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Nowadays classroom practice is heavily influenced by an increase in resources linked to Artificial Intelligence (AI), and music education is no exception. Teachers still find difficulties in achieving a balance between content and skills, but, without a doubt, the practical opportunities offered by AI in Secondary Education are motivating for students. The objectives of this investigation are to analyze the experience of teachers in AI, quantify the skills learned by students, and examine the training needs that allow for the didactic use of AI. The focus of this study was on the perception of specialist teachers of music in relation to the resources and utilities of AI. The study was carried out in the Autonomous Community of Madrid, with a random sample of 301 participants, all of them teachers in Secondary Education schools. A mixed, qualitative and quantitative, questionnaire was employed to gather data. Results revealed that almost 40% of the teachers had been in contact with AI tools, around 30% had received training, and, when asked about their knowledge of the educational legislation, 91% highlighted they did not know how AI was articulated legislatively. Regarding teachers' demands in relation to AI, the most common ones referred to software management (60%), classroom resources (19%), and group dynamics (10%). More than 94% considered that it is necessary to increase training in resources linked to AI. [ABSTRACT FROM AUTHOR]

Copyright of Journal History of Latin American Education / Revista Historia de la Educación Latinoamericana is the property of Universidad Pedagogica y Tecnologica de Colombia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Internacional de Educacion Musical is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of RED - Revista de Educación a Distancia is the property of Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

INTRODUCTION. The characteristics of an activity can encourage students to integrate significantly into a social group, so it can be considered an element that stimulates situational interest. Given this, music can become a powerful tool to face educational challenges in multicultural societies and a potential activator of the situational interest of these students. METHOD. Based on this, the "World Music Workshop" was designed as a strategy to stimulate the situational interest of Secondary school students to work on interculturality in multicultural educational environments. In order to carry out this process, a validation was carried out by expert judgment with the method of individual aggregates. Seven teachers (five university professors and two from Secondary school) evaluated the phases and instruments of the strategy. RESULTS AND DISCUSSION. Based on their considerations, modifications were made to the diagnosis and evaluation instruments and new resources were incorporated into the Workshop proposal. [ABSTRACT FROM AUTHOR]

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Miradas is the property of Universidad Tecnologica de Pereira and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Tecnología, Ciencia & Educación is the property of Centro de Estudios Financieros SL and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Internacional de Educacion Musical is the property of Sage Publications Inc. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Human Review is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Many countries incorporate the study of the recorder into the teaching of music in primary education. The students have a group class per week of no more than one hour in duration, being a complex that performs a real individualization of the learning process. After the collective class, the students have to practice at home alone, with the responsibility for their progress in the study falling on themselves. This work proposes the inclusion of a digital tool as a complement to the deficiencies that the teaching-learning process of the instrument presents, as well as a proposal for a study protocol to be followed by the student in their autonomous progress. TThe objective of the computer application is to offer the possibility of listening to the musical piece, showing the score, recording the performances and, finally, providing references and data on the mistakes made, both to the students and to the teaching figure. This information, until now unknown, causes the traditional teaching model to be completely transformed. After carrying out the inclusion and evaluation of both proposals in an educational context, positive conclusions have been obtained that show the substantial improvement of the teaching-learning process of this musical instrument. [ABSTRACT FROM AUTHOR]

Education cannot and should not remain outside the society in which it participates. From educational institutions we must respond to the demands of this new diverse context that demands to promote the development of attitudinal skills. This article reflects on the changes and challenges of today's society and on proposals adapted to this new reality. The link between socio-educational initiatives through art with SL projects is reviewed as elements that strengthen the development of musical content and skills and promote critical and supportive thinking. [ABSTRACT FROM AUTHOR]

Copyright of Revista Entramado is the property of Universidad Libre Seccional Cali and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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The current research aims to identify music teaching criteria applied by women conductors who have experience in children's choral conducting because an existing gap in pedagogical in matters of repertoire selection. The research method holds a qualitative, nonexperimental, and cross-sectional design, using the constant comparative method because criteria are identified through conductor interviews that are centered on repertoire selection for childhood choirs. Results demonstrate that criteria for repertoire selection are based on inferences that conductors make regarding students' musical preferences and difficulties and experiences perceived by each singer. In conclusion, three teaching criteria are identified concerning repertoire selection: musical background, the difficulty level of repertoires, and musical tastes of students. [ABSTRACT FROM AUTHOR]

An attempt to provide new data on the history of music teaching at the University of Salamanca. In this way, several questions will be discussed regarding the methodology, content and resources used, as well as other details, in the music classes of the famous chair of singing until it disappeared at the end of the XVIII Century. All this based on the archive source called Chairs Visiting Books, whose temporal or information limitations will make us focus preferably on the Modern Age, and within it a little more on what happened in the XVI and XVII Centuries. [ABSTRACT FROM AUTHOR]

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Musical Chilena is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article explores the influence of music education in rural young women, based on their experiences as musicians in the San Martín Tilcajete Youth Philharmonic. A qualitative, gender-perspective methodology was used and in-depth interviews and life stories were conducted. The results show that the philharmonic was a project that sought to empower the agency of young women as political subjects, promoting their autonomy through music education. This initiative attempted to influence the empowerment processes of young women; however, there were driving factors such as family support and inhibitors related to traditional gender stereotypes. This led to conflicts, compensation, and negotiations, events that women go through to achieve their autonomy. [ABSTRACT FROM AUTHOR]

Copyright of Ensayos: Revista de la Facultad de Educacion de Albacete is the property of Ensayos Revista de la Facultad de Educacion de Albacete and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of EDU REVIEW: International Education & Learning Review / Revista Internacional de Educación & Aprendizaje is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Ricercare is the property of Universidad EAFIT and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Epistemus. Journal of Music, Cognition & Culture Research is the property of Facultad de Psicologia Universidad Autonoma de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Singing is the most important activity in music education, particularly in the nursery and primary stages. Various authors have emphasized the importance of song in musical education and the overall education of children in the early stages of learning. This study aims to establish whether teachers enjoy singing in class and how often they do so. It also aims to determine how important they believe singing is and how important they believe it is to their colleagues, families, publishers, educational administrators, and society in general. The methodology used is a questionnaire completed by teachers in education centers in Almeria, Granada, and Seville. We can observe that teachers enjoy singing and often use song in the classroom. Conversely, it becomes clear that families and publishers attach little relevance to singing in the classroom and educational administrators and society in general have even less interest in these activities. [ABSTRACT FROM AUTHOR]

The contents multiplicity theme that integrates the repositories of digital educational resources makes these a simultaneously stimulating and enriching didactic material. In fact, they should constitute an undeniable support for the individual differences of students and be an effective source of didactic proposals to be used in the classroom context, acting as an aid to learning and students integral personal development. The present research focuses on the analysis of the repositories of digital musical materials of Musical Education in Portuguese context. The main goal of this study was to find out that open-web portals present digital didactic materials for Music Education and if these expose aspects that enhance its use in the classroom. Through a qualitative methodology and using the technique of content analysis, the contents of the available repositories were in depth analyzed. As a specific goal is to find out if the digital didactic materials for Music Education existing in the open repositories are in quantity and quality that potentiate its use as a resource to be applied in the classroom context. It should be noted that the main conclusions point to the scarce presentation of repositories as well as digital didactic resources made available to the field of Music Education. [ABSTRACT FROM AUTHOR]

Copyright of Revista Internacional de Aprendizaje en la Educación Superior is the property of Eagora Science and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Spanish Journal of Comparative Education / Revista Española de Educación Comparada is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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This article reviews the methods and study books in the history of the flute, from the 18th to the 20th century. It is a journey through the evolution of the instrument and the concerns of the authors who have written for the didactic of it. In addition, it is complemented by information on its current use by Spanish music conservatories, both the methods themselves, as well as the methodologies or ideas that instruct teachers and their choice of books for the class. The conclusions suggest that there is a great correlation between the evolution and the history of flute methods, with the use and class structure that occurs in Spanish conservatories. [ABSTRACT FROM AUTHOR]

Copyright of Revista Musical Chilena is the property of Universidad de Chile and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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This study presents the application of automated analysis processes to digital objects in online music learning, mediated through a telematic platform. Theoretically, the study is based on the application of the principles of e-learning, personalized education and implementation of automated processes for analysing educational data. Specifically, this study taps into the application of such techniques to initial test assessment, with a view to measuring levels of subject knowledge. The analysis of the information is undertaken from the data collected in a tool for making online courses, Moodle. From the analysis of these data a model, called k-means, emerges which classifies the different levels of musical knowledge. The model establishes three profiles regarding acquisition of music knowledge: high, medium and low. [ABSTRACT FROM AUTHOR]

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Copyright of Cuadernos de Música, Artes Visuales y Artes Escénicas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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One of the most widely promoted initiatives for the young during Francoism were the summer camps and summer hostels. These programmes, through the different activities they offered, had the objective of training young girls and teenagers to be religious, healthy, useful and abnegated. The article centres on the research of the musical activities, to assess in which way they contributed to the process of nationalist and gender construction of Francoism. Whit this objective, an analysis of the girl's magazine Bazar has been carried out, including also several books and flyers edited by the Delegations of the Youth Front and of the Women's Section. [ABSTRACT FROM AUTHOR]

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