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Copyright of Dearq is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dearq is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Dearq is the property of Universidad de los Andes and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the construction of the New Gate of Triana of Seville, demolished in the nineteenth century, like others. The data provided confirm the participation in the works since 1585 of the Granada architect Asensio de Maeda and the Abulense Diego de Velasco. Also, the new documentation found in the Provincial Historical Archive of Seville allows the advance in the full study of the commission, abounding in the knowledge of the constructive and administrative operations that made the work possible, making known who were the stonemasons who extracted the stone, the amount of this and the payments established. [ABSTRACT FROM AUTHOR]

This article presents the work on the personal documentary collection of the architect José Vial Armstrong (1926-1983), part of the founding group of the School of Architecture of Valparaíso. This was based on identifying, reviewing, organizing, and classifying almost a thousand unpublished theoretical documents, providing new insights into his individual work and role within the group. Considering the proposal to revisit the sources of modern architecture, according to Panayotis Tournikiotis (2014), this article aims to demonstrate how the study of Vial’s documentary collection would make the author visible in the historiography of modern architecture in Chile, as well as to understand the role of the architect within the School to which he belonged, and, therefore, to review new information about this institution. [ABSTRACT FROM AUTHOR]

Copyright of En Blanco: Revista de Arquitectura is the property of Universidad Politecnica de Valencia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Sinfonia Virtual is the property of Sinfonia Virtual and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The article in the EGA Magazine focuses on the exhibition "Processes and events referred through architectural graphic expression" by the Estepa Rubio brothers in Zaragoza. The exhibition, which will be open from June 13 to September 27 at the Official College of Architects of Aragon, highlights the importance of drawing in the design work of architects. In addition, it mentions a story of three dreams by architect Alberto Campo Baeza, where he reflects on architectural and personal themes. [Extracted from the article]

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of VAD: Veredes, Arquitectura y Divulgación is the property of Alberto Alonso Oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Investigaciones Historicas is the property of Universidad de Valladolid, Facultad de Filosofia y Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

In an intended historical approach to the architectural drawing in Spain in the 20th century, the presence of one of the most important national figures in the discipline and the most awarded living Spanish designer is undoubtedly mandatory: Rafael Moneo Vallés. Anyway, it is difficult to address this topic that has already been addressed by relevant authors and about which the architect himself has dedicated time in his interviews, focus on his exhibitions and reflections in his books. We will review the important issues that have occurred around drawing in the architect's life, we will contrast his written and expressed opinions with some of his most relevant graphic production and we will draw conclusions that allow us to provide a transversal reading of drawing, to which Moneo attaches extraordinary importance as Franco Taboada already put black on white in this same magazine regarding a retrospective exhibition of Moneo's work (Franco Taboada, 2014). [ABSTRACT FROM AUTHOR]

The Colombian architect German Samper Gnecco internalized the methodology of drawing motivated by his meeting with Le Corbusier in the atelier of 35 rue de Sèvres in Paris. That tutelage was a crucial moment in his training as an architect, since from then on he would never abandon what would become one of his most important assets: freehand drawing. But who is German Samper?, what has been the meaning of drawing for this architect?, how did he learn from drawing?, and what did German Samper want to seek and express with his drawings? In this article we try to answer these questions and we intend to recover the recognition of his graphic contributions - dispersed in the collective memory- and the review of this fundamental architect of Colombian origin who confirmed through drawing, to represent, recreate and transform the architectural reality; by means of a very personal way, through a unique discourse. [ABSTRACT FROM AUTHOR]

This paper examines the Paris Opera designed by Garnier, focusing specifically on those parts of the building that form the backdrop described by Leroux in "The Phantom of the Opera". These elements have also served as inspiration for various subsequent film adaptations. The study delves into Garnier's theories on theater/opera architecture and Leroux's literary creation, contrasting them with film adaptations of Leroux's work. These adaptations demonstrate the close relationship between literature, cinema, and architecture, generally adhering to the principles of the French architect. [ABSTRACT FROM AUTHOR]

Wallace Neff was the most prolific architect in the construction of airform homes worldwide. He registered his first patent in 1941, subsequently initiating a process of legalizing the construction systems he invented in other countries. Following an extensive search of W. Neff's patent records across various archives, comprehensive fieldwork, and literature review, this study aims to analyze which patents W. Neff registered in the Iberian Peninsula, whether they were realized and how, and if they are still preserved today. [ABSTRACT FROM AUTHOR]

The phenomenon of ultra-mediations is made up of the evolution of media ecology, convergence, and hyper-mediation, all constituted based on technology and the human being as the architect of its development. Just as in economic theory, in ultra-mediations, networks generate behavioral patterns and interactions influence the results of coordination and cooperation. So, a diversity of actions is sustainable with certain network structures, but not with others; Therefore, people function as nodes due to differences in their connections and their history will depend on the network to which they belong. This research addresses the bases of ultra-mediations and, subsequently, analyzes how Ecuador integrates into this phenomenon through the exploration of variables collected in the 2019 Multiple Purpose Survey and the 2022 Employment Survey of the National Institute of Statistics and Censuses (INEC). It is concluded that, in Ecuador, the pandemic reduced the gap in the use of social networks; which can be interpreted as a better assimilation and participation of connections between nodes and users in ultra-mediations; However, Internet penetration remains the first obstacle to creating more egalitarian development. [ABSTRACT FROM AUTHOR]

The article presents the project of the Cabanon, the smallest apartment in the world, designed by architects STAR and BOARD. The apartment, located in Rotterdam, has an area of 6.89 m² and includes an infrared sauna and a whirlpool bathtub. Despite its small size, the Cabanon has four rooms and is considered a luxurious space and an "epicurean reduction". The design of the apartment is based on the specific needs of the owning architects, who sought to maximize space and adapt it to their personal preferences. The Cabanon demonstrates that flexibility in design and the use of standard products can significantly reduce costs. On the other hand, the exhibition "Parafraseando a Picasso" is taking place at the Colegio de San Ildefonso in Mexico City. The exhibition brings together more than fifty contemporary Mexican artists who recognize the legacy of Spanish painter Pablo Picasso. The show offers a journey through the influences of Picasso's work through 54 artworks. The exhibition seeks to establish a renewed connection between Picasso's work and the contemporary art scene in Mexico. [Extracted from the article]

The article offers information on the innovative design of Casa 14.1 in Santiago de los Caballeros, which stands out as the first structure in the urbanization built entirely with a steel frame. Topics include the use of open and fluid spaces, creating a harmonious composition with light colors and wooden details that evoke a sense of continuity.

The article offers information on the modern building housing the corporate offices of the Northern Regional of the Popular Savings and Loan Association (APAP) in Santiago de los Caballeros. The design concept, "A window is a commitment," resulted in a timeless architecture featuring simple, modern, and elegant volumes.

The article offers information on the construction of Finisterre Capital's offices in the Julieta sector of Santo Domingo, characterized by its austere, elegant, and modern design. Topics include the building's harmonious integration with its surroundings, embracing and respecting the environment. The construction, occupying a 723-square-meter plot with approximately 50% land use, features a carefully planned spatial distribution adhering faithfully to the program requirements.

The article offers information on Arquitexto's year-long research project aimed at recognizing the contribution of women in Dominican architectural practices and the built environment. Topics include the scarcity of visibility for women in the global history of architecture, with their presence emerging in the late 19th century in Europe and North America and the early 20th century in Latin America, Spain, and Brazil.

The article offers information on the commemoration of the 75th anniversary of the Central Bank of the Dominican Republic, prompting a revisit to its architectural complex in the historic Gascue residential neighborhood. Topics include the architectural components of the complex, designed by notable architects such as José Antonio Caro Álvarez, Rafael Calventi, Luis Guzmán, Ismael de Peña, and Margot Taulé.

Copyright of Cuadernos Dieciochistas is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos Dieciochistas is the property of Ediciones Universidad de Salamanca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hipogrifo: revista de literatura y cultura del siglo de oro is the property of Hipogrifo: revista de literatura y cultura del siglo de oro and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imafronte. Revista de Historia del Arte is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Estudios de Linguistica del Espanol is the property of University Library of Bern and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Potestas: Estudios del Mundo Clásico e Historia del Arte is the property of Potestas Estudios del Mundo Clasico e Historia del Arte and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of ZARCH: Journal of Interdisciplinary Studies in Architecture & Urbanism is the property of Universidad de Zaragoza and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista AUS is the property of Revista AUS and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Walking City by architect Ron Herron is a great example of utopian ideas in architecture. This work analyzes the context and features of this project, as well as subsequent ones it inspired, through documentary review, in order to recognize the overarching concern for resources, self-sufficiency, and technology as an opportunity. [ABSTRACT FROM AUTHOR]

Copyright of Universum is the property of Instituto de Estudios Humanisticos Juan Ignacio Molina, Universidad de Talca and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Cuadernos del Centro de Estudios de Diseño y Comunicación is the property of Cuadernos del Centro de Estudios de Diseno y Comunicacion and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

The present paper provides an original unknown work by the architect Leonardo de Figueroa initiated in the last days of his life. It consisted of the enlargement of a chapel belonging to the Brotherhood of The Arrest of Jesus in the Sevillian church of Santa Lucia. The work began in the second half of the 1720s and continued until the 1730s. The absence of documents on this commission went unnoticed by historians. [ABSTRACT FROM AUTHOR]

Copyright of Arcos: Design, Cultura e Visualidade is the property of Editora da Universidade do Estado do Rio de Janeiro (EdUERJ) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arte, Individuo y Sociedad is the property of Universidad Complutense de Madrid and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)