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The artistic representation of the estancias of Cordoba was a work begun in the early twentieth century that featured numerous works in all techniques and by several authors, especially architects. This paper intends to present the author of a series of sketches depicting the ruins of the Jesuit Mission of San Ignacio de Córdoba Exercises and artistic reconstruction achieved from a detailed, documental and archaeological study. So far this work was known, but believed an anonymous drawing. We present the background on similar representations of buildings declared an UNESCO World Heritage Site, which did not include San Ignacio, some biographical data of the author and the importance of his work to establish itself as the first archaeological survey, and hypothetical reconstruction of this important Jesuit stay. [ABSTRACT FROM AUTHOR]

The article discusses photography techniques of photographer Sandro Aguilar of a ruined building in Lima, Peru, that was once a hospital. Aguilar is stated to have removed the layers of time with emotional aesthetics using lights and shades. It is stated that Aguilar's photographs are not melancholy as the other photographs on the modern ruin in Lima. His photographs are form of expressionism. The images are stated to place the observer in a visual dimension that works with the force of the imagination of the photographer.