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Copyright of Revista de Psicoterapia y Psicosomática is the property of Instituto de Estudios Psicosomaticos & Psicoterapia Medica and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios Filosóficos is the property of Estudios Filosoficos and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runas. Journal of Education & Culture is the property of CICSHAL - Centro de Investigaciones en Ciencias Sociales y Humanidades desde America Latina and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos de Filología Clásica: Estudios Griegos e Indoeuropeos is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The aim of this pages is to outline the poetic work of one of the most eminent female voices of Uruguayan literature in the last century: Idea Vilariño. We will delve into some issues related with her literary work and establish a hypothesis that allows us to go through her poetic work. We will delve into her poetics by developing a concept that we have decided to call "poetics of absence", defined as the expression of absence in different degrees. This particular form of poeticising is made effective through different mechanisms, thanks to which we will also be able to determine a series of zones or stages within her poetry in the light of our hypothesis. [ABSTRACT FROM AUTHOR]

Hurricane Season by Fernanda Melchor (2017) portrays countless voices coming from stagnant bodies in a liminal state that cannot be represented historically because they are traversed by a paralyzing violence. When traditional History is not enough to explain the connotations of that violence in a small Mexican town, gossip arises among people, mainly because gossip can relativize the facts, challenge institutional imposition, and generate solidarity among those who have lost all hope. The main goal of this article is to analyze gossip as a stylistic resource employed by this female Mexican writer. The transgressive power of gossip is explored in the hands of who has been considered its greatest creator: women. Gossip in Hurricane Season reveals the violent suppression caused by the oligarchic, hegemonic, and scientific historical narrative. Through various studies on gossip, it is established as a feminine literary resource, voice of anomalous bodies and a historical representation of absence. [ABSTRACT FROM AUTHOR]

From a reading of the poem 'Depart' [Fortgehn] by Rainer María Rilke, the gesture of departing, respectively going away, leaving behind, is developed as a gesture not only of this particular poem or of Rilke's poetry, but of the language in general. Through the examination and deployment of the formal properties of the poem, including its syntax and metrics, as well as the literality and letterality of the words, the field of language is characterized as a sphere not only deprived of any privileged relationship with the domain. of being, but even disarticulated from it. 'Depart' describes and executes the unfundamental or affigural gesture of the tongue, as exhibited by the Fort particle --which is closely related to the famous reel game described by Freud-- and the horror or fright at the dislocation [Entsetzen] inherent to language. [ABSTRACT FROM AUTHOR]

The absence, considering it from a causal point of view, allows us to articulate a panentheistic model from which the divine self- withdrawal turns into the beginning of the creation act allowing the ontologic emergence of a new reality. It is the absence the one that allows, at first, God’s kenotic action that holds the autonomous unfolding of the world that seeks God in order to get the lost plenitude. [ABSTRACT FROM AUTHOR]

Copyright of Cuadernos de Música, Artes Visuales y Artes Escénicas is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Al-Adab / Al-ādāb is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Generally speaking, the panantheistic model leaks from the necessary deep seek of the causality which through God acts in the world. Just after suggesting the explanatory model, a mention of the downward casuation is made without really clarifying what it is. We defense the necessity of beginning with the causal reflection and, just after, articulate the panantheistic model. Under this task, we find the absence as a key element which allows us to fit the different pieces, the ones that explain the divine action. [ABSTRACT FROM AUTHOR]

The study develops a detailed description of the experience of the listening to silence and the conditions for this are given; It shows some of the musical experiences linked to that listening and reports the motives to practice them. In turn, it makes clear the role played by the listening to silence to our understanding of the world. [ABSTRACT FROM AUTHOR]

Copyright of Sociology & Technoscience / Sociología y Tecnociencia is the property of Universidad de Valladolid, Escuela Universitaria de Educacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imagofagia is the property of Imagofagia - AsAECA and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estúdio (1647-6158) is the property of Revista Estudio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Croma is the property of Revista Croma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This reflection is at the original tension of consciousness with its counterpart, that is, of consciousness as consciousness of something. On this pillar of Husserl's phenomenology, Sartre builds the structures for itself, in the second and third part of Being and Nothingness will frame the tension between human and nothing for itself and the in-itself as massif being. That awareness therefore becomes a consciousness of anything as reflected consciousness, allowing it to put in place in the ontological relation to being an absence in the full understanding of the human condition. In this perspective an ontology of human action as building personal always be postponed, that is, absent will be built. This reflection intended, therefore, a reading of the text linking intentionality as a pillar of phenomenology with the concept of absence as underlying tension between in-itself-itself. The text is divided into three stages: nothingness, absence and being; absence as creative negativity; the ontological act. [ABSTRACT FROM AUTHOR]

Copyright of Mélanges francophones is the property of Galati University Press and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

I will approach this article about the last 25 years in Venezuelan sociology from three perspectives; the first one is a review of sociology as an academic career and a profession, with some data that has remained unnoticed (feminization, occupational destiny), the contents in sociology schools -curriculum and syllabus, areas of knowledge, undergraduate thesis topics, sociology congresses- that enable us to characterize these curricula; the second one is the absences in these syllabi which represent women's invisibility -female sociologists who have been excluded from the mandatory bibliography and from the discipline's history- and the absence of Women's and Gender Studies and of Feminism; and the third one: a proposal of formally incorporating Critical Feminist Social Theory and Gender Studies to any curriculum or syllabus as requirement for studying sociology, in order to start overcoming the effects of institutional sexism in sociology schools. This article is mostly documentary, but it is also the result of my experience as a female sociologist and militant of Venezuelan socialist feminism. [ABSTRACT FROM AUTHOR]

Copyright of SituArte is the property of Universidad del Zulia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Generalized Genetics Epilepsy (GGE) is classified into various sub syndromes based on the age of onset, clinical and electroencephalographic characteristics; corresponding between 15 to 20% of all epilepsies in children and adults. The main feature of the EEG is the presence of bisynchronous, symmetric generalized spike-wave complex on a normal background activity; although the presence of focal, irregular discharges are not uncommon. Animal and human available data indicate involvement of the thalamo-cortical circuits in the generation of generalized spike-wave complex in GGE. Circadian variations of seizures and generalized epileptiform discharges are well described and may be useful in diagnosis. Seizures occur often associated with awakening. Performing routine activation procedures in the EEG (hyperventilation, photostimulation, eye closure) increases the yield in the identification of ictal and interictal abnormalities. Early and accurate identification of the GGE is crucial for the establishment of the indicated antiepileptic treatment and improve the clinical prognosis. [ABSTRACT FROM AUTHOR]

Copyright of Revista Internacional de Humanidades is the property of Common Ground Research Networks and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of eHumanista is the property of Professor Antonio Cortijo-Ocana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista CES Derecho is the property of Universidad CES and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Constelaciones (2340-177X) is the property of Fundacion Universitaria San Pablo - CEU and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista Croma is the property of Revista Croma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This research explores the obstruction of visuality as an aesthetic gesture that we have observed repeatedly in new media art, which often uses emerging media technologies to make quiet visual zones flourish. The study is based on the following hypothesis: new media art allocates the aesthetic possibilities of digital registration and creation to call on something related to emptiness. To develop this research we have followed a hypothetical-deductive method. We formulated the hypothesis through a previous exploration of cultural practices in media art and then we tried to compromise it through the analysis of a corpus of photographic and videographic practices, reading them from the aesthetic and philosophical tradition of art. [ABSTRACT FROM AUTHOR]

It seems that there is no place for aesthetics in a conflictive context such as the Colombian one; however, local artists have insisted on hinting at those aspects of the real that we turn our backs on in order to protect ourselves. In this order of ideas, the article highlights the ethical nature of a series of Colombian video art works that "make a statement" regarding the socio-cultural conditions in which they arose. Appealing to memory, absence, and voice, it seems that these works seek to startle and produce anguish in their viewers by presenting an abundance of banal texts and images offered by the media (including the already famous signifier, "post-conflict"), which distract us from the horrors of war. [ABSTRACT FROM AUTHOR]

Copyright of Estúdio (1647-6158) is the property of Revista Estudio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estúdio (1647-6158) is the property of Revista Estudio and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The broad sense of the term melancholia as used today brings it close to the concept of depression. This article establishes the limits and particularities of psychiatric discourse and proposes a psychopathological analysis of melancholia. The distinction between depression and melancholia is clinically relevant since the particular listening of the non-substantiality of the object indicated here involves the analyst's capacity for regression rather than for empathy and understanding. The focus on the somatic dimension of depression (insomnia) is also clinically important. [ABSTRACT FROM AUTHOR]

Copyright of Ars Bilduma is the property of Ars Bilduma and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The subject matter of study whose main source of motivation fraud in the disposition or encumbrance of conjugal society. The provision for a spouse of property acquired in joint property is no problem, it is clear that for this you must have a special power. However, when the record is made with the DNI, where he or the spouse listed as single, then find a fact at odds with the good faith, i.e. an asset is recorded as its own, i.e. as single, when in fact acquired social good within marriage. In that sense, it is important to determine whether fraud disposition or encumbrance of assets of the conjugal partnership, without special power of the other is a legal void, voidable or unenforceable. [ABSTRACT FROM AUTHOR]

This article discusses the philosophy of 20th century French Jesuit and scholar Michel de Certeau regarding Christianity and, in particular, the Jesuits. The author comments on the concept of religious identity according to de Certeau and describes the dichotomy that exists between the secular and the religious worlds. He also considers the role of knowledge in the life of the Jesuits, especially the study of the social sciences, as well as the concerns relating to the secularization of the field.

The relations hips between the image and the memory have been one of the most relevant subjects, in the critical, theoretical and academic reflection, in the last decade. This refers specially to those manifestations connected to the traumatic memory. Photography and cinema, among other artistic expressions, have faced the way in which the violence's memory and its features are revealed not only through the places, objects and bodies of the victims but the later generations. In this way, both memory and post-memory coexist and nourish many modern artistic practices in Latin America. In this paper, we are going to study some works created by several Argentinean artists and filmmakers in which the corporality (the absence of ones' bodies) plays an essential role. On one hand, we are going to talk about the violence victims' (im-) possibility of representation, and on the other hand, we are going to talk about the resignification of the temporality through this kind of works. [ABSTRACT FROM AUTHOR]

The appearance of the first Summæ medieval and later with the work of the commentators and commentators warns new guidance in procedural matters, aiming in front of the old process of municipal charters, the introduction of the old procedures special entry which will, as a matter of generality, the effective exercise of ius puniendi by royal authority, which will relegate interests-the private satisfaction or punishment, in favor of a more punitive state action. In this sense they can be illustrative of the headings of absinthe defendant, De contumacibus, Dolo et contempt, or, among others, in absentia, which are collected the various treaties of forensic practice, where, again, the process reaches absentia entity their own. [ABSTRACT FROM AUTHOR]

Copyright of Laguna: Revista de Filosofía is the property of Universidad de La Laguna and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article focuses on the reflections of French philosopher and historian Michel de Certeau. The author discusses the relationships between mysticism, historiography, language and reality as they pertain to a historian's understanding of his work and the subject he wishes to study. Topics analyzed include the ability of language to grasp reality, mysticism's place within de Certeau's social framework, and the psychoanalytical, Christian and political nature of his studies. These topics are applied to the practice of historiography as a way of capturing and understanding the past.

The present article comprises the totality of the work of the poet barranquillera Meira Delmar. In his eight published books they study his constant subject matters and symbolic that they turn this work into relations of cultures and of styles and XX shows the sensibility of a Caribbean woman of the century. He does emphasis, equally, in the importance to go into women's work paradigm of poetry in Colombia. [ABSTRACT FROM AUTHOR]