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Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del CILHA is the property of Universidad Nacional de Cuyo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (0185-3481) is the property of Universidad Iberoamericana Cuidad de Mexico and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Lejana: Revista Crítica de Narrativa Breve is the property of Lejana: Revista Crítica de Narrativa Breve and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Index: Revista de Arte Contemporaneo is the property of Pontificia Universidad Catolica del Ecuador and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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Copyright of Revista Punto Género is the property of Revista Punto Genero and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios de Teoría Literaria is the property of Estudios de Teoria Literaria and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This paper analyses the agencements between Artaud's work and the unfolding of some of his concepts operated by Deleuze in the field of immanent thought. Starting from Pour en finir avec le jugement de dieu and the poetics of cruelty, Artaud develops the "Body without organs", which declares combat against the anthropocentric organism, in the name of pre-individual freedom, the end of judgment, and the demand for a history of the impossible in language. Outside and becoming, stuttering and schizophrenia as a style, find in Deleuze singular ethical-political problematizations through literature as a health enterprise. With this aim, we contrasted above all Grossman and Blanchot's readings about Artaunian's silence and suffering with Deleuzian thought without image, in order to explore the real metamorphoses that take place in the midst of this anti-mimetic, non-teleological, non-identitarian artistic process, which questions the limits of the ontological, promoting multiplicity in the plan of creation. [ABSTRACT FROM AUTHOR]

In this article, we address the question of power in Deleuze's thinking. According to our hypothesis, there is not a single concept of power in his work, but different approaches (power as a stratum, control, judgment) not incompatible with each other but that cannot be reduced to a single point of view. This variety of approaches can be gathered around two general positions about power, adopted by Deleuze: first, he tends to relativize its effectiveness with respect to other more fundamental elements (desire, flows, lines of flight, inorganic vitality), thus enhancing the limits or impotence of power; second, he takes away value in relation to other entities and processes in which he places his philosophical commitment (creation, becoming, puissance). We intend to develop these perspectives in order to offer a comprehensive overview of a relevant theme of Deleuzian political philosophy. [ABSTRACT FROM AUTHOR]

Copyright of Revista Fotocinema is the property of Revista Fotocinema and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Tropelías: Revista de Teoría de la Literatura y Literatura Comparada is the property of Prensas Universitarias de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Filosofía (0034-8244) is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Guillermo de Ockham is the property of Revista Cientifica Guillermo de Ockham, Universidad de San Buenaventura and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Auster is the property of Universidad Nacional de La Plata and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Considered one of the most complex categories in Søren Kierkegaard's thought, the repetition continues to raise much restlessness within his own authorship. Although about this category we find some first sketches in an unfinished book called Johannes Climacus or De homnibus dubitandum est, much later Kierkegaard will return to the category of repetition in his writing of the same name: Repetition, a peculiar work, very difficult to understand in its own dynamics. For this reason, in this essay we propose an interpretation of the category of repetition in relation with that text, to understand why repetition is a spiritual category as Kierkegaard himself thought it, starting from the idea that for the Danish philosopher the repetition is what can be called a "philosophy of the future". [ABSTRACT FROM AUTHOR]

Copyright of Escritos is the property of Escritos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Critical Hermeneutics: Biannual Journal of Philosophy is the property of Universita degli Studi di Cagliari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Filología Clásica: Estudios Griegos e Indoeuropeos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nomadas (01217550) is the property of Universidad Central and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Quaestiones Disputatae is the property of Universidad Santo Tomas, Seccional Tunja and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Critical Hermeneutics: Biannual Journal of Philosophy is the property of Universita degli Studi di Cagliari and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Literatura y Lingüística is the property of Universidad Catolica Cardenal Raul Silva Henriquez and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The notion of phenomenological epoché has been often compared by Husserl himself to a sort of religious conversion. This comparison, however, has been usually regarded as nothing more than a mere accidental statement. On the contrary, the Italian philosopher Enzo Paci particularly highlighted this meaning of epoché. He stressed its importance in Husserl's phenomenology since the end of the 1950s, and it is worth noting that he drew great attention to such notion right in the framework of the issue of religion. Such issue concerns the contradictory tension between the becoming structure of experience and life (both human and natural in general) and the Allzeitlichkeit to which the religious belief refers. Husserl himself raises the same problem in one of his E manuscripts. According to Paci, the notion of epoché proves useful to mark out the sense of religious experience as a constant renewal practice, avoiding any substantial definition of the domain of faith. [ABSTRACT FROM AUTHOR]

Copyright of Tópicos is the property of Asociacion Revista de Filosofia de Santa Fe and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In this article we reflect on the phenomenon of waiting, interpreted in our own context, but drawn from a text by Heidegger. The text implies that the bored person is waiting for the moment in which something will, as they presume, dissipate their boredom. We will proceed to show the internal structure of time as a lived experience of the phenomenon of waiting while bored, and how this time is existentially configured as pain. To do this, the temporal structure of such waiting will be examined phenomenologically to demonstrate how it transforms the existence of whoever is waiting while bored. [ABSTRACT FROM AUTHOR]

Copyright of Revista Kavilando is the property of Kavilando and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

"Hegel and Deleuze: philosophies of nature". Beyond their differences and conceptual tensions, Hegel and Deleuze share the effort to conceive a Philosophy of Nature that distinguishes itself from the scientific knowledge of their time-with which they nonetheless relate. This paper follows the order of exposition of the section "Organics" from Hegel's Encyclopedia of the Philosophical Sciences in order to relate it to three chapters of A Thousand Plateaus, by Deleuze and Guattari. Thus, the geological nature, the vegetal and the animal are each confronted to "the geology of morals", the rhizome and the animal-becoming. As a result, the supposed chaotic Deleuzian standpoint reaches a progressive ontological determination where the actual forms gain significance, while the rigid great chain of being that often conditions the Hegelian perspective makes room for the anomalous and the singular. [ABSTRACT FROM AUTHOR]

The reading of the Hegelian philosophy becomes arduous when we do not know noetic notions of the development of their system; one of them is the opposition understood as a sense of unity and not as an isolated opposition. For this it is fundamental the understanding of its genesis studying aspects such as Being, Nothing, Becoming that have been developed in this article in order to interconnect all aspects in the elevation of Spirit proposed by Hegel. Namely in overcoming the divisions and therefore in the unification of the opposition to have as a result a more genuine reality that contemplates the difference and its unification. [ABSTRACT FROM AUTHOR]

Copyright of Co-herencia is the property of Universidad EAFIT and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present work proposes a course through the concepts of "childhood", "becoming" and "helpers" concepts as they are thought by W. Benjamin, G. Deleuze and G. Agamben and articulate them with experiences taken in diverse Philosophical communities of a School in Argentina, Joan Miró, in Funes, Santa Fe. Children's philosophy in the College Joan Miró tries and is encouraged to Reign. In bringing the unfulfilled to its possibility, in thinking the unforgettable forgetfulness of our existences, of philosophy, its philosophers, its vicissitudes, every day, every knowledge, every word, every thing. n an introductory first moment, the difference between "experience" and "story" is marked, then the work goes into the concepts of "helpers" and "kingdom" from the events in which they take place in Benjamin's work and in the Agambem categorizations. Before finally devoting ourselves to the experience of the aforementioned concepts that it is our purpose to expose, the article makes a passage through the concepts of childhood and becoming as understood by Deleuze and Gagnebin. I choose the form of the Essay, which crosses the experience, almost, trying not to separate from it, by objectifying it. Rather, experience themselves writing the one that has taken place and exposes themselves, again, in an indefinite, intermediate time, which unfolds even in his reading, and thus, forms part of the event. [ABSTRACT FROM AUTHOR]

This article makes a brief presentation of the critique of Gilles Deleuze's philosophy given by the French philosopher Quentin Meillassoux, initiatior of the so-called speculative realism (one of the names for the new realism that currently spreads over the philosophical scope). The latter critiques the insufficient character of the conception of immanence held by the former. Firstly, I give an account of the arguments offered by Meillassoux, and, then I reflect on the discussion about immanence regarding the problem of meaning and the limits of atheism, as a general feature of modern thought. [ABSTRACT FROM AUTHOR]

This paper arose from the invitation to take part in the scientific cycle in APdeBA in the year 2014. The theme, "APdeBA in a changing world: inertia and transformations", was in line with the IPA Congress that was to take part in Boston the following year. This text questions the way we think about change and the underlying logic behind the words "in the face of a changing or transforming world", proposed by both institutions. It offers a description of the binary logic upon which Western thinking constructs identity and which allows for the construction of universal categories, such as positivism, modernism and transcendence. There is also some theorizing on the topic of why we think the way we think. In order to reflect upon change from the perspective of becoming (dévenir) and in constant movement, the text discusses notions like Différance by Derrida and Rhizome by Deleuze. This is done in order to question psychoanalysts and psychoanalysis itself on the conditions of contemporary subjectivity. [ABSTRACT FROM AUTHOR]

"From the Knight of Faith to the Becoming-Imperceptible. Drifts of Abraham's Myth between Kierkegaard and Deleuze". This article aims to comprehend Kierkegaard's theory of the movement of faith through Deleuze's theory of becoming. At the same time, it aims to understand Deleuze's theory of becoming in the light of Kierkegaard's thought, mainly through his reflections on Abraham and the concept of anxiety. It will show the way in which the conceptual character of the knight of faith works as a possible variation of one of the most original concepts of Deleuze's work: the becoming-imperceptible. This crossing of concepts allows us to shed light on the problem of thinking a theory of the subject that takes into account the intensive movements that escape the logic of representation; and also the deleuzian search for a renewal of philosophical ways of expression. [ABSTRACT FROM AUTHOR]

Copyright of Contrastes: Revista Internacional de Filosofia is the property of Contrastes: Revista Internacional de Filosofia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Eugen Fink proposes 5 fundamental phenomena of human existence, which are the following: death, work, dominion, Eros and play. In this article we are dealing with two of them: play and death. How to highlight some of the key features of these phenomena -play and death- it may be said of the first that stands out above all the fantasy, fiction, and both in turn related to the specifically playful structure of the as-if. Spontaneously the child plays as-if he was police, thief, king, plebeian, father, mother and even child, i.e. the child passes naturally to fictional worlds. And the same will do later on the professional actor. This shows at the same time the relationship between play and art. In the case of death, in the first place should be noted its condition as a fundamental philosophical phenomenon, since it is associated with the conception of being as becoming, which implies that everything that is, is determined by the coming to be and the passing away. Death has therefore a unique proximity to being, as with the nothing, and also with the question about meaning [ABSTRACT FROM AUTHOR]

This article proposes that Martín Rejtman's film and literature share the same "aesthetics of inertia." This aesthetics gives rise to a particular kind of narration that does not follow any rule of causality, but rather is based on its own logic of the unexpected by situating itself in a realm of the becoming. The foundation of this aesthetics lies in its mobility, which is provoked by a concatenation of events that lack a concrete cause or finality. Using this aesthetics of inertia engenders a way to perceive and build a world free from motivations through which Rejtman exhibits his viewpoint of the present. [ABSTRACT FROM AUTHOR]

In this essay review I mainly discuss Yourgrau's defence of Gödel's argument for the irreality of time. I find that the argument rests on several questionable assumptions about time and time's relation to the theories of relativity. [ABSTRACT FROM AUTHOR]

Through the path of hermeneutics, which analyzes by means of the comprehension and explanation of the senses of a text: in this writing we will make a reconstruction of the genesis of Ingano knowledge. For such a question we will begin with the specific Topos (geographical place —Putumayo- in which the above mentioned knowledge is expressed) as plane of immanence to manage to interpret and to articulate the processes of thought, taken root in the common living — becoming characterized by its specific form of taking out from territory, as its coming in to territory from alternate states of conscience. Hereby, we will be able to glimpse the group's cultural imagination as another way of being that affirms the heterogeneity. [ABSTRACT FROM AUTHOR]