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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article examines the discursive representation of nonnormative identities in a paradigmatic product of the Colombian media industry, SoHo magazine. The questions that guided this research were as follows: How does SoHo magazine (1999–2014) represent trans women and nonnormative masculinities, particularly metrosexuals? Which discursive strategies does it use to construct that representation? and How does SoHo magazine contribute to questioning or strengthening cis-heteronormativity? In SoHo, nonnormative masculinities are discursively constructed from a spectacular perspective, claiming cis-heterosexuality as natural and normal and masculinity as typical of the cisgender man’s body. To demonstrate this, the article examines the discursive strategies used to construct these identities through an interdisciplinary approach that combines (Latin American) cultural and gender studies with queer linguistics. The article is a contribution to new research on the representation of marginalized sex and gender identities in the Colombian media industry. [ABSTRACT FROM AUTHOR]

The work of Gilles Deleuze, and the post-structuralist tradition in general, is not characterized by working from the concept of culture, which he considers reactive. In tune with the Nietzschean text, in the '60s the French philosopher tangentially alludes to the idea of culture as training and selection, a question that later moves (in the '70s and '80s) to ontologically different categories such as of molarity or majority structure. Despite this, the author does not fail to recognize that philosophical thought is framed, in principle, in the material horizon of a given culture. Faced with such an inscription, a new image of thought occurs in the zones of breakdown of a cultural determination based on common sense and good sense. It is from the rupture of such representations that a thought can escape towards the configuration of other modalities of existence (which are also resistance), both philosophical, political, social and aesthetic. In accordance with this, Deleuze thinks about the distinction between the majority and the minority and permanently addresses sensitive configurations (which we could call cultural), such as literature, painting, cinema, theater or music. However, it does not focus on the cultural value of such works, but rather on their fugitive nature from the majority culture. In this paper, we propose to address the place that culture has in Deleuze's thought, considered from the idea of a minority becoming faced with the normative determinations of a culture that operates as a capture device, and the way in which this criticism is unfolds in oblique analyzes of artistic disciplines. [ABSTRACT FROM AUTHOR]

This research analyzes the process of a community translation conducted by a group of Hispanic-American fans of a book from the young-adult fantasy saga Shadowhunters. The Shadowhunters' fandom criticized the Spanish translation of a transnational publishing house for having altered the content and delayed the translation. Faced with the poor reception of the translated product, some members of the fandom gathered on Facebook to generate a translation that would satisfy their community. This process is reconstructed through digital ethnography. It describes how the group of translators generated coordination spaces for the team as well as a meeting place with the community, which would function as spaces for literacy. In said spaces, a translation method consistent with the social objectives of the fandom was built by performing a rapid translation through a process with simultaneous stages, encouraging member learning, maintaining motivation, and commitment through affective communication. [ABSTRACT FROM AUTHOR]

Copyright of Revista de Estudios Políticos is the property of Centro de Estudios Politicos y Constitucionales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Agora (0211-6642) is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Asparkía. Investigació Feminista is the property of Instituto Universitario de Estudios Feministas y de Genero Purificacion Escribano and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Trashumante. Revista Americana de Historia Social is the property of Universidad de Antioquia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Doxa Comunicación is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Uru: Revista de Comunicación y Cultura is the property of Universidad Andina Simon Bolivar, Sede Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Since the mid-nineties of the 20th century, many works have been published about the arrival of irregular migrants on boats, especially from Morocco in search of a dignified future, with which Spain have gone from being a country that historically sends emigrants to another that receives them. The fundamental objective of this is to highlight the representation of Moroccans in Spain, who generally suffer from social exclusion and discrimination, which creates important consequences for their integration into the host society. In order to carry out that objective, this article analyzes the representation of Moroccans in Spain in the novel Ramito de hierbabuena by Gerardo Muñoz Lorente, throught the method of critical discourse analysis, whose approach studies the power mechanisms that exist among emigrants. [ABSTRACT FROM AUTHOR]

One of the main challenges in teacher education is the integration of the theoretical knowledge, practical skills, and adaptive capacities necessary to handle the complexities of teaching. Research in practice-based teacher education --focusing on 'pedagogies of practice' (representation, decomposition, and approximation)-- offers a framework for achieving this integration. This approach identifies the practices that every novice teacher should master by the end of their initial training, along with the methodologies to develop them during their education. This special issue, Towards Practice-Based Teacher Education, presents seven empirical studies conducted in Latin America (6) and Europe (1), addressing this training from diverse perspectives and methodologies. The studies focus on phenomena such as modeling by teacher educators, the development of the skill of 'noticing', video observation, simulations, tele-immersion, and the university-school relationship. Based on the analysis of these studies, we discuss the need to incorporate feedback, recomposition, and evaluation into the pedagogies of practice. [ABSTRACT FROM AUTHOR]

Copyright of Revista SAAP is the property of Sociedad Argentina de Analisis Politico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Psicoterapia y Psicosomática is the property of Instituto de Estudios Psicosomaticos & Psicoterapia Medica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Objective/Context: This text analyses the assembly debates that preceded the dissolution of the first Mexican Constituent Congress in 1822. The research focuses on the ideological context that gave rise to the idea of dissolution. It examines the language and arguments used to defend or question the continuity of the national representative body of the First Empire. Methodology: For this purpose, the minutes of the Congress will be studied from the end of August, when the "republican" conspiracies against the government of Agustín de Iturbide took place, until its dissolution at the end of October. Through dialogue with various contemporary publications, the proceedings will be contextualised within the currents of liberal thought that fed political debates at the time. Originality: In recent years, thanks to the celebration of the Bicentennial of Independence, historiography has developed research on the period of the First Mexican Empire. However, there is still a long way to go to understand how the theoretical foundations that articulated a constitutional monarchy as the first project of a nation-state in Mexico were forged. Through unpublished sources and a reflection in dialogue with recent historiographical contributions, this article deepens the analysis of the political thought that sought to imagine an empire based on the foundations of political liberalism at the beginning of the nineteenth century. Conclusion: The idea of dissolution, far from being a unilateral decision by Iturbide's government, resulted from a dialogue between different factions and political interests. Its argumentation was always based on the new constitutional language. [ABSTRACT FROM AUTHOR]

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Opuntia Brava is the property of Universidad de Ciencias Pedagogicas de Las Tunas, Centro de Documentacion e Informacion Pedagogica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Actas de Diseño is the property of Facultad de Diseno y Comunicacion, Fundacion Universidad de Palermo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The debate on the crossroads between Foucault and Deleuze oscillates between two poles, depending on whether the convergences or divergences between these authors are highlighted: either they are brought closer together to unify them, or they are distanced from each other due to irreconcilable disagreements. In this article I argue that, despite undoubted differences in their philosophies, they share nodal philosophical positions, among which I highlight the following: they reject universals, propose to study multiplicities, analyze power from a "molecular" perspective, reformulate the role of the intellectual, and criticize political representation. Before substantiating these points of correspondence, I address the question of the reasons that led us to compare Deleuze and Foucault, given that it is not an arbitrary association. I also make some methodological clarifications in order to differentiate my approach from others already tested, and I argue in favor of the those shared theses, specifically in the epistemological and political fields. [ABSTRACT FROM AUTHOR]

This paper presents an analysis of the roles and characters of lawyers in literature, following one of the lines of work of the "law and literature movement." To do this, it focuses on an Argentine writer, central in Latin American literature, as Julio Cortázar. From his work, a corpus of two short stories linked by the character of lawyer is examined to present a reading from the point of view of "law and literature" aiming to shed light on some issues in legal practice and drawing directions to reformulate it. [ABSTRACT FROM AUTHOR]

In this article we intend to analyze the novel El Color del Verano (1991) by the Cuban writer Reinaldo Arenas (Holguín 1943-New York 1990) through the concepts of satire, collage, anachronism, author performance, and semiotic inflation. These features recognizable in the text lead us to think about it from the aesthetic register of the Baroque, especially in its problematization of language and representation. [ABSTRACT FROM AUTHOR]

The purpose of this research on the representations of Pablo Escobar is to analyze their iconic character in relation to the attraction or rejection they produce in various audiences based on their aesthetic condition and the depth of their contents. The analysis of the daily presence of the representations of Pablo Escobar is carried out using the methodology proposed by the iconic turn, which assesses their symbolic value attending to criteria such as the performance of their agents, the scenarios of significance, their promotion by the market, and their reception by different audiences. The exacerbated representation of Colombia's most recent violent past, as stereotyped in the figure of Pablo Escobar, is collected from various platforms of audiovisual products, the internet, previous investigations, and interviews with tourists who participate in the so-called narcotours in Colombia, particularly in Medellín. One of the most important findings of the investigation is that the continuous diffusion of the representations of Pablo Escobar in multiple scenarios of meaning have led to their being understood as a synthesis of cultural elements in which the corruption and violence that have dominated the history of Colombia for decades feature prominently. In this sense, the iconic status of the representations of Pablo Escobar is conferred both by the social instances with the power to create and transmit their narratives with a heroic background, as well as by the audiences that welcome or reject them. [ABSTRACT FROM AUTHOR]

Copyright of Revista Espanola de Antropologia Americana is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aufklärung: Revista de Filosofia is the property of Aufklarung: Revista de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IgualdadES is the property of Centro de Estudios Politicos y Constitucionales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Área Abierta is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Espacio, Tiempo y Forma. Serie III, Historia Medieval is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Retos: Nuevas Perspectivas de Educación Física, Deporte y Recreación is the property of Federacion Espanola de Asociaciones de Docentes de Educacion Fisica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Trabajos y Comunicaciones is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Themis: Revista de Derecho is the property of Themis Asociacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anales del Seminario de Historia de la Filosofía is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Estudios Internacionales Mediterraneos is the property of Taller de Estudios Internacionales Mediterraneos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Impossibilia: Revista Internacional de Estudios Literarios is the property of Impossibilia: Revista Internacional de Estudios Literarios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista SAAP is the property of Sociedad Argentina de Analisis Politico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Olivar is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present research focuses on analyzing the legal framework of citizen participation in Ecuador, with special emphasis on the popular consultation, a mechanism that allows the community of a locality, region, or nation to express their opinions definitively and bindingly on specific issues that the constituted powers or a part of the citizenry have decided to inquire from the sovereign. The main objective is to systematize the legal foundations that enable effective citizen participation in the political power of the Ecuadorian State. During the research, a detailed analysis of the 2008 Constitution of Ecuador is carried out to evaluate the normative regulation of citizens' participation rights, as well as the jurisprudential recognition established by the Constitutional Court of Ecuador. Also, updated bibliographic material is provided to establish the necessary elements regarding citizen participation as a pillar of democracy. [ABSTRACT FROM AUTHOR]

Copyright of Contrastes: Revista Internacional de Filosofia is the property of Contrastes: Revista Internacional de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos.info is the property of Pontificia Universidad Catolica de Chile, Facultad de Comunicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista del Museo de Antropología is the property of Museo de Antropologia - IDACOR and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)