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The aim of this paper is to demonstrate that 'Chac Mool' (1954) by Carlos Fuentes and 'Coatlicue' (2003) by Elena Poniatowska are short stories that utilize motifs of the Aztec cosmogony in order to disarticulate the discursive formation of Mexican national imaginary. However, the writers propose, more than a mythopoeic articulation of those motifs, a poetic deconstruction of the history and myths that form the foundations of Mexican national identity. In other words, while offering a vivid and literary perspective of Mexico, both writers also narrate it and recreate its myths and mythologies, offering at the same time an alternative vision of it outside the official narratives. [ABSTRACT FROM AUTHOR]

This paper studies the presence of Fray Luis de León in the literary and critical work of Antonio Colinas. In addition to the lyrical homages dedicated to the Augustinian friar in Noche más allá de la noche, Tiempo y abismo, and Canciones para una música silente, Antonio Colinas, an excellent essayist, interprets Fray Luis in the light (mystical, lato sensu) of reasoned music, a wise symbol of poetic art, inspired reason and harmony between word and world. [ABSTRACT FROM AUTHOR]

This paper provides, for the first time, a study of the biographical trajectory and literary analysis of two poets collected in the Cancionero de Baena (PN1), concentrating on the originality and quality of their poetry. I also suggest a correction, relating to Ruiz de Toro's work, which has escaped the attention of editors of this Cancionero. [ABSTRACT FROM AUTHOR]

The poetry of Francisco de Aldana (1537–1578) is of notable interest, inasmuch as it can be situated halfway between the Renaissance and the Baroque and, as critics have noted, since it constitutes an extraordinary example of so-called Mannerism. This paper aims to show the contradictory views expressed in Aldana’s work on the profession of arms and war. ‘Pocos tercetos escritos a un amigo’ can be ascribed to the ‘humanism of arms’ (also present in Don Quixote) and to the Renaissance ideal of the poet soldier, best exemplified by Garcilaso de la Vega. However, in subsequent works Aldana goes on to condemn war and the horrors which it entails. Thus, the military focus gives way to the contemplative spirit and the desire for retirement from the world, as observed in the superb ‘Carta para Arias Montano’. [ABSTRACT FROM AUTHOR]