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Copyright of Bulletin of Hispanic Studies (1475-3839) is the property of Liverpool University Press / Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nova Tellus is the property of Instituto de Investigaciones Filologicas - UNAM and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Nova Tellus is the property of Instituto de Investigaciones Filologicas - UNAM and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

This article analyzes the poetry of three authors whose works are among the most attractive of the last thirty years of Peruvian poetry. They have brought a rich complexity to their lyric tradition. That is the reason why their poetry has expanded the horizons of Hispanic poetry. Therefore, the purpose of this paper is to investigate an area of contemporary poetry—the works of José Morales Saravia, José Antonio Mazzotti and Róger Santiváñez—that without a doubt will mark some of the future paths of poetry in Spanish. [ABSTRACT FROM AUTHOR]

The aim of this paper is to address the neobaroque poetry of Rio de la Plata. In this regard, I have selected the work of Susana Cella and Eduardo Espina. The cultures of the two banks of the great river produce semiotic representations and different deconstructions, where the river is vestige and joyful shine of the history of the South. [ABSTRACT FROM AUTHOR]

The following paper analyzes Abad's Poema Heroico from the point of view of exile. The author of the poem is an expulsed Jesuit from America in 1767. This work does not deal with the expulsion, but the memories of Mexico constitute one of the fundamental topics of the choice of the epic genre. In addition, the poem shows the survival of this genre in the 18th Century and the importance of Jesuit literature in the Latin American culture. [ABSTRACT FROM AUTHOR]

Copyright of Signo y Pensamiento is the property of Pontificia Universidad Javeriana and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Perinola is the property of Servicio de Publicaciones de la Universidad de Navarra, S.A. and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Bulletin of Hispanic Studies (1475-3839) is the property of Liverpool University Press / Journals and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Se presenta una críticia de los sonetos del libro de poemas "Nox" de Concha Urquiza. Se explora la meditación poética de Urquiza sobre su vivencia de fracaso en el proceso espiritual y se analiza su uso del simbolismo de la noche según la tradición mística. Se comenta también sobre la representación de su búsqueda de la unión mística.