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It is easy to appreciate that the plot of the film Pretty Woman refers to classic fairy tales or princesses. However, it is not that so with the mechanics that make up such a cinematographic text. This article will analyse how the mechanics of scenery express this idea of a fairy tale. [ABSTRACT FROM AUTHOR]

The textual analysis of the filmic texts of Robert Stromberg's Maleficent and Walt Disney's Sleeping Beauty, based on the Perrault fairy tale, allows us to show the difference in the trajectory of desire for her protagonist Aurora, when it is configured as a classical or postclassical text In order to do this we have followed the guidelines of the text written by Jesus Gonzalez Requena, Classic, Mannerist, Postclassical. The story's forms in Holly wood cinema. It's determinant in both filmic structures the importance of the narrator and the sender and addressee's belief in the necessity of a symbolic story that channels the subject's desire. [ABSTRACT FROM AUTHOR]