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Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hecho teatral is the property of Universitas Castellae and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Aura. Revista de Historia y Teoría del Arte is the property of Aura Revista de Historia y Teoria del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Grafía is the property of Universidad Autonoma de Colombia, Facultad de Ciencias Humanas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article is intended to collate the text "Orika de los palenques" by Germán Espinosa (2007), taking into account the primary sources that mention the figure of maroons in the colonial period, the anthropologic findings on the issue and the characteristics of the historical narrative that can be traced in the story of the writer from Cartagena. The previous ideas are proposed in order to understand the impact that fiction and reality, as narrative concepts, have in the construction of this particular colonial phenomenon. [ABSTRACT FROM AUTHOR]

Copyright of Romanica Olomucensia is the property of Palacky University in Olomouc and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Certain Wixarika (Huichol) histories locate relations of domination and ancestral powers of transformation in a temporality of power that fuses conventional historical periods and cultural identities. This intercultural historiography embodies what Cadena (2010), adapting Strathern (2004), calls "partial connections" in indigenous cosmopolitics, which produce "a complex formation, a historic-political articulation of more than one, but less than two socionatural worlds". But who gets access to that inter-world? Amid a struggle that deploys mass-mediated images of indigeneity to new publics opposed to transnational mining, in return for public support from outsiders (teiwarixi), Wixaritari renegotiate the requirement of having Wixarika personhood (tewiyari) in order to access the temporality of power. This uneven field of positionings regarding ancestral agency destabilizes (the indigenousness of) ontological alterity. It also underscores the performative production of partial connections in Wixarika geography -the topopoeisis that permeates the images presented here-. [ABSTRACT FROM AUTHOR]

Through the analysis of some episodes of Apuntes para la historia de la Guerra entre México y los Estados Unidos this essay explores the confluence between Mexican Costumbrismo narrative strategies and traditional exemplary history. This confluence updated Ciceronian principles that guided the writing of history during the nineteenth century. [ABSTRACT FROM AUTHOR]

This article analyzes Pablo Montoya's Adiós a los Próceres, based on postnationalism reflections by Bernat Castany. Firstly, I briefly introduce the current discussion about the relationship between literature and nation. Subsequently, I establish two parts of analysis: a "destructive" one, in which I study the work's criticisms to the nation's concept and a "constructive" one, in which I identify Adiós a los Próceres' postnational alternative and its link with the cosmopolitanism that characterizes Montoya's literature. [ABSTRACT FROM AUTHOR]

Copyright of Revista Chilena de Antropologia is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Estudios Colombianos is the property of Asociacion de Colombianistas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the novel by Peruvian author Jorge Eduardo Benavides E l enigma del convento (2014) that develops the theme of the independence wars in Arequipa and Madrid, in light of investigations about the historical narrative and Peruvian literary tradition inherited from Ricardo Palma, and at the regional level of Arequipa from Maria Nieves and Bustamante. After presenting the double historical and police orientation of the novel, the research relates the work to a contemporary context, the literary production and the nomadism of Benavides between Spain and Peru. [ABSTRACT FROM AUTHOR]

Copyright of International Humanities Studies is the property of International Humanities Studies and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)