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Copyright of Aposta is the property of Aposta and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Universitas, Revista de Ciencias Sociales y Humanas is the property of Universidad Politecnica Salesiana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Colombiana de Ciencias Sociales is the property of Fondo Editorial Fundacion Universitaria Luis Amigo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Heterotopia concept, defined by Michel Foucault as another space, is taken up in this article to analyze the processes of construction, management, and implementation of the Museo Itinerante de la Memoria y la Identidad de Los Montes de María, El Mochuelo (Itinerant Museum of Memory and Identity of Los Montes de María, El Mochuelo). Under the premise that the development of memorialization processes must be addressed beyond regulatory compliance by the State since these territorial memory practices in El Mochuelo subvert the statism and homogeneity with which official truths are established. [ABSTRACT FROM AUTHOR]

Copyright of Crítica y Resistencias: Revista de conflictos sociales latinoamericanos is the property of Fundacion El llano - Centro de Estudios Politicos y Sociales de America Latina (CEPSAL) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The fragmentary partition of Roberto Bolaño's 2666 allows us to question the time of a resistance without consolation, for if there is no place for crime and no burial place, memory lacks content. In this register-following a passage from Cicero's De oratore about Simonides where it is clear that the mnemonic principle that allows him to recognize the shattered dead, crushed under the ruins, lies in linking places and names-, it is proposed that in 2666 Reiter appears as a sort of inventor of the art of forgetting. Reiter produces oblivion by changing objects of place or location. In this sense, what Reiter does is not only to subtract an object, but to subtract the place of dis-appearance. Both memory and forgetting, then, appear as faculties, as technical devices, mechanisms or operations where the production of an effect is at stake. By exposing the resources of disappearance -that every disappearance needs to erase the very place of disappearance- 2666 shows that me-mory does not imply the memorialization of something that lies within and that, clean, unharmed, unscathed, unscathed, simply awaits to be discovered or recovered. In Amu-leto or 2666, beyond any archontic principle, memory is inscribed as something that is irremissibly lost at the same time as it is the interruptive gleam of that which, like a flashing index, is suspended on the edge. [ABSTRACT FROM AUTHOR]

Copyright of Academia & Derecho is the property of Universidad Libre - Seccional Cucuta and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Música, Artes Visuales y Artes Escénicas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Historia (07169108) is the property of Universidad de Concepcion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Anuario de la Sociedad Argentina de Historia de la Educación is the property of Argentinean Society of History of Education and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyses the role of law in the mobilizations for reparation, restoration, and recognition of historical injuries and violent legacies caused by colonialism, slavery and racism in the State members of the Caribbean Community (CARICOM). By emphasizing on the CARICOM requests for reparation and restitution, this paper addresses the following three objectives: 1) to expose how the effects of colonial violence are interpreted; 2) to identify who are the main actors and what are the claims arising from these Caribbean mobilizations; 3) to analyze the uses of law implemented by this mobilization and the legal and political positions assumed by the European states. The paper proposes a sociolegal analysis of the legal mobilizations in postcolonial Caribbean countries. This overview of the CARICOM mobilization for reparation and justice will allow us to establish a dialogue about the role of postcolonial states in the process of memorialization of a violent colonial past and about the possibility of decolonial justices in postcolonial Caribbean states. [ABSTRACT FROM AUTHOR]

The processes of memorialization are historic, and depend not only on the historical interpretation but also include how memory is mediated. The appearance of new media implies a new form of developed memory. Although the historicity of memory is taken as a given, the role of media is left unattended in these processes. This article highlights the role of media in memory and focuses on a specific type of memory, namely, filmic memory. I argue that filimic memory is more complex and more strongly connected to subjectivity than written memory. In order to achieve that, the analysis will be carried out through the film Memories of Underdevelopment directed by Thomas Gutiérrez Alea. [ABSTRACT FROM AUTHOR]

Copyright of IBEROAMERICANA. América Latina - España - Portugal is the property of Vervuert Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Romanica Olomucensia is the property of Palacky University in Olomouc and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article examines the use of the Internet as a way of enabling new social agents to produce alternative memorialization projects. These can be understood as multimedia archives that contain private sources not normally accessible by traditional means (such as archives, museums, documentary centres, etc.), and that remain publicly exposed so as to redress memories of Francoist repression. Taking as examples several websites focused on imprisonment and internment, we try to analyse what type of documents can be found there and how such memories are presented and accessed. [ABSTRACT FROM AUTHOR]

Copyright of Espacio, Tiempo y Forma: Serie V, Historia Contemporánea is the property of Editorial UNED and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

War, archaeology, and battlefields. The sites of Cepeda (1859) and La Verde (1874), province of Buenos Aires, Argentina War, a ubiquitous activity in the history of human societies, is a practice whose study has been limited in the realm of the social sciences until recently. In this paper a brief theoretical introduction to the anthropological-archaeological approach for the analysis of this phenomenon is presented using two case studies within historical archaeology: the battles of Cepeda (1859) and La Verde (1874), province of Buenos Aires, Argentina. Research carried out in this type of sites is of special interest for the analysis of the materiality and spatiality of warfare, tactics and strategies implemented by different actors, as well as the current conflicts arising from the commemoration and memorialization of battles. [ABSTRACT FROM AUTHOR]

Copyright of Polisemia is the property of Corporacion Universitaria Minuto de Dios and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ayer: Revista de Historia Contemporánea is the property of Asociacion de Historia Contemporanea and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Acta Sociologica (0186-6028) is the property of Instituto de Investigaciones Filosoficas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

El presente texto recoge las palabras del rector de la Universidad Peruana de Ciencias Aplicadas (UPC) en el homenaje en memoria de Manuel F. Ayau Cordón, realizado el 16 de setiembre pasado en el Campus de Monterrico. El texto recuerda a Ayau --fallecido el 4 de agosto en Guatemala-- como una de las más importantes personalidades del pensamiento liberal latinoamericano. [ABSTRACT FROM AUTHOR]