1. La intertextualidad a sus anchas: del poema a la copla en Enrique Morente
- Author
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Larroque, Jimena, Centre d'études politiques contemporaines (CEPOC), Pouvoirs - Lettres - Normes (POLEN), Université d'Orléans (UO)-Université d'Orléans (UO), Université du Québec à Montréal = University of Québec in Montréal (UQAM), Université Paris 8 Vincennes-Saint-Denis (UP8), and Larroque, Jimena
- Subjects
[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts ,[SHS.SOCIO]Humanities and Social Sciences/Sociology ,[SHS.LITT]Humanities and Social Sciences/Literature ,Intertextualidad ,popular ,literatura ,Poética ,[SHS.SCIPO]Humanities and Social Sciences/Political science ,[SHS]Humanities and Social Sciences ,[SHS.LITT] Humanities and Social Sciences/Literature ,[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts ,intertextuality ,culto ,Poetics ,cante ,música ,[SHS] Humanities and Social Sciences ,Enrique Morente ,poema ,ComputingMilieux_MISCELLANEOUS - Abstract
In this article, we will pay special attention to the variants and adaptations that occur in the passage from the written poem to the performed song in the work of Enrique Morente (1942-2010). Determining how Morente selects the sung poems, what is his tendency to musicalise them, whether or not he respects the original poem; all of this will allow us to identify, at least in part, the premises of his flamenco poetics. Through his singing, Morente brings together cultured and popular poetry with a naturalness and exuberance never before seen in any other flamenco singer. In his artistic stance, the popular is written as much as the cultured is sung. Taking advantage of the ductility of flamenco musical structures and versification, he reinstates the legitimacy of the popular as a source of written authorship and at the same time disseminates cultured poetry., En este artículo, prestaremos una especial atención a las variantes y adaptaciones que se producen en el paso del poema escrito a la canción interpretada en la obra de Enrique Morente (1942-2010). Determinar cómo Morente selecciona los poemas cantados, cuál es su tendencia al musicalizar, si respeta o no el poema original; todo ello nos va a permitir identificar, al menos en parte, los presupuestos de su poética flamenca. Desde el cante, Morente pone a dialogar la poesía culta y la popular con una naturalidad y exuberancia nunca antes vistas en otro cantaor flamenco. En su postura artística, lo popular se escribe tanto como lo culto se canta. Aprovechando la ductilidad de las estructuras musicales y de versificación flamencas, reintegra la legitimidad de lo popular como fuente de autoría escrita y a la vez difunde la poesía culta.
- Published
- 2021
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