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Copyright of Investigaciones Historicas is the property of Universidad de Valladolid, Facultad de Filosofia y Letras and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hispania Sacra is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Hispania Sacra is the property of Consejo Superior de Investigaciones Cientificas and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Revista de Poética Medieval is the property of Instituto Universitario de Investigacion en Estudios Medievales and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Ad Limina. Revista de investigacion del Camino de Santiag y las peregrinaciones is the property of AD LIMINA Turismo de Galicia SA de Xestion do Plan Xacobeo and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Imafronte. Revista de Historia del Arte is the property of Servicio de Publicaciones de la Universidad de Murcia and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Runa: Archivo para las Ciencias del Hombre is the property of Runa: Archivo para las Ciencias del Hombre and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

On November 28, 1725, the Brothers Hospitallers of Manila organized solemn festivities on the occasion of the bull granted by Pope Innocent XIII on the commemoration of the transfer of the remains of St. John of God from the convent of La Victoria to the main hospital of the order in Granada in 1664. A previously unpublished print contains the sermon preached for the occasion and the chronicle of the procession and description of the ephemeral arch erected on the main facade of his temple in the Philippine capital. Through this account it is possible to reconstruct the complex symbolic program of paintings and texts deployed around the virtues of the saint, which became an effective mechanism of propaganda in those territorial confines. [ABSTRACT FROM AUTHOR]

This article sees the light as the result of a research accomplished at the Xaverian Historic Archives, in Bogotá. The investigation allowed the author to have direct access to the documentary files gathered from different national and international archives, on the goods and chattels which made up the decoration of the church owned by the Society of Jesus in Santa Fe de Bogotá. The actual enclosure, in its decoration, has been modified over the years, having been adapted to the taste of the epoch and to the historic circumstances by which it has been marked, like the fact that it was converted into pro-Cathedral, after the expulsion of the Jesuits from the Kingdom of Spain, in the latter part of the 18th century. Thus, the claim of this article is to try to unveil the first level of the theological-spiritual and didactic reading of the original decorative ensemble of the temple that belonged and still belongs, to the Society of Jesus. Therefore, we will realize a reflection on how the image, the art, that was used always by the Catholic Church to transmit the faith, is a fundamental tool to express a theological content which could be understood by the persons who contemplated it; and we will propose the possible keys of reading, obviously, from the point of view of the Ignatian spirituality, so as to explain from it, the message that the Jesuits were sending to the Bogotanian people, or to any other faithful, who would enter into the sacred place. [ABSTRACT FROM AUTHOR]

Copyright of Quintana: Revista do Departamento de Historia da Arte USC is the property of Universidad de Santiago de Compostela, Servicio de Publicaciones and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)