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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article deals with the production of meanings around the right triangle during the resolution of a construction problem with GeoGebra, by pre-service mathematics teachers. Assuming a multimodal perspective of learning, we analyze the semiotic activity of the participants, from four categories that emphasize the semiotic and embodied nature of thinking in geometry. We conclude that the explanation of a construction procedure with GeoGebra is linked to the understanding of the geometric object to be built, due to the workspace used and the teacher educator plays an important role for achieving this understanding. [ABSTRACT FROM AUTHOR]

Copyright of Potestas: Estudios del Mundo Clásico e Historia del Arte is the property of Potestas Estudios del Mundo Clasico e Historia del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Formación Universitaria is the property of Centro de Informacion Tecnologica (CIT) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The phenomenon of disinformation is characterized by being a way of telling the facts in a distorted way that modifies the perception of what is «real». In this sense, it deserves the attention of being analyzed by semiotics, since its look makes it possible to approach the problem of truth from a strategic point of view. For this discipline, the concept «truth» is not understood as a correspondence between what is said and the facts, but as an effect of meaning that is created in the discourse. In this regard, it is proposed that one way to deal with fake news is to revalue the figure of the journalist, as long as his job is to produce information that, in addition to being truthful, is credible. Likewise, the need to train the journalist to be able to master different enunciation and persuasion strategies present in any discursive configuration is emphasized. [ABSTRACT FROM AUTHOR]

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ANIAV: Revista de Investigación en Artes Visuales is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This work seeks to discursively and semiotically analyze the incipit and some key sequences of the documentary Los reyes del pueblo que no existe by Betzabé García, with the aim of critically observing, on the one hand, how the causes and effects of the violent reality suffered by contemporary Mexico; and, on the other hand, to reflect on the emergence of new ways of perceiving, explaining, living and making sense of the physical and social spaces disrupted by this violence, in this case, those relating to the town of San Marcos, in the municipality of Mazatlán, Sinaloa. It is particularly interesting to realize how this violence exercised by both the State-government and criminal groups seems to coexist and reshapes collective and individual spaces and spheres of identity in an exercise of resistance and social resilience. [ABSTRACT FROM AUTHOR]

Copyright of Paradigma is the property of Universidad Pedagogica Experimental Libertador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Agora (0211-6642) is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Signa is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Íkala: Revista de Lenguaje y Cultura is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigaciones Historicas is the property of Universidad de Valladolid, Facultad de Filosofia y Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Temas de Comunicacion is the property of Biblioteca Central de la Universidad Catolica Andres Bello (UCAB) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Teología is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arquitectura + is the property of REVISTA ARQUITECTURA + and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Media literacy is an educational necessity due not only to the fact that a high rate of consumption implies a great capacity to influence the population, but also to the fact that media has become the main source of information and knowledge conversion. Many studies on educommunication include the need to train free citizens to participate in the media, but these studies forget that the deconstruction of messages is a prior learning required to produce critical texts. The present study defends the priority training in the critical reception justified, besides the nature of the communicative act, by the results extracted from a questionnaire about the use of the media made to two hundred and thirty-eight university students, which show a greater involvement as receivers than emitters. This survey provides relevant data on the consumption of the different media that allow assessing the weight of each source of information in young people and consider the teaching of a critical reception focused on the analysis of five elements: source, message, channel, code and receivers. Unlike many educommunication studies lost in indisputable generalities, this work advocates semiotic strategies of discursive analysis that question the credibility of communication. Training in the deconstruction of the message is, without a doubt, the first step in educommunication. [ABSTRACT FROM AUTHOR]

Copyright of Íkala: Revista de Lenguaje y Cultura is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Pensares em Revista is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Teología is the property of Pontificia Universidad Catolica Argentina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The Instituto de Botánica Darwinion (CONICET and ANCEFyN) was founded by the end of 1910 in the San Martín district by Cristóbal María Hicken as his private botanical research laboratory. Its name honors Charles Darwin for his brilliant theory of biological evolution. In 1924, Cristóbal M. Hicken made public his desire to bequeath the Instituto de Botánica Darwinion to the National State, a fact that only materialized in 1934. But in the early '30s, he decided to move the Instituto de Botánica Darwinion to a new building located in the San Isidro district, built especially to contain the institute and also his retirement home. After 87 years of existence and five building extensions, the historic building of the Instituto de Botánica Darwinion of San Isidro maintains its integrity and attracts the attention of both the public and architecture and design professionals. Based on the study of building characteristics and the thought of Cristóbal M. Hicken, the main objective of this work is to evaluate whether the external and internal structure of the historic Darwinion building in San Isidro, together with the ornamentation and distribution of original functions of each room, respond only to an aesthetic and functional design or if, in addition, they have a symbolic meaning, a vision of the world, a silent message for those who want (and know how) to understand. With this central purpose as a guide, we carried out a multidisciplinary investigation to reconstruct Cristóbal M. Hicken's vision in the design of the Instituto de Botánica Darwinion of San Isidro. We started from the analysis of the original building in the San Martín district in search of any possible design background, to then focus the attention entirely on the building in San Isidro. Plans, public documents, correspondence, historical photographs, academic and dissemination articles of the time, pre-Hispanic South American ethnographic information, Argentine historical information between 1860 and 1930, and interviews with relatives and historians were studied. In short, the Instituto de Botánica Darwinion in San Isidro was created as a museum and a laboratory plus a home. The design of the museum agrees with the concept of "temple of Botany" manifested by Cristóbal M. Hicken himself, and whose first sign is observed in the etymology of the name of the institute. Its ornamentation is eclectic, since it combines symbols of Andean pre-Hispanic cultures with symbols of Western civilization, and it is structured according to each room (portal, front rooms, herbarium, library) and orientation (towards the street or towards the inner garden). This ornamentation works like a discourse in symbolic key with multiple messages for the visitor: it reflects an original, foundational, and ancient Argentine identity, which in turn communicates that the Darwinion is a place where a silent and fertile unveiling of the knowledge, of the secrets of evolution, takes place protected from evils and misfortunes by Nature itself. The design plan of the institute, the portal, the access terrace, and the internal garden convey desirable masonic values through the symbolic language, typical and traditional of Freemasonry. Likewise, we show evidence of Dr. Cristóbal M. Hicken's great interest in Andean pre-Hispanic cultures, of his refined knowledge of Greco-Roman mythology, his belonging to Argentine Freemasonry and consequent ability to symbolic language, and his knowledge of construction, cosmology, and analytic geometry. For these reasons, and considering his participation in the supervision of the building work declared by the newspapers of his time, the probable direct intervention of Cristóbal M. Hicken is proposed both in the design of the building of the Instituto de Botánica Darwinion of San Isidro, as well as in the design of its ornamentation. In addition, evidence is provided of the possible intervention of Arturo Prins and Fernando de Estrada in the project of the building. [ABSTRACT FROM AUTHOR]

After some considerations which situate history and historic literature in their respective European and Pre-Columbian epistemic contexts, we realize an analytical approach to a pictographic narrative in different Nahua codices, but especially in the first eight plates of Codex Azcatitlan that relate the mythical tribulations of the Mexicas, in the early steps of their departure from Aztlan-Chicomoztoc. We essentially compare the narrative matter of the pictorial text in this document with the corresponding sequences in Codex Boturini, Codex Mexicanus, and Historia Tolteca-Chichimeca. The intention is to show the diversity of visual paradigms, in terms of semiotics and narration, and the visual syntax of association that prevails and contributes to the production of sense. [ABSTRACT FROM AUTHOR]

This article investigates the reasons why it is impossible for wild animals in Andean oral histories to establish a marriage alliance with humans. It is an atrocious alliance, despite the fact that those are beings linked to the tutelary deities, and are charged with their energies, which makes them capable of looking like admired lords. Inimitable for that, it is not conceivable that they join with humans to form bloodlines. Humans and wild animals, despite attracting each other, are beings destined to a distant coexistence. [ABSTRACT FROM AUTHOR]

This article relates Antioquian cuisine with the modernization process that was taking place in the late 19th century. Using methodological resources from people's history and subaltern studies, it seeks to unveil how ordinary people incorporated ideas of change and resistance in a society experiencing the first effects of modernisation. Food, from Claude Lévi-Strauss to Massimo Montanari, has been considered an object of structured study with a «grammar», or conventions, that give it order, meaning, and cultural and social significance. This has motivated the question: «To what extent did the modernisation process modify that structure and grammar of food?» The article conducts a literary and semiotic analysis of the three volumes of the work Hace tiempos by the costumbrist writer Tomás Carrasquilla, which is rich in details about Antioquian popular culture. First, it analyses the people's history category according to Carrasquilla's work. Then, it examines the concept of cuisine as a creator of identities, its identification in the work, and its relationship with the modernising project. Finally, it defines the terms of the tension between popular cuisine and haute cuisine. [ABSTRACT FROM AUTHOR]

The article analyzes the configuration of affective grammars in the Argentine national community and highlights the importance of emotions in politics and everyday life. It examines how affective rhetorics are generated in social discourse and mentions the influence of mediatization on the ways of conceiving and talking about love. A methodology based on the categories of ethos and collective identification is used to analyze public texts related to love in Argentina. It emphasizes that love and affective relationships are objects of dispute in society, especially after the "Ni una menos" movement. [Extracted from the article]

Copyright of Revista Estudios de Filosofía is the property of Universidad de Antioquia, Instituto de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sur le Journalisme, About Journalism, Sobre Jornalismo is the property of Sur le journalisme, About journalism, Sobre jornalismo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Álabe is the property of Alabe and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Kepes is the property of Universidad de Caldas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Colombiana de Sociologia is the property of Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Sociologia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)