It does so from the role of the so-called contemporary art in the concerning field, although it is extremely diverse in its production and scope. The starting point for reflective analysis is Pierre Bourdieu's theory of social fields from which is possible to recognize which elements give coherence to the art's field and which others can be subverted through contemporary art nowadays. We arrive at the conclusion that a new configuration is perceived without altering the fundamental assumption of the art field: autonomy. Although the forms to preserve it seem quite different. [ABSTRACT FROM AUTHOR]

Copyright of TURyDES is the property of TURYDES and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyze the "Indian ethnic-art" from the concepts of symbolic value and economic value, sign value and symbol value, and study the transformation of the ethnic-art into a touristic souvenir. The purpose is to go deep in this subject, taking as theoretical assumptions the social representations and significations of the manifestations and traditions of the native brazilian culture. At the end, the article explores the changes caused by the market and the tourism. [ABSTRACT FROM AUTHOR]

Copyright of Temas de Historia Argentina y Americana is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)