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Copyright of Revista Signos is the property of Pontificia Universidad Catolica de Valparaiso and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Based on the analysis of the spatial dynamics of crime in a small Ecuadorian territory, it is proposed to identify the coercive practices of drug trafficking, in certain characteristics, as a primitive form of the constitution of modern States, in history. Together with the Ecuadorian Police, ethnographic and quantitative-qualitative tools are implemented in a conflictive territory between the cities of Manta and Montecristi. The transformation of community relations is described, and it is observed that drug trafficking builds a structure of coercion, surveillance and fear to accumulate power, corresponding to the classic theory of Foucault on the panopticon and Elías on the self-coercive and legitimizing nature of drug trafficking. state power. It describes how the disciplinary and frightening surveillance circles advance favoring small groups associable to relatively prosperous means of production. [ABSTRACT FROM AUTHOR]

The article has as main objective to discover where were Spanish dots before becoming for flamenco and find their traces in the commerce of Spain. To do this the research we will focus on the formation of the Spanish nation between 1750 and 1847. The main method of research has been the reading of images and graphic material related to gypsies, ballet and flamenco. We were immersed in the history, the etymology and semiotics of the word to find the source of the polka dots in the print of the typical flamenco dress in Spain. In the beginnings of flamenco, it was not uncommon to see a flamenco dressed with dots. The gypsy wore skirts plain or with other prints such as paintings vichy. To find the reason of this event we have focused on the evolution of the textile industry which has led us to the evolution of the rules of tariffs in the customs and this is how we were able to see that theyhad vetoed the entrance to the trade in Spain, considered as foreigners since 1792 intermittently until 1841. During that time, the noun acquired negative connotations in Spain, assimilating to sin or defect. The little time that flamenco out conforming, dots began to be seen between the fashion of the Spanish women. [ABSTRACT FROM AUTHOR]

Copyright of Medicina (Buenos Aires) is the property of Medicina (Buenos Aires) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)