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Copyright of VLC Arquitectura is the property of VLC Arquitectura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Se presenta un editorial a la revista que discute el impacto de la participación de los editores en la publicación exitosa de revistas con enfoque en la Creación y la dedicación entusiasta del consejo editorial en el desarrollo de la Revista Ginecología y Obstetricia de México (GOM). El artículo también se centra en la visibilidad de las publicaciones dentro de la comunidad científica internacional y la calidad científica de la revista GOM.

Copyright of Estudos Ibero-Americanos is the property of EDIPUCRS - Editora Universitaria da PUCRS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Literatura y Lingüística is the property of Universidad Catolica Cardenal Raul Silva Henriquez and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Intersecoes: Revista de Estudios Interdisciplinares is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of IBEROAMERICANA. América Latina - España - Portugal is the property of Vervuert Verlag and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The objective of this research was to study the transformations in the way of working and in the journalistic routines in the main digital media in Chile and Colombia. It investigated how journalistic routines were forcibly modified due to the restrictions imposed by the Covid-19 pandemic and what job challenges inherent to the profession journalists from these media had to face. The six most read news portals in each country were chosen according to the Alexa.com ranking. Twelve semi-structured interviews were conducted with editors and directors of digital press media to make a comparative study. The main results show that journalistic routines were adapted to the contingency. Some changed notably, such as access to sources and the relationship with the interviewees, teleworking and the use of technologies to collect and produce news. Others were strengthened, such as the editorial meeting and the editor's relationship with his work team. It is concluded that the media played a fundamental role during the pandemic by informing citizens about health measures and counteracting the fake news disseminated by social networks. In a way, journalism has once again grown in credibility and trust and the classic routines of journalism have been strengthened. [ABSTRACT FROM AUTHOR]

Objective: It is the responsibility of the media, as a public service, to adapt to the multimedia technological reality, in order to continue to carry out their informative work effectively. However, any process of change in an organization implies an initial resistance and a process of adaptation by the professionals. We analyze the process of resistance to change, its causes, consequences and possible prevention strategies, through real situations in an audiovisual media (RTVE). Methodology: Systematic bibliographic review of the literature on resistance to change in the media in the face of the introduction of new technologies and the experience published on three scenarios: A new Digitalized and Centrally-accessible Information in territorial centers and effects of the COVID-19 pandemic. Discussion-Results: Mechanisms involved in resistance to change are exposed, such as certain characteristics of the professionals (professional career, experience with new technologies) and of the process (role changes out of the professional's comfort zone). The mechanisms of opposition to change (strikes, disguised rejection) and the preventive strategies that were effective (involvement of professionals in the design of the process, effectiveness of facilitators or positive reinforcements in the form of incentives) are presented. Conclusions: The professionalism and seniority of the staff could have contributed to the rejection of the change, although it has guaranteed to implement it with little conflict. As effective strategies to overcome resistance, positive reinforcement, involvement in the design of professionals and the increase in two-way communication based on the technologies themselves (social networks) are presented. [ABSTRACT FROM AUTHOR]

Copyright of Secuencia: Revista de Historia y Ciencias Sociales is the property of Instituto de Investigaciones - Dr. Jose M. Luis Mora and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

el texto reconstruye dos etapas de la editorial Oveja Negra que van desde su fundación, en 1968, hasta la década de 1980. A partir de las prácticas editoriales de cada una de dichas etapas, se observa la relación de la editorial con la configuración del campo literario del momento y, de manera especifica, con dos fenómenos de la historia de la edición en Colombia: el llamado "auge del libro de izquierda", en las décadas de 1960 y 1970, y la masificación del libro en la década de 1980. [ABSTRACT FROM AUTHOR]

This paper has a double purpose, namely: on the one hand, to illustrate a part of what the author -in his capacity as editor of scientific journals- receives as a criticism, commentary or questions, whether from the readers, as of other actors who are involved in the realization of a journal. On the other hand, it is exposed what the author thinks about who are the makers of a university scientific journal and the roles and competences of the teams that make it. The background of the issue is the tensions generated in the editorial teams, from the introduction of new technologies in the ways of working and the incorporation of editing standards emanating from national and foreign scientific evaluation bodies. [ABSTRACT FROM AUTHOR]

The figure of the publisher in the 16th century is analysed from the perspective of the actions he carries out in his work. In order to do this, firstly, his figure is presented within the editorial process of the time; secondly, his activity in that process is analysed. This analysis is based on documentation preserved from three perspectives: economic, technical and legal. It is concluded that the intervention of the publisher in the process of producing the book is much more important than has been thought so far. Consequently, the publisher has more responsibility for the morphology and appearance of the book than was previously thought. It is therefore necessary to study the publisher in greater depth, in order to define the degree of participation in the production of a given edition. [ABSTRACT FROM AUTHOR]

The expansion of social media forces the communication of science and scientific journals to adapt to this new environment. Previous studies and theoretical models such as Utaut and Utaut2 have proven that there is a relationship between the perception of future performance of technology (performance expectancy), the difficulty of use (effort expectancy) and the social influence to which the individual is subject, on the real use of technology, but there is still scarce research about the mechanisms that cause this effect. Starting with Utaut, the hypothesis is that there is an indirect conditional effect of the performance expectancy, the effort expectancy and social influence, over the actual use of social media in scientific journals, where the effect is driven through the intention of use and the size of the effect is moderated by gender and age. A survey was carried out on 300 editors of the top 20 in Social Sciences of the Google Scholar ranking. Confirming partially Utaut, the results of moderated mediation show that performance expectancy and social influence of editors affect the use of Facebook and Twitter, through the intention to use, but it is not the case of ResearchGate, Academia and Linkedln. There is not enough evidence about the moderation of age and gender. [ABSTRACT FROM AUTHOR]

Copyright of Question (1669-6581) is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Between 2002 and 2012 some investigations were carried out that concluded that Chilean journalists lacked independence and autonomy when carrying out their work. In them, it was found that there were influences of its editors, in addition to the pressures exerted by the company and the sponsors. The aim of this paper is to analyze some of the influences of journalists, 15 years after the beginning of this research. It is intended to evaluate the conclusions of previous research and add another factor: the effect of social networks as a new element of pressure. In-depth interviews were conducted with eight journalists who worked as reporters on various national media. The elected journalists were young, precisely to evaluate new opinions regarding perceived autonomy. It was concluded that, for half of the interviewed journalists, the economic pressures of the owners of the company lack autonomy; Most do not feel pressured by their editors and social networks mean, for half the interviewees, a factor to take into account in their publications. [ABSTRACT FROM AUTHOR]

El artículo presenta un discurso de Saúl Sosnowski en el Primer Encuentro de Editores de la Asociación de Revistas Literarias y Culturales en Santiago, Chile, el 3 de agosto de 2015. Sosnowski habla sobre el rol actual de los editores en la publicación de periódicos en la era digital.

Copyright of Revista Venezolana de Gerencia (RVG) is the property of Revista de Filosofia-Universidad del Zulia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article examines the role that conservative editors, particularly José María Vergara (1831-1872), played in the formation of the literary field in Colombia during the decade of 1860. His work as editor and publisher facilitated the preservation of an important corpus of short narratives, still recognized as part of the nineteenth century literary canon of Colombia. The newly created editorial spaces for the rising number of Colombian writers sought to provide an opportunity for literary expression void of politics. [ABSTRACT FROM AUTHOR]

Copyright of Tiempos Modernos is the property of Tiempos Modernos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ciência da Informação is the property of Instituto Brasileiro de Informacao em Ciencia e Tecnologia (IBICT) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article in the Forced Migrations magazine reports on various aspects related to the publication. It mentions that there have been changes in the editorial team, with the addition of Olivia Berthon as deputy editor and Alice Philip as editorial director. The mailing list is also updated for subscribers to indicate whether they want to receive the printed magazine or the digital version. Additionally, it is announced that there will be vacancies on the International Editorial Board and it is reported that Professor Alexander Betts will be the new director of the Refugee Studies Center. Finally, readers are invited to follow the magazine on LinkedIn and other social media platforms to stay up to date with the news. [Extracted from the article]

The article presents the author's views on the publishing of periodical "Anagramas Rumbos y Sentidos de la Comunicación." Topics discussed include its publishing process, involvement of the Ibero-American researchers in it, its importance in the field of communication, its academic projects and theory of knowledge in communication sector.

Copyright of Perífrasis. Revista de Literatura, Teoría y Crítica is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper aimed to analyze the scientific methods used for measuring the quality of scientific journals and evaluate selected indicators to determine the success critical factors for improving editorial process. In the research the scientific methods were used, the expert magazine valuation was made and a literature review was conducted. The result of the study of quality indicators to improve the editorial process of the Journal Avances was shown, considering the difficulties of managing them in digital magazines. Selected indicators were evaluated and success factors were determined. It was emphasized the need to strengthen this process where the contributors, the technological and information resources and the skills, knowledge and ethics of the participants are essential to meet the challenges of the new times. [ABSTRACT FROM AUTHOR]

Se presenta un obituario para profesor y director de la revista "Scripta Theologica" Lucas Francisco Mateo-Seco.

This text is the author's personal testimony about his experiences over almost a decade of friendship, learning, and work on the journal of philosophy and humanities Xipe Totek, under the direction of Jorge Manzano. The testimony is divided into four parts that highlight Jorge's personality, influence and importance: as editor in chief, as manzano (apple tree), as philosopher priest, and as wise friend. [ABSTRACT FROM AUTHOR]